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    George Santayana. Three Autograph Letters Signed, to Martin Birnbaum. Rome: October 12th 1945, February 4 1946, and Jan. 22 1947. Eight quarto pages, 8.25 x 10.5 inches (208 x 265 mm.), the first two letters being two-page ALS; and the last letter a four-page ALS. An excellent correspondence, accompanied by two ALS's sent to Santayana by Martin Birnbaum. Some darkening to paper, creases from folding. Very good.

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    An engaging and diffuse correspondence dealing with a variety of art-related themes. In the first letter, Santyana recounts a trip he made in company with John Singer Sergeant in 1893, including some private insight he was accorded into the latter's compositional strategy. The letter generally takes its bearings from the mention of an erstwhile Harvard undergrad whom Santayana had known peripherally and whose art collection would now come to the Fogg Museum. He mentions that he doesn't really have any close contacts at Harvard any longer, and is quite out of touch with news of it. A second letter responds to his correspondent's own reminiscences of Sergeant and Henry James, particularly discussing the differences between naturalistic and "eccentric or symbolic painting." He notes that his own sympathies lie with the classical tradition and hence more with the former, and he speaks of the spiritual and conceptual dimensions of Sergeant's otherwise "naturalistic" paintings. A third and final letter concerns a book his correspondent has written and sent him in Rome, and whose transit was long delayed. Its subjects, which include the art of Aubrey Beardsley and Hans Bellmer occasion a lengthy reflection on the place of the "obscene" in art and how it might best be effected so as to excite its "proper" reactions without trespassing domains in which it has no place.

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    Auction Dates
    March, 2018
    7th Wednesday
    Bids + Registered Phone Bidders: 1
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