2010 May Grand Format Political & Americana Auction
| Sale Number: | 6035 |
| Location: | Heritage Auctions - Dallas 3500 Maple Ave 17th Floor Dallas, TX 75219 |
| Auction Date: | May 22nd at 10 AM CT |
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Session 1
Political
Anti-Stamp Act: Very Rare 1766 Brass Shank Button Picturing William Pitt. Our November 2009 Americana auction featured, as lot 47109, an excavated example of this elusive early American political item. Despite the typical surface unevenness found on such copies, it drew tremendous interest, selling for $8962.50 against an estimate of $3000 - 5000. As will sometimes happen, the sale drew another example from a different source out of hiding. Interestingly, both were consigned by the individuals who originally dug them up from the earth, although one was found in New England and the other in Maryland. The present example is of a smaller size, 16mm. The example sold in November measured 25mm. Quite often when the same design exists in two sizes like this, the larger version were coat buttons and the smaller cuff buttons, which might suggest that the smaller size could be rarer, since a coat, especially in those days, might have a number of buttons on the front, but perhaps as few as two cuff buttons. In any case, this important seminal political item is extremely rare in either size
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The present copy is, overall, in comparable condition to the one sold in November. The portrait bust is quite clear and strong, and the surrounding lettering is rendered uneven by surface deposits, but is readable under magnification. The color is a pleasing light brown, and the original shank is present on verso.
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The present copy is, overall, in comparable condition to the one sold in November. The portrait bust is quite clear and strong, and the surrounding lettering is rendered uneven by surface deposits, but is readable under magnification. The color is a pleasing light brown, and the original shank is present on verso.
George Washington: Sought After "Memorable Era" 1789 Inaugural Brass Shank Button. An exceptionally nice example, with strong lettering and devices except for weakness of the "17" in 1789. Rich light brown color with exceptionally fine surfaces; a rare example which does not show signs of having been excavated. Couple of trivial shallow surface depressions are noted for accuracy, but overall a very fine copy. Shank missing from reverse. Diameter 34mm.
George Washington: Very Rare 1800-Dated Leather Fire Bucket. The principal hand-painted decoration is a funerary urn with a large "W" on the side, resting on a pedestal marked "1800". Above is the slogan "Protection in Danger," while on either side are "No." and "2," which doubtless references the fire brigade's unit number. On a streamer below is the name of the fireman who used it. The last name "Thompson" is clear, while the first name, which appears to be "Jeremiah," has partially eroded over the years. Washington died in December of 1799, so the vast majority of such memorial items were produced in and often dated 1800. The urn, often bearing Washington's initial or initials, is one of the most commonly seen devices on GW memorial items. However, this is the first time we have ever encountered a Washington memorial fire bucket of this type. Patriotic motifs are not uncommon on early American firemen's hats and buckets, but they typically date somewhat later, around the 1820s - 1830s; we have seen several examples with Washington themes which more likely date from the 100th anniversary of his birth in 1832. This is the earliest dated example we have encountered, and a wonderful, colorful contemporary display piece for the first president. Condition is basically very nice for the type. Although the paint has eroded and chipped in places, as one would expect given the hard use these buckets received, this occurs mainly toward the bottom. The central design is amazingly well preserved, and the overall display presence, with its rich patina of age and use, is very pleasing to the eye. The original integral leather handle has broken off at the top rim, to all appearances long ago, and is now absent. Height 12.5", diameter 8.5".
James Madison: Perhaps the Most Provenanced Piece of White House China Ever Offered on the Auction Market. This beautiful Paris porcelain pattern is a familiar one to students of White House China. The service was purchased for Madison by James Monroe while he served in Paris as the American Ambassador. Several sources confirm that the original owner was the deposed French Queen Marie Antoinette. The china was originally used by Madison at his Virginia home, Montpelier. But it was brought to Washington in the last years of his presidency, when the White House was being refurbished after being burned by the British in 1814. Nothing seems to have been documented as to the history of this china following Madison's White House years. However, the 1853-dated inscription on the present example states that it was purchased by the wife of yet another American president, John Quincy Adams, upon the death of Dolley Madison. Mrs. Adams subsequently presented it to Mrs. Samuel Wetmore, a prominent New England matron. So here we have a serving dish owned in turn by the famous French queen and three of America's first six presidents!
The inscription appears to be slightly inaccurate, although this is understandable: when it was applied in 1853, both Mrs. Adams and Mrs. Wetmore were deceased, so the story undoubtedly had morphed a little in the telling. Mrs. Adams could not have purchased this piece after Dolly Madison's death, since Mrs. Wetmore predeceased Dolley by several months in 1849. It seems much more likely that the china was sold by the Madisons earlier, as financial difficulties had necessitated the sale of many household furnishings and valuable personal effects. Quite aside from its presidential associations, a fine Paris porcelain set of this quality would have been a valuable asset, probably too much so for Dolley to have been able to retain it till the end. It is more likely that Mrs. Adams obtained this piece directly or from a third party earlier.
We cannot resist the temptation to speculate that Mrs. Adams may have felt a certain smug satisfaction in the acquisition. She might well have first been exposed to the china at White House state dinners between 1815 and 1817, when her husband served as the American Ambassador to Great Britain. John Quincy Adams went on to serve a single term as president from 1825 to 1829, but was defeated for reelection by Andrew Jackson in a bitter campaign. Jackson was, of course, the candidate of Madison's Democrat Party, in whose affairs Madison continued to play an active role at that time. It may have given Mrs. Adams a sense of justice served when Dolley Madison's prized china ultimately came to her.
The present example, an unusual 12" diamond shaped serving dish, has been in the family of the consignor for generations, although there is no record of a connection to the Wetmore family. The consignor's elderly mother remembers it being housed in the same display case which presently accompanies it when she was a little girl, and it was then in the possession of her grandfather (please see this lot listing on our website for additional images). Fears founded in its fragile nature have motivated the family to seek an appropriate new custodian for this historic heirloom.
It is in beautiful condition. A similar, but less provenance, example was sold by Heritage in the March 1, 2008 auction of the Edward C. Gillette Collection, where it fetched nearly $18,000. Because of its unique character we will not set an estimate on this specimen, but will merely open the bidding at $20,000. This lot requires 3rd party shipping.
The inscription appears to be slightly inaccurate, although this is understandable: when it was applied in 1853, both Mrs. Adams and Mrs. Wetmore were deceased, so the story undoubtedly had morphed a little in the telling. Mrs. Adams could not have purchased this piece after Dolly Madison's death, since Mrs. Wetmore predeceased Dolley by several months in 1849. It seems much more likely that the china was sold by the Madisons earlier, as financial difficulties had necessitated the sale of many household furnishings and valuable personal effects. Quite aside from its presidential associations, a fine Paris porcelain set of this quality would have been a valuable asset, probably too much so for Dolley to have been able to retain it till the end. It is more likely that Mrs. Adams obtained this piece directly or from a third party earlier.
We cannot resist the temptation to speculate that Mrs. Adams may have felt a certain smug satisfaction in the acquisition. She might well have first been exposed to the china at White House state dinners between 1815 and 1817, when her husband served as the American Ambassador to Great Britain. John Quincy Adams went on to serve a single term as president from 1825 to 1829, but was defeated for reelection by Andrew Jackson in a bitter campaign. Jackson was, of course, the candidate of Madison's Democrat Party, in whose affairs Madison continued to play an active role at that time. It may have given Mrs. Adams a sense of justice served when Dolley Madison's prized china ultimately came to her.
The present example, an unusual 12" diamond shaped serving dish, has been in the family of the consignor for generations, although there is no record of a connection to the Wetmore family. The consignor's elderly mother remembers it being housed in the same display case which presently accompanies it when she was a little girl, and it was then in the possession of her grandfather (please see this lot listing on our website for additional images). Fears founded in its fragile nature have motivated the family to seek an appropriate new custodian for this historic heirloom.
It is in beautiful condition. A similar, but less provenance, example was sold by Heritage in the March 1, 2008 auction of the Edward C. Gillette Collection, where it fetched nearly $18,000. Because of its unique character we will not set an estimate on this specimen, but will merely open the bidding at $20,000. This lot requires 3rd party shipping.
James Madison: Rare Madison Dinner Invitation. One page, partially printed, 7.75" x 5", April 2, 1810. This is a rare dinner invitation from James Madison to a "Mr. Hale". In full: "J. Madison requests the favor of Mr. Hale to dine with him, on Thursday next, at four ["half past three" has been struck] o'clock. An answer is requested April 2 '10". On the verso is written "President Invitation The Hon Mr. Hale". The invitation has traces of old fold creases and the verso has significantly, otherwise it is in very good condition. Invitations from this period rarely find their way to the collector market, and this is the first example we've had the privilege to offer.
Henry Clay: Delightful 1844 Campaign Banner. As did many of the campaign textiles for this candidate, this banner emanated from Pennsylvania, and carries not only the name of Clay's vice presidential running mate, but also that of the Whig candidate for governor in that state. The raccoon was the emblem of the Whig party in those days, much like elephants and donkeys represent our contemporary political parties. Several years ago Heritage sold a colorful 1844 banner showing raccoons feasting on poke berries, a play on one the name of Clay's opponent, James K. Polk. Here a coon is shown rolling a giant ball marked "Make way for the coons." The tradition of these large political balls burst onto the national scene in 1840, when Harrison supporters rolled one from town to town, rally to rally, keeping it constantly in motion. Across the top is the ditty" Hurra! Hurra! We think with reason, that this will be a great 'coon' season."
The banner is made of cotton cloth, which was much more durable than the silk fabric used for other political banners on the day. Accordingly it has survived in very nice condition, with only a few inconsequential small holes and separations. A little light brown staining toward the bottom also detracts minimally. The devices and lettering are somewhat evenly faded, but quite clear. 19.5" x 16", elegantly custom framed to an overall 26" x 23". This lot requires 3rd party shipping.
The banner is made of cotton cloth, which was much more durable than the silk fabric used for other political banners on the day. Accordingly it has survived in very nice condition, with only a few inconsequential small holes and separations. A little light brown staining toward the bottom also detracts minimally. The devices and lettering are somewhat evenly faded, but quite clear. 19.5" x 16", elegantly custom framed to an overall 26" x 23". This lot requires 3rd party shipping.
Martin Van Buren: Original Bound Volume of the 1840 Albany Rough Hewer Campaign Newspaper. "Devoted to the Support of the Democratic Principles of Jefferson". The first insert is a rare "Specimen Number", a mock-up version published on January 18, 1840, to solicit subscribers and advertisers. Following are thirty-eight weekly issues running through October 30. The paper then skips to December 24 for the final issue, No. 39, which as promised in the prospectus is devoted entirely to reporting the election returns. Each issue of the paper is devoted entirely to campaign politics. Seven issues for the period after Richard Johnson was selected as Van Buren's vice presidential running mate feature large electoral tickets on the front pages. Minor to moderate foxing scattered throughout, but otherwise in excellent condition. Each newspaper measures 8.5" x 12".
Martin Van Buren: Spectacular Wall Plaque Incorporating Hand-Painted Miniatures on Ivory. We have consulted several sophisticated long-term collectors and dealers in early political and presidential display items, and, like ourselves, none has ever seen or heard of anything quite like this wonderful plaque. Presumably produced in Europe for sale in America at the time of Van Buren's presidency, it shows him along with the four Founding Fathers: Washington, Adams, Jefferson, and Madison. Each portrait is hand-painted on ivory, measuring 2" x 1.65", protected by a thin domed glass cover. All are signed by the artists. Not surprisingly given that these were produced in a workshop environment, three different artists were involved, none of whom is listed in modern registries of significant artists of the period. Like many of the hand-painted Stobwasser snuff boxes of the early 19th-century, this may well have been a custom order for presentation purposes. It is encased in an elegant openwork brass frame with original hanging loop, measuring 6.75" 8.5". Overall display condition is excellent, although there is very slight deterioration of the blue fabric background along the edge at seven o'clock, and scattered staining of the cloth which, thanks to its even distribution, is not objectionable. As seasoned hobbyists know, Van Buren is one of the most difficult presidents for whom to obtain contemporary items, particularly of a display nature. The appearance of this unique and beautiful plaque is a significant event indeed. This lot requires 3rd party shipping.
William Henry Harrison: Rare Wooden Chest with Colorful Reverse on Glass, Flag Format Portrait Set into Lid. This item almost looks as if it might have been homemade at the time. However, through the years we have seen three virtually identical examples. Even the style of the wood chest itself was the same on all three. Opening the lid reveals a dazzling 8" x 5" reverse on glass campaign image of Harrison with flag background. Above his head are his name and a row of stars, while his ubiquitous campaign slogan "Hero of Tippecanoe" is curved below. As the photograph shows, the image itself is vivid and in beautiful condition. Some of the lettering directly below this bust is missing, probably due to moisture seepage. There are two fine cracks in the glass, one of which extends horizontally through the portrait. However, these are minimally distracting. In analyzing the importance of a defect in a given item, we often apply a simple test: if upon first laying eyes on the item the first thing one notices is the defect, this is a serious negative. If the defect is seen almost as an afterthought, after absorbing and appreciating the character of the object, this is something more easily lived with. We find the latter to be the case with this beautiful box. 11.5" x 7.5" x 3.75".
William Henry Harrison: Rare Variety of 1840 Silk Campaign Flag Banner. Harrison's was the first presidential campaign to make wide use of such campaign tools. Collins pictures no fewer than nine different varieties of WHH campaign flags, as well as an even wider variety of scarves and bandannas. In stark contrast, he lists only a single cloth item for Harrison's opponent, incumbent President Martin Van Buren, and it is a pennant style banner rather than a flag format. When campaign ferrotypes appeared in 1860, or when pinback celluloid buttons emerged in 1896, they were distributed in relatively equal numbers on behalf of all the active candidates. The disparity in the ratio of Harrison to Van Buren campaign textiles, also seen in the case of other campaign novelties such as tokens, ribbons, and brooches, clearly suggests that these wonderful campaign collectibles emanated from the genius of Harrison's campaign managers, not simply from the introduction of new types of campaign items.
Most of the 1840 Harrison flags feature merely a campaign slogan or a central portrait of the candidate (see the two adjacent lots). The rare style offered here depicts the Harrison family cabin at North Bend, Ohio. The candidate, whose facial features are clearly identifiable, emerges from the front door to greet a returning soldier who is walking with a crutch on a peg leg. To the side of the cabin another man taps a barrel of hard cider, another of WHH's campaign symbols. Harrison's campaign correctly sensed the mood of post-Jacksonian America, and accordingly sought to portray the candidate as a common man. The family's Ohio log cabin is often featured, despite the fact that Harrison, at the time of his presidential candidacy, actually lived in a large clapboard home, doubtless one of the most luxurious residences in Indiana. Earlier, since the late seventeenth century, the family had been landed gentry in Virginia, with holdings on a par with those of Washington and Jefferson (Harrison family tradition holds that George Washington was William Henry Harrison's godfather).
Collins does not list a campaign flag with this log cabin device in Threads of History, although he does illustrate a bandanna with the same image. It is our belief that not more than several other examples are extant. One such example was sold in December 2005 in a Chicago area collectibles auction for the sum of $41,020, believed to be a record price for a William Henry Harrison campaign textile.
As is the case with most of this genre, the present example is a little battle-weary, although it compares favorably with the various Harrison flags pictured in Threads. The colors remain vibrant except that the unusual wavy stripes have faded to an orangish shade, often the case with the red dyes used on these banners. There is minor roughness along with top edge, but no apparent trimming around the perimeter. Some soiling along the left edge, and one light stain in the field to the left of the cabin. It is not uncommon for flags and bandannas of his era to show some deterioration in the center area where they were folded for storage. The present Harrison flag has several small separations in this area, although almost no loss of fabric. As presently displayed the separations are not, to our taste, terribly distracting. However, they could be largely mitigated by any good textile conservator if one felt the need. Overall very good display presence. 25" x 27", beautifully custom framed to and overall 32" x 35". This lot requires 3rd party shipping.
Most of the 1840 Harrison flags feature merely a campaign slogan or a central portrait of the candidate (see the two adjacent lots). The rare style offered here depicts the Harrison family cabin at North Bend, Ohio. The candidate, whose facial features are clearly identifiable, emerges from the front door to greet a returning soldier who is walking with a crutch on a peg leg. To the side of the cabin another man taps a barrel of hard cider, another of WHH's campaign symbols. Harrison's campaign correctly sensed the mood of post-Jacksonian America, and accordingly sought to portray the candidate as a common man. The family's Ohio log cabin is often featured, despite the fact that Harrison, at the time of his presidential candidacy, actually lived in a large clapboard home, doubtless one of the most luxurious residences in Indiana. Earlier, since the late seventeenth century, the family had been landed gentry in Virginia, with holdings on a par with those of Washington and Jefferson (Harrison family tradition holds that George Washington was William Henry Harrison's godfather).
Collins does not list a campaign flag with this log cabin device in Threads of History, although he does illustrate a bandanna with the same image. It is our belief that not more than several other examples are extant. One such example was sold in December 2005 in a Chicago area collectibles auction for the sum of $41,020, believed to be a record price for a William Henry Harrison campaign textile.
As is the case with most of this genre, the present example is a little battle-weary, although it compares favorably with the various Harrison flags pictured in Threads. The colors remain vibrant except that the unusual wavy stripes have faded to an orangish shade, often the case with the red dyes used on these banners. There is minor roughness along with top edge, but no apparent trimming around the perimeter. Some soiling along the left edge, and one light stain in the field to the left of the cabin. It is not uncommon for flags and bandannas of his era to show some deterioration in the center area where they were folded for storage. The present Harrison flag has several small separations in this area, although almost no loss of fabric. As presently displayed the separations are not, to our taste, terribly distracting. However, they could be largely mitigated by any good textile conservator if one felt the need. Overall very good display presence. 25" x 27", beautifully custom framed to and overall 32" x 35". This lot requires 3rd party shipping.
William Henry Harrison: Classic 1840 "Hero of Tippecanoe" Silk Campaign Flag. In many ways Harrison waged the first modern political campaign, to great success. He not only reinvented himself as a man of the people of modest background, but he was the first candidate to make widespread use of campaign music, rallies, and political novelties- from tokens and ribbons with his portrait to flags like this one. The present example is certainly one of the better condition copies we have encountered. Silk was soon abandoned in favor of more durable cotton material for these campaign flags for a good reason: it is extremely delicate and vulnerable to dry rot, leaving the vast majority of surviving examples suffering from deterioration which is often extensive. The flag offered here has only several tiny holes and separations, probably less than one square inch in the aggregate, with none of them affecting design elements. We have never seen one of these Harrison flags which was not faded, but this one is well above average. The central military portrait, often found especially weak, is quite clear. All in all, it would be difficult to obtain an example in better overall condition. The flag is 25.5" x 27" and elegantly custom-framed to an overall 32" x 34". This lot requires 3rd party shipping.
William Henry Harrison: Beautiful Silk Portrait Bandanna. Unlisted by Collins, and we can recall seeing only one other example. Harrison's military portrait is in the center with his name and eagle above and patriotic motifs to either side. The vivid blue field is surrounded by an unusual border picturing seashells. Basically in very nice display condition, although we must note some minor imperfections. There are several small holes, in the aggregate well under a square inch in area, only one of which, on Harrison's collar, affects the portrait. Very slight edge roughness along top and bottom edges, with two minor tears in the top border. Several very minor light areas in the blue field. Measures 26.5" x 23.5". These early political textiles are the real aristocrats among political or presidential collectibles. With the exception of one bandanna variety showing Harrison on horseback which appears for sale from time to time, there are probably on average only several examples known for each of the other Harrison bandanna designs. Their rarity and evocative designs and colors make them true museum pieces. This lot requires 3rd party shipping.
William Henry Harrison: Rare 1840 Campaign Brush. One of the few early 3-D presidential items which can be assuredly identified as a campaign issue, since a matching version for Harrison's Democratic opponent Martin Van Buren was also produced. These are found in two sizes, this being the larger, 13.5" in length. These are often referred to as hairbrushes, and indeed the smaller size may have been used for that purpose. But this larger version was probably a more utilitarian nature, and the period brass hanging loop suggests it may have been hung for easy access and use, perhaps in the kitchen. Overall condition is very nice, as the photo shows. There's some chipping of the paint, mostly on the floral decoration at the top. But fortunately, Harrison's portrait itself is virtually perfect, and the even, honest wear creates a pleasing rich patina of use.
William Henry Harrison: Important and Highly Distinctive Unlisted 1840 Silk Flag Banner. Collins pictures three Harrison portrait flags, all of which, like the adjacent example, feature the same central portrait and wording. The present example is quite different: Harrison's bust is much larger and in brighter colors. It is enclosed in a rectangle rather than a circle, and in the background is a drapery similar to that seen on familiar single-portrait Currier political prints. The legend, rather than encircling the portrait, is below Harrison's name, punctuated by an unusual small military vignette with a flag (note: what may come across in the catalog photo as a stain mark is actually the dense leaves on the trees). While this is of course a matter of taste, we find this unlisted design to be much stronger and more appealing than the more familiar style of Harrison portrait flags.
Condition is quite nice. Of course, the red dye has faded as is almost always the case with these, but the flag is complete, with original borders on all four sides, and has no significant damage. There are several small partial separations, the only one of any note running across the top of Harrison's head. Two small areas of fabric loss at the beginning of the word "Tippecanoe" are inconsequential. Overall distinctly above average condition for a silk flag of this era. 23.5" x 26", expensively custom-framed to an overall 33" x 37". This lot requires 3rd party shipping.
Condition is quite nice. Of course, the red dye has faded as is almost always the case with these, but the flag is complete, with original borders on all four sides, and has no significant damage. There are several small partial separations, the only one of any note running across the top of Harrison's head. Two small areas of fabric loss at the beginning of the word "Tippecanoe" are inconsequential. Overall distinctly above average condition for a silk flag of this era. 23.5" x 26", expensively custom-framed to an overall 33" x 37". This lot requires 3rd party shipping.
William Henry Harrison: Beautiful China Portrait Campaign Plate. Actually more like an extra-large saucer, it may have been intended for use under a soup bowl, as it does not have the platform of a typical dinner or dessert plate. Unquestionably issued for campaign purposes, it carries the slogans "Our Country's Hope," and "Harrison & Reform." Civilian portrait of Harrison flanked by political flags marked "Tippecanoe" and "Thames." In excellent condition, with minor wear on the pink luster border, noted strictly for accuracy. Diameter 9.625".
James K. Polk: Important Torchlight Parade Broadside from Lancaster, Pennsylvania. Pre-1860 presidential campaign broadsides are greatly coveted. Those of James K. Polk are particularly so owing to the relative rarity of all types of campaign items for this 1844 Democratic candidate. Particularly favored by collectors are broadsides like this one advertising a torchlight parade. These events were central to the politics of the day, and broadsides like this are highly evocative of the mid-nineteenth century political scene.
The present example announces a confab on November 26, 1844, "In Honor of the Glorious Victory Achieved in the Election of James K. Polk." It calls for a "general Illumination and Torch-light procession," and declares that it is "earnestly hoped that every man will come provided with his transparency or lantern." It seems that there must have been thousands of these political lanterns in use at political events of that era, yet amazingly only perhaps a couple of dozen examples have survived for all candidates. The broadside announces a twenty-six gun salute at noon which will signal the commencement of the day's festivities, noting that if the salute is not heard, it will indicate that the event has been postponed because of weather.
But for some trivial edge roughness the condition is exceptional. Inconsequential creases along lines where it was long stored quarter-folded. Measures 14" x 20.5" and is nicely custom-framed to an overall 17" x 21.5". This lot requires 3rd party shipping.
The present example announces a confab on November 26, 1844, "In Honor of the Glorious Victory Achieved in the Election of James K. Polk." It calls for a "general Illumination and Torch-light procession," and declares that it is "earnestly hoped that every man will come provided with his transparency or lantern." It seems that there must have been thousands of these political lanterns in use at political events of that era, yet amazingly only perhaps a couple of dozen examples have survived for all candidates. The broadside announces a twenty-six gun salute at noon which will signal the commencement of the day's festivities, noting that if the salute is not heard, it will indicate that the event has been postponed because of weather.
But for some trivial edge roughness the condition is exceptional. Inconsequential creases along lines where it was long stored quarter-folded. Measures 14" x 20.5" and is nicely custom-framed to an overall 17" x 21.5". This lot requires 3rd party shipping.
Polk & Dallas: Prohibitively Rare 1844 Campaign Flag Banner. James K. Polk has always been a magic name for political collectors, as his campaign novelties of all types range from scarce to very rare. More often than not campaign items from the winning candidate tend to be more common than those for the loser, presumably because people were more inclined to hold onto items which celebrated an actual president. However in this election, as in the one before, there seems to be a tremendous disparity between the variety and volume of campaign items issued for the rival candidates, even though only one of the two Whig aspirants was successful. As discussed above, Harrison's 1840 campaign broke new ground in making systematic use of various campaign novelties. The Whig party seems to have continued this tradition in 1844, as items supporting the unsuccessful candidate Henry Clay are many times more prevalent than those for the victorious Polk. In Threads of History, Collins pictures only four textile items for Polk, as compared to twenty-nine different for Henry Clay!
Political flag banners like this one are of course the most prized Polk campaign artifacts of all. Although we have handled two examples of the Polk portrait flag, this is the first name flag to pass through our hands. It was formerly in the legendary collection of seminal political flag collector Professor Fred Israel. In several decades of searching, commencing years before it became the fashion, this was the only Polk flag which Israel was ever able to add to his collection.
The present example is in very presentable display condition. It is printed on a cotton fabric which gives it greater stability than the silk flags of the era. Several small scattered holes averaging the size of a pencil eraser do not detract. The color is evenly, moderately faded, and as usual the red stripes have turned to an orangish brown shade. One small stain mark partially covering the "K" in Polk, and another inconsequential one in the lower right quarter. 26" x 25.5".
Political flag banners like this one are of course the most prized Polk campaign artifacts of all. Although we have handled two examples of the Polk portrait flag, this is the first name flag to pass through our hands. It was formerly in the legendary collection of seminal political flag collector Professor Fred Israel. In several decades of searching, commencing years before it became the fashion, this was the only Polk flag which Israel was ever able to add to his collection.
The present example is in very presentable display condition. It is printed on a cotton fabric which gives it greater stability than the silk flags of the era. Several small scattered holes averaging the size of a pencil eraser do not detract. The color is evenly, moderately faded, and as usual the red stripes have turned to an orangish brown shade. One small stain mark partially covering the "K" in Polk, and another inconsequential one in the lower right quarter. 26" x 25.5".
Zachary Taylor: Rare Portrait Bandanna. It would be a mistake to assume because we have two different Taylor bandannas in this catalog that they are a readily available commodity. These two constitute fully half of the examples we have handled over nearly forty years. Collins pictures of ten different designs for Taylor in Threads of History, yet it is doubtful that more than half a dozen examples exist of any of these varieties. The one offered here is listed as number 210 on page 128, the illustrated bandanna being from the Smithsonian's collection. Like all but one of the listed Taylor bandannas, it has a military theme, returning him in uniform and surrounded by vignettes of his four most famous Mexican war victories. It is difficult to determine which of the various Taylor bandannas would be best considered Mexican War patriotic items in which were issued for 1848 campaign purposes. We suspect that most fit in both categories, as Taylor's military stature was certainly central to his presidential campaign. In any case, Taylor bandannas are highly prized by political collectors as there is otherwise a dearth of collectable textiles; Collins was unable to list a single banner or flag which was indisputably of campaign origin.
The present example is brown on cream, while the version in the Smithsonian's collection is maroon and white. It is overall in exceptional condition for the type, with only the slightest hints of very light aging. The central portrait area is remarkably clean and bright. The bandanna has been slightly trimmed along the left and right sides, and, for accuracy, we note several inconsequential small tears in the surrounding vignettes and at the right edge. Small hole, less than ¼" in diameter, in the very upper left-hand corner. As the catalog photo shows, this bandanna displays beautifully. 24.25" x 21.25".
The present example is brown on cream, while the version in the Smithsonian's collection is maroon and white. It is overall in exceptional condition for the type, with only the slightest hints of very light aging. The central portrait area is remarkably clean and bright. The bandanna has been slightly trimmed along the left and right sides, and, for accuracy, we note several inconsequential small tears in the surrounding vignettes and at the right edge. Small hole, less than ¼" in diameter, in the very upper left-hand corner. As the catalog photo shows, this bandanna displays beautifully. 24.25" x 21.25".
Zachary Taylor: One of the Finest Known Silk Bandannas for This Difficult Candidate. With its vivid blue background and spectacular near mint condition, this will surely be one of the finest of Taylor textiles. This is the plate example from Collins' Threads of History. It resided for decades in the legendary U.I. "Chick" Harris Collection. When most of the collection was sold in the late 1990s, this was one of the few items held back by the Harrises. It hung above the living room sofa for perhaps another five years until an aggressive offer upwards of $20,000 brought it back into hobby circulation. It has since changed hands again and we are privileged to be to offer it here. 27.5" x 25". Nicely custom-framed. This lot requires 3rd party shipping.
Zachary Taylor: Exceptionally Choice Reverse on Glass Image. Displayed as issued in its original thermoplastic-type frame. There were two widely used reverse on glass images of Taylor, the other being a profile, probably by the same maker. One finds them set into such varied items as change purses, plaques, and even a massive press bill of lading holder. One characteristic shared by most is paint flaking, ranging from modest to severe. Apparently, their manner of manufacture left these portraits extremely vulnerable to moisture. The present example is one of the finest we have seen, with no flaking whatsoever. There is a "foggy" area on Taylor's coat, but the paint is clearly visible through it, and it does not detract. The oval itself is 2.375" x 2.75", the frame 4.25" x 4.625". For strictest accuracy, we note several trivial edge chips on the frame.
[Zachary Taylor] Colorful Battle of Palo Alto Glasses Case. Great battle scene, with "the Battle of Palo Alto" in small letters below. While Taylor is not depicted, he did command the American forces in this, his first major victory of the Mexican War. The battle was won by the first application by Taylor of the "flying artillery" technique, by which Taylor moved his cannon rapidly forward against the enemy lines. Exceptionally nice condition for the type, with a little subtle surface grazing which is barely noticeable unless the light hits at precisely the proper angle. Formerly in the legendary Kenton Broyles collection. 5.25" x 2.75".
Franklin Pierce: 1852 Campaign Poster. A 30" x 24" engraving titled "Frankn. Pierce." It is done in the Spencerian style of calligraphy that was popular in the 1840s and 1850s and depicts the Democratic candidate for president within a roundel of flourishes with pairs of cherubs and doves in the corners. It was copied from an original artwork by Knapp & Rightmyer ("Professors of Ancient and Modern Penmanship"), published by D. M. Paddock & G. M. Phelps, and engraved by Wm. Endicott, all of New York. Some minor damp stains, mainly along the right edge and top left corner, with a nine-inch closed tear extending from the top into the design, not affecting the portrait. Overall in very fine condition. Except for some tokens and campaign biographies, Pierce material is quite scarce, especially large graphics such as this.
"Union": Magnificent Large, Hand-Colored 1852 Lithograph with Leading American Statesmen. Daniel Webster stands with his hand on the Constitution, surrounded by most of the leading lights of the American political scene in those days, all of whom are endorsing the concept of maintaining the Union under the Constitution. Clearly recognizable are Henry Clay, John C. Calhoun, James Buchanan, Stephen Douglas, John Bell, Martin Van Buren, Millard Fillmore, John C. Frémont, Lewis Cass, John Tyler, and 1852 Whig presidential candidate Winfield Scott, among others. With its rich coloration, this is one of the most affecting such prints we have seen. Published by William Pate of Burling Slip, New York. Originally painted by T. H. Matteson, and engraved by H.S. Sadd, dated 1852. Beautiful condition, measuring 28" x 21.5", elegantly custom framed to 35.5" x 28.5". This lot requires 3rd party shipping.
Buchanan & Breckinridge: Colorful Currier & Ives "Grand National Banner" from the 1856 Campaign. This popular series was produced for all tickets from 1844 through 1876, and often presents the only affordable option to obtain a jugate campaign poster or print for a given pair of candidates. That is certainly true in the case of Buchanan and Breckinridge. Very nice example with even age toning as is usually seen on these. 9.75" x 14".
John C. Frémont: Fine Pair of 1856 Silk Campaign Ribbons. The "Free Speech/ Free Men/ Free Territory" variety is in excellent condition and one of the nicest designs for this candidate. For accuracy, we note one trivial small stain on the top edge. The "Peoples' Candidates" variety is listed by Sullivan and Fischer, but is the only copy we have ever encountered and is in exceptional near mint condition. Frémont was the first Republican presidential candidate, and in our opinion his campaign ribbons have long been undervalued by the hobby. Lengths 7.375" and 7.25" respectively.
Abraham Lincoln: Sought After Large Ambrotype Portrait Badge from the 1860 Campaign. Oft-illustrated, this classic may well be the most familiar of early political campaign items. It features the renowned "Cooper Union" image of Lincoln, taken by Matthew Brady when Lincoln gave a legendary campaign speech at that New York landmark. Most 1860 photographic campaign badges incorporate tintype portraits. In this one, the photo emulsion is applied in reverse to the underside of a thin glass covering, which is then set into an ornate brass shell frame. On the verso is a cardboard insert with "For President, Hon. Abraham Lincoln", as well as advertising for the manufacturer, Geo. Clark, Jr., & Co. of Boston. For anyone who has examined a number of the surviving examples, it is easy to understand why the tintype enjoyed much greater popularity over the long run among manufacturers of political novelties. If the thin glass became cracked, the image was severely compromised. Furthermore, the thin emulsion could be easily scraped off, and was prone to flaking or bubbling if moisture seeped into the poorly sealed case. Not surprisingly, the overwhelming majority of surviving examples exhibit condition problems, often quite serious.
The present example is a distinctly superior one, with a strong, bold image, and only a single flake, unobtrusively located on Lincoln's necktie. There are evenly scattered, very minor light moisture marks in the fields, which give the appearance of light soiling. With the choicest examples consistently selling for upwards of $30,000, the present copy is a very affordable one with a very pleasing display appearance. These George Clark ambros are found in two varieties- some have a vertical pin assembly on verso, while others, like this one, are neatly holed at the top for suspension. Each type has its proponents, but we will observe that the present form has the advantage that the cardboard insert on the back is not defaced by the pin assembly. Height 2.625", diameter 2.125".
The present example is a distinctly superior one, with a strong, bold image, and only a single flake, unobtrusively located on Lincoln's necktie. There are evenly scattered, very minor light moisture marks in the fields, which give the appearance of light soiling. With the choicest examples consistently selling for upwards of $30,000, the present copy is a very affordable one with a very pleasing display appearance. These George Clark ambros are found in two varieties- some have a vertical pin assembly on verso, while others, like this one, are neatly holed at the top for suspension. Each type has its proponents, but we will observe that the present form has the advantage that the cardboard insert on the back is not defaced by the pin assembly. Height 2.625", diameter 2.125".
Lincoln & Hamlin: Sought After 1860 Political Campaign Flag. A variety particularly prized by collectors because of the unique "Abram" spelling of Lincoln's first name. It is also one of the few varieties of Lincoln flags which can meet the standards of highly condition conscious collectors. As a genre, these early political flags tend to be found in "battle weary" condition. However, the present example comes from an important find made in the 1980s: a large quilt came to light, backed entirely with several dozen neatly sewn together campaign flags. Included were two different sizes of Bell and Everett word flags, perhaps around ten of this Lincoln design, and several Grant and Seymour word flags from the 1868 campaign. Since they were on the underside of the quilt, they were protected from fading due to light exposure, and it seems that the quilt was used more for display purposes than utilitarian ones, as the fabric of the flags remained crisp and unworn. Since the early 1990s we have handled several of the Lincoln examples from this quilt, and have watched them steadily appreciate from several thousand dollars to well over $10,000. Whether one seeks an outstanding representative Lincoln flag or a blue-chip investment, the specimen offered here presents an outstanding opportunity. The flag is 16" x 11.5" and nicely custom-framed to an overall 21.5" x 15.5". This lot requires 3rd party shipping.
Abraham Lincoln: Five Long Strands of His Hair. Thoroughly documented, and accompanied by a certificate of authenticity from John Reznikoff/ University Archives, widely considered the leading authority on hair samples. Beautifully matted and ready for the frame of your choice, with Lincoln portrait and death scene images, and bronze plate: "Hair of Abraham Lincoln removed to access his fatal wound." 12" x 24".
Abraham Lincoln: Classic Bronze Plaque by Victor D. Brenner, Designer of the Lincoln Penny. This signed 1907 plaque shows Lincoln in a similar profile pose to that found on Brenner's immortal penny design. Mounted on the original green marble. Excellent condition but for one fine vertical crack in the marble, barely visible on the front and detectable on the reverse side only when the light hits at the proper angle. A marvelous item which appeals to numismatists and Lincoln collectors alike. 8.25" x 10.625" inches. This lot requires 3rd party shipping.
Abraham Lincoln: Mammoth Albumen Photograph. A 15.5" x 19" image of a relaxed Lincoln, legs crossed, with one arm resting on a book, listed in Charles Hamilton and Lloyd Ostendorf's standard reference as O-74. The photographer was Alexander Gardner who took this and five other portraits at his Washington, D.C. studio on Sunday afternoon, August 9, 1863. Lincoln agreed to be Gardner's first sitter at the new studio and made good on his word, accompanied by private secretary John Hay. Sunday was chosen in order to avoid "curiosity seekers and other seekers". The albumen is mounted on board covered or sealed on the verso with brown paper. The image is a deep sepia tone. Hand-coloring is restricted to one cuff of the president's shirt, painted white. There are a few surface abrasions with scattered chipping to the edges. There is a light area of discoloration in the central area with a darker stain at Lincoln's elbow. Skillful matting should minimize the perimeter defects. The overall presentation is quite pleasing. This is a scarce image in any format, but prohibitive in the mammoth size. We are aware of only two auction appearances: the Ostendorf example on original photographer's mount selling at Bonham's for $85,000 in November 2004 and reselling at Christie's in 2009 for $62,500.
Abraham Lincoln: 1865 Inauguration Ticket. 3.625" x 2.25". An extraordinarily rare ticket to the inauguration ceremonies in Washington, March 4, 1865. Precious few examples of this scarce ticket are known to exist, most of those blank, with this example being only the third to surface signed "Geo. T. Brown", the sergeant-at-arms. This specimen is simply engrossed to admit "one", though in one of our past auctions we sold an example embossed to admit an entire family. This example is slightly toned with some trivial foxing on the verso, otherwise it is in fine condition. A wonderful period card which one might imagine allowed a fortunate soul to hear Lincoln deliver his Second Inaugural Address, a speech of reconciliation setting the stage for the Reconstruction he did not live to orchestrate.
Abraham Lincoln: Important Printing of the Preliminary Emancipation Proclamation. 11.25" x 15". Broadside titled "By The President of the United States: A Proclamation," n.p., n.d. It contains the text of the preliminary Emancipation Proclamation issued by Abraham Lincoln on September 22, 1862. Since the start of the war, Lincoln had been urged by abolitionists, radical Republicans, and religious groups to free the slaves and draft them into the military. He resisted these suggestions as both premature and risky. They might prompt border states to join the Confederacy and result in European intervention and/or diplomatic recognition. The President, at least publicly, would not acknowledge slavery as the central cause of the conflict. He also hoped that the slavery issue could be handled through a program of gradual emancipation, a government buy-out to the slaveholders, or voluntary colonization to Central America or western Africa. He had rescinded emancipation proclamations issued by Union generals John Frémont and David Hunter for a variety of political and legal reasons. After a year of war and many battlefield setbacks, he decided that shifting the focus to slavery was now a military, if not moral, necessity. The Union victory at Antietam, problematic as it was, served as the impetus for the issuance of the preliminary proclamation. Still, the President tempered his action by offering a "last chance" to the rebel states. The proclamation would not become final until January 1, 1863. The combatants had one hundred days to cease hostilities, hold elections to send representatives to Congress, and adopt any of the President's proposals for emancipation, unrealistic as they were. The balance of the broadside's text reprints provisions of the March 13, 1862 law that deals with escaped slaves, who shall be "deemed captives of war" (a.k.a., contraband) and therefore free men, not to be returned to their former masters and a life of servitude. The Fugitive Slave Bill of 1850 would not be enforced and any slave holders, if they could prove loyalty to the Union and lack of material support to the Confederacy, would be compensated for lost slaves "upon the restoration of Constitutional relations..." The bottom of the broadside contains a quotation by Vice President Alexander Stephens of "the so-called Confederate States", titled "Slavery The Chief Corner-Stone", disputing the Southern claim that slavery was not the underlying cause of the war. While many soldiers and Democratic politicians would oppose the perceived shift from restoring the Union "with or without slavery" to the abolition of slavery, the vast majority of the public supported the policy. The issuance of the final proclamation on January 1, 1863 accomplished many laudable goals, including: moral clarity and purpose, precluding European involvement, undermining the Southern war effort, and swelling the ranks of the Union army with black recruits. Some damp stains along bottom and right edge; professionally backed with rice paper, normal toning, overall a fine example. An example sold at Christie's December 5, 2006 for $26,400.
Lincoln & Hamlin: Beautiful 1860 Uniside Ferro Jugate. An exceptionally nice example, with bold, bright portraits and excellent contrast. Original straight pin on verso. Listed by Sullivan as AL 1860-116a, this is one of a set of four jugates picturing the rival 1860 tickets. The 1860 election saw an explosion of campaign novelties incorporating these small tintype portraits, but only a single style which featured both presidential and vice presidential candidates on the same side. All four designs are scarce, and are particularly important to collectors as they began a series of pinback jugate badges which were made for each presidential ticket thereafter. These 1860 jugates are notoriously found with dark images or condition problems. The Lincoln & Hamlin design is predictably a collector favorite, and presents an exceptional opportunity in this superior condition. Diameter 22mm.
Abraham Lincoln: Lock of Lincoln's Hair. Six strands of hair removed by surgeons to access the fatal wound. It was given by Mrs. Lincoln to Dr. Charles Taft, who attended the president on his deathbed. Taft willed his collection of mementos to his son, Charles C. Taft, who sold the hair lock with full documentation in 1908. Its provenance has been continuously documented since. These hairs come with a certificate of authenticity from John Reznikoff of University Archives. Attractively matted with image of Lincoln. Very fine.
Abraham Lincoln: Classic "ABC" Ceramic Saucer. Lincoln's portrait is surrounded by the raised letters of the alphabet, with "President Abraham Lincoln" below. This is the scarcer variety with green tint to the side of the portrait and a pink luster border. Produced in the midst of the Civil War, it anchored a set which also included prominent generals such as McClellan, Scott, and Graham. Along with its matching mug, it is highly sought after as one of the relatively few Lincoln ceramic pieces which can be dated before his assassination with certainty. Excellent condition with minor light toning. Diameter 6".
Abraham Lincoln Versus Jefferson Davis: Classic Set of 1861-Dated Caricature Envelopes. Titled "champion prize envelope.... Lincoln & Davis in 5 rounds," the set uses the metaphor of a boxing match between the two rival presidents to symbolize the conflict between North and South. In the end, a victorious Lincoln reduces Davis to a "greasespot," and pledges "my impartial, constitutional, and humble protection!" to all states, North and South. The set is in very fine condition, and elegantly matted and framed. 11.75" x 24" as framed.
Abraham Lincoln: Period Staffordshire Pastille Box. 1.75" x 2.75" x 1.75". Soft paste porcelain patch or pastille box likely issued in early 1865. The lid has a high-relief bust of "Lincoln" against a violet-blue background. The bannerette containing his name is outlined in burgundy. The background is outlined in gold. The base has a raised design of tulips or bellflowers on one side. This same bust appears on composition vases and match safes. We have seen an almost identical example with a black background, indicating a memorial usage. This example likely was made prior to Lincoln's assassination and is quite attractive in its coloration. Excellent condition save for a tight hairline in one end of the base and normal glazing imperfections in the base.
Abraham Lincoln: Large Standing Bronze of Lincoln with the Emancipation Proclamation, by Volk. Standing 32.5" tall, this impressive bronze with deep patina was the work of noted sculptor Leonard Wells Volk (1828-1895). It depicts the sixteenth president clutching a scroll inscribed "Emancipation Proclamation". The pedestal or base is 10.5" in diameter and has incised lettering along its edge reading, "Copyright by Leonard W. Volk 1891". The whole rests on a black granite disc 13" in diameter, likely a later addition. Volk opened a studio in Chicago in 1857. He produced busts of Stephen A. Douglas (his wife's cousin and sponsor of the artist's European education) and Abraham Lincoln, the latter done in 1860 based on from-life sittings. At that time, he also made plaster castings of Lincoln's hands and face. His statues of the two famous protagonists are on display in the Illinois State Capitol in Springfield. This sensitive and adulatory work was yet another of his projects devoted to his favorite subject. Outstanding condition. Based on newly-received information, we now believe that this may be a more contemporary casting. This lot requires 3rd party shipping.
Lincoln & Hamlin: Superb 1860 Campaign Two-Sided Ferrotype. 24mm. A beautiful ferrotype featuring a portrait of a clean-shaven Lincoln with his running mate, Hannibal Hamlin, on the reverse. Trivial crazing to portraits, else a beautiful example in about fine condition.
Abraham Lincoln: Rare Gem Size Lincoln Albumen Portrait- "Our Martyr". ¾" x 1", mounted on a 2½" x 4" card with printed frame and captioned "Our Martyr". A solemn memorial issued to a grieving American public after Lincoln's tragic assassination. This example is in choice condition with a sharp photograph and bright brass frame.
Abraham Lincoln: Supremely Rare and Important Portrait Campaign Flag from 1860. Among categories of collectable political campaign novelties, these flag-format banners are among the most highly prized. Within this subcategory, 1860 and 1864 Lincoln flags carrying the candidate's portrait are the most sought after of all. Interestingly, at least ten different designs have come to light over the years, however not more than a half dozen examples are known to exist of any given design. Most are one-of-a-kind. The present example, which comes out of an old New England collection, was unknown to Collins when he edited Threads of History, and is, to our knowledge, unique. The smaller beardless portrait and unusual configuration of stars set it apart from other known designs.
While the value of these flags has risen steadily over the years, it is only in the last decade that the market has really come into its own. We recall the first Lincoln portrait flag we handled in the mid-1970s. At that time it sold for $500, perhaps a quarter of what a Cox- Roosevelt jugate button would command in those days. Today such a flag will easily bring triple the price of a standard C-R jugate.
The public auction record for a Lincoln portrait flag is still held by Heritage: $83,650.00 for a large example sold in February 2007 (auction 659, lot 25016). However, we have confirmed two more recent private sales at $100,000 each, and it is rumored that one of those may be resold at yet an even higher price. As with all collectibles, condition is certainly a factor in determining price. This tends to be less the case with political flag banners of this era, though, since most surviving examples have defects of varying sorts, often rather extensive. The Lincoln flag sold by Heritage for the record price was certainly in far from perfect condition, and one of the examples sold privately for $100,000 has a number of significant holes, some affecting the portrait area.
The present example, like most of the others, is not perfect. It is somewhat faded and has light overall aging. However, both are very even, and the flag presents well for display. One larger light brown stain in the lower left-hand corner distracts and detracts minimally, as does a single 2.5" tear upward from the bottom edge in the same area. Importantly, this flag appears to be full-sized and has not been trimmed, as some examples have been in order to mitigate significant edge damage. Overall, we consider this example to be worthy of all but the most fanatically condition-conscious of collectors. An opportunity comes up only every few years to obtain a Lincoln campaign artifact of true museum quality. 17.5" x 10.75", nicely custom-framed to an overall 20" x 14". This lot requires 3rd party shipping.
While the value of these flags has risen steadily over the years, it is only in the last decade that the market has really come into its own. We recall the first Lincoln portrait flag we handled in the mid-1970s. At that time it sold for $500, perhaps a quarter of what a Cox- Roosevelt jugate button would command in those days. Today such a flag will easily bring triple the price of a standard C-R jugate.
The public auction record for a Lincoln portrait flag is still held by Heritage: $83,650.00 for a large example sold in February 2007 (auction 659, lot 25016). However, we have confirmed two more recent private sales at $100,000 each, and it is rumored that one of those may be resold at yet an even higher price. As with all collectibles, condition is certainly a factor in determining price. This tends to be less the case with political flag banners of this era, though, since most surviving examples have defects of varying sorts, often rather extensive. The Lincoln flag sold by Heritage for the record price was certainly in far from perfect condition, and one of the examples sold privately for $100,000 has a number of significant holes, some affecting the portrait area.
The present example, like most of the others, is not perfect. It is somewhat faded and has light overall aging. However, both are very even, and the flag presents well for display. One larger light brown stain in the lower left-hand corner distracts and detracts minimally, as does a single 2.5" tear upward from the bottom edge in the same area. Importantly, this flag appears to be full-sized and has not been trimmed, as some examples have been in order to mitigate significant edge damage. Overall, we consider this example to be worthy of all but the most fanatically condition-conscious of collectors. An opportunity comes up only every few years to obtain a Lincoln campaign artifact of true museum quality. 17.5" x 10.75", nicely custom-framed to an overall 20" x 14". This lot requires 3rd party shipping.
Stephen A. Douglas: Unlisted and Probably Unique 1860 Portrait Campaign Flag. The 1860 election saw the emergence of four major presidential candidates. Buchanan's vice president, John C. Breckinridge, was actually the representative of the old-line Democrats. However, it is Douglas, the beloved "Little Giant" who went toe to toe with Lincoln in the legendary 1858 debates, who is remembered as Lincoln's primary opponent. Most known Douglas portrait flags are a small variety, of which somewhere between five and ten examples in near mint condition surfaced in the 1980s. With the exception of that group, now mostly ensconced in major collections, there are almost certainly fewer than half dozen known copies in total of several different varieties. The example offered here is clearly the mate to the also-unlisted Lincoln appearing in this auction, identifiable by their similar star configurations..
These two flags were discovered at different times and in different places, but ironically they have aged similarly and so display very nicely as a pair. There are evenly distributed light brown marks which, perhaps because of their pattern, do not seem terribly distracting. One small "bleached" area in the canton below the portrait is a bit more intrusive, but could be very easily restored by any good art or textile conservator if one felt the urge. At 15.5" x 10.75", the flag appears to have been very slightly trimmed, probably along each side, but still matches the Lincoln very closely. We cannot help but hope that one buyer will keep these two historic flags together. Another genuine museum-quality opportunity, nicely custom- framed to an overall 19.5" x 14.5". This lot requires 3rd party shipping.
These two flags were discovered at different times and in different places, but ironically they have aged similarly and so display very nicely as a pair. There are evenly distributed light brown marks which, perhaps because of their pattern, do not seem terribly distracting. One small "bleached" area in the canton below the portrait is a bit more intrusive, but could be very easily restored by any good art or textile conservator if one felt the urge. At 15.5" x 10.75", the flag appears to have been very slightly trimmed, probably along each side, but still matches the Lincoln very closely. We cannot help but hope that one buyer will keep these two historic flags together. Another genuine museum-quality opportunity, nicely custom- framed to an overall 19.5" x 14.5". This lot requires 3rd party shipping.
Douglas & Johnson: Rare 1860 Currier & Ives "Grand National Banner" Print. Part of a famed series which included every presidential ticket from 1844 through 1876. This 1860 design picturing the "Little Giant" and his running mate is one of the toughest of the set. The present example is in very nice condition, with subtle overall light aging is usually seen. Very nice wide borders, 10" x 13.75".
Douglas & Johnson: Key 1860 Uniside Ferrotype Jugate. Part of the set of four issued for the four tickets which contended in the 1860 election. Extremely important, as these are the first pinback photographic jugates, the beginning of a tradition which was followed for every presidential election thereafter. The Douglas & Johnson is undoubtedly the rarest of the four, with probably not more than ten copies existing. The present example has excellent brightness and images, and the original pin on verso. There is some slight raising of the emulsion in the lower left quarter, ending just below Douglas's chin and between the two conjoined shoulders. However, the emulsion is complete, and this is detectable only when the light hits at the proper angle. Diameter 22mm.
Stephen A. Douglas: Unlisted 1860 Campaign Ferrotype in Wonderful Format. Uses the scarcest of the three Douglas portraits listed by Sullivan, based on a Brady image. The portrait is surrounded by concentric plain and rope brass borders, and set into a colorful red, white, and blue rosette for wearing, with ribbon bearing the slogan "UNION" in gold letters. Ferro is 18mm, rosette two inches in diameter. "Union" is a little light but clear; otherwise an excellent overall display condition.
Bell & Everett: Another of the Important 1860 Uniside Jugate Ferros. A small number of these 1860 examples exhibit a remarkable feature: the tintype itself has an almost luminous quality, as if some highly reflective powder were mixed into the emulsion. Such is the case with this lovely copy. Condition is essentially virtually mint; even the beaded press shell frame is fully lustrous. Under magnification, one detects scattered tiny pinpoint spots, but these are virtually invisible when viewed with the naked eye. It would be hard to improve upon this delightful example. Diameter 22mm. Pin missing on verso.
Breckinridge & Lane: Key 1860 Uniside Ferro Jugate in Superb Condition. Although Stephen Douglas is often thought of as Lincoln's primary 1860 opponent, John C. Breckinridge of Kentucky was actually the standard-bearer of the regular Democratic Party. Formerly Buchanan's vice president, Breckinridge was considered the candidate in that election who most closely represented the interests of the South. He would later throw in his lot with the Confederacy and became a distinguished Confederate general. Offered here is a virtually unimprovable, near mint jugate with original pin on verso. Diameter 22mm.
McClellan & Pendleton: Very Choice 1864 Currier "Grand National Banner" Jugate Campaign Print. A probably unimprovable near mint example of this scarce campaign poster, one of the few obtainable display items for this tough ticket. Wide borders and vibrant color, measuring 11.5" x 14". (Note: the borders are partially covered by the mat in the catalog photo, but they are wide, even, and extremely clean).
Ulysses S. Grant: Magnificent Silk 1868 Campaign Flag Banner. To our taste, one of the nicest of single-portrait flag designs, and in spectacular near mint condition with amazingly vivid blue and red colors. Listed by Collins in Threads of History (page 177), and this does not appear to be the plate example. However, we know of no other existing copies. An unlisted Seymour mate does exist; we sold an example privately some eight years ago for nearly $20,000 despite extensive restoration of damage to Seymour's portrait. One of the prize offerings in this exceptional auction. 18" x 11.5", nicely custom framed to 22" x 15.5". This lot requires 3rd party shipping.
Grant & Colfax: Beautiful Framed Jugate Ferrotype. 1" x 1", "Patent Applied For" backmark. In very fine condition with only one scratch running along the hairline of Colfax. Enhanced by the original frame and back pin, which is usually missing, this pin is a real eye catcher. There are some trivial scratches to the portrait, with some oxidation at the extreme edges; otherwise it is in very good condition.
Ulysses S. Grant: Stunning Huge Silk Scarf with His Portrait. With its dramatic 32" x 29" size and vibrant colors, this is arguably the most impressive of all designs of Grant political textiles. The central portrait, with crossed cannon and military devices below, is itself some 10" in height, and is set off beautifully by the alternating red and cream-colored borders. Condition, especially for a silk scarf of this vintage, is nothing short of amazing. The display appearance is essentially near mint. There is some unobtrusive deterioration of the fabric which can be almost completely mitigated by proper mounting and framing: the dyes used in manufacture seemed to have reacted differently with the cloth over time, leading to several fine partial separations along the lines where one color meets another. Several fine horizontal separations in the top red border have been reinforced on verso with non-reactive tape used by professional conservators. Nicely custom-framed.
While we have seen several varieties of smaller Grant kerchiefs, this is the first time we have encountered this imposing design. A New England dealer with whom we consulted advised his that he had sold an example privately for $4500 despite significant discoloration and other condition issues. This lot requires 3rd party shipping.
While we have seen several varieties of smaller Grant kerchiefs, this is the first time we have encountered this imposing design. A New England dealer with whom we consulted advised his that he had sold an example privately for $4500 despite significant discoloration and other condition issues. This lot requires 3rd party shipping.
Grant & Colfax: 1868 Campaign Flag Banner. A very appealing design with blue lettering, which is not listed by Collins in Threads of History. A few trivial tiny age speckles noted for accuracy, but excellent overall condition. All four borders as made and untrimmed. 8.5 x 5.75".
Ulysses S. Grant: Bust Advertising Empire Soap Dated 1885. Perhaps as a memorial to this great commander and statesman, the Empire Soap Co. added "The Old Commander" brand to their prestigious soap line. Here, Grant is depicted in his uniform much as he would have been seen during the war. The back has a copyright date of 1885 by Bernard Dreyfuss and is marked "Patent Applied For July 7,1885". The bust is 16.5" tall with only minor wear to its original paint. Many busts similar to this have surfaced but with no advertising connection. This lot requires 3rd party shipping.
Hayes & Wheeler: Sought After 1876-Dated "Centennial Candidates" Badge. Much original luster on the distinctive brass shell frame. Great condition but for a light discoloration over the Wheeler photo. Pin missing on verso. 1.25" x 1.625".
Hayes & Wheeler: Rare 1876 Jugate Campaign Bandanna. Conjoined busts with ribbon below reading "Hon. Rutherford B. Hayes Ohio and William A. Wheeler New York" and "Republican Candidates for President & Vice Prest." A similar version is listed by Collins in Threads of History as number 457 on page 213, although the dimensions are slightly larger. The plate example, the only other copy we have ever encountered, is in the J. Doyle Dewitt collection at the University of Hartford. With its bright red border this is a wonderful display piece for this GOP ticket. Perhaps because 1876 was America's centennial year or perhaps because of the controversy which swirled around that election, Hayes items have always been particularly sought after by collectors.
The present example is in very nice condition, free of the browning usually seen along the traditional quarter-fold lines on scarves of this era. The background, presumably originally a purer white, has toned evenly to a pleasing light beige shade. There is relatively minor damage in the right border: a 2" tear in the upper right-hand corner and a 3" partial separation farther down in the red border on the right side. One pencil eraser-sized hole near the lower edge and a 1" vintage sewn repair in the red border are also noted for strictest accuracy. As the photo shows, the overall condition is distinctly superior for a bandanna of this vintage. 26" x 21".
The present example is in very nice condition, free of the browning usually seen along the traditional quarter-fold lines on scarves of this era. The background, presumably originally a purer white, has toned evenly to a pleasing light beige shade. There is relatively minor damage in the right border: a 2" tear in the upper right-hand corner and a 3" partial separation farther down in the red border on the right side. One pencil eraser-sized hole near the lower edge and a 1" vintage sewn repair in the red border are also noted for strictest accuracy. As the photo shows, the overall condition is distinctly superior for a bandanna of this vintage. 26" x 21".
Hayes & Wheeler and Tilden & Hendricks: Matched Pair of 1876 Jugate Silk Campaign Ribbons and Single Hayes & Wheeler Campaign Ribbon. A handsome matched pair of 2" x 4½" woven silk ribbons with the portraits of the opposing Presidential candidates and their running mates produced by B. B. Tilt of Paterson, New Jersey. In addition to this multi-colored examples offered here, this design also comes in a black and white variant. The Republican ribbon has faired a bit better than the Democratic version which has some light soiling and fraying to the ribbon. Also included with the lot is a 1876 Hayes & Wheeler 1 5/8" x 5½" ribbon featuring a portrait of Rutherford B. Hayes. The silk has soiled with some age browning present and minor fraying, otherwise it is in good condition.
Tilden & Hendricks: Fine 1876-Dated "Centennial Candidates" Jugate Pinback Badge. Paper portraits in brass shell, with original pin on verso, attached to original red, white, and blue ribbon. In excellent condition, and very hard to find so. The paper inserts are extremely vulnerable to both moisture and light, and a copy this clean is rarely encountered. 1.25" x 1.625".
Tilden & Hendricks: Rare 1876 Campaign Bandanna for These Centennial Candidates. Also issued in a companion design for Hayes & Wheeler, this is one of the very few campaign-issue textiles produced for this historically important candidate (Tilden actually won the popular vote in that election, but a "back room" deal to withdraw Federal troops from the South gave the election to Rutherford B. Hayes). Collins lists nine different Hayes textiles in Threads of History, but only three, including this bandanna, for Tilden (and one of those, a "Tilden Democratic Society" banner, may well date from an election or two later than 1876). The Collins plate example resides in the Smithsonian's collection, and not more than several examples appear to be held in the hobby.
The candidates are pictured along with George Washington, with "Democratic Candidates for 1876" below. We will endeavor to detail condition issues which may make the piece sound worse than it is, so would-be purchasers are encouraged to view it in the entirety via the website photo to gain a realistic sense of how it displays. The bandanna is moderately faded overall, and the white background has typically faded to a beige tone. There are various partial separations around the red border, but no noteworthy fabric loss except at the very bottom, which has been effectively mitigated by mounting against a complementary red background. The central portion is in relatively better shape, with a few small scattered holes, the largest adjacent to the word "Centennial," and none affecting the portraits significantly. Several scattered small brown marks are largely inconsequential, the only serious one being on Tilden's left nostril. Despite this "laundry list" of shortcomings, the bandanna is very presentable for display overall, particularly considering its rarity and importance. 25" x 27", beautifully custom-framed to an overall 28" x 31". This lot requires 3rd party shipping.
The candidates are pictured along with George Washington, with "Democratic Candidates for 1876" below. We will endeavor to detail condition issues which may make the piece sound worse than it is, so would-be purchasers are encouraged to view it in the entirety via the website photo to gain a realistic sense of how it displays. The bandanna is moderately faded overall, and the white background has typically faded to a beige tone. There are various partial separations around the red border, but no noteworthy fabric loss except at the very bottom, which has been effectively mitigated by mounting against a complementary red background. The central portion is in relatively better shape, with a few small scattered holes, the largest adjacent to the word "Centennial," and none affecting the portraits significantly. Several scattered small brown marks are largely inconsequential, the only serious one being on Tilden's left nostril. Despite this "laundry list" of shortcomings, the bandanna is very presentable for display overall, particularly considering its rarity and importance. 25" x 27", beautifully custom-framed to an overall 28" x 31". This lot requires 3rd party shipping.
Garfield & Arthur: Most Unusual Campaign Hair Comb. We have never encountered this classically Victorian object before. The candidates' names appear in open work at the top. The comb seems to be made of some composition material which is intended to resemble tortoiseshell. Unfortunately, two teeth are missing, but allowances must be made for a unique piece of this nature. Otherwise excellent condition. Length 5".
Garfield & Arthur: Inaugural Ball Invitation Group. Lot consists of three components: (1) A 9.75" x 6" invitation to the "Inaugural Reception Promenade Concert" at Washington's National Museum on March 4, 1881. Engraved on pale green coated stock by the Homer Lee Bank Note Company of New York. Excellent condition save for two inconsequential light creases on the right corners; (2) A 4.5" x 2.75" engraved card to the concert or ball; and (3) The original transmittal envelope addressed to General C. C. Augur in San Antonio, Texas with embossed "Inaugural Reception" flap. Augur served as Commandant at West Point, saw action in the Mexican and Civil Wars, commanding the XXII Corps and Department of Washington from October 1863 until the end of hostilities. The small card and envelope rarely appear on the market, making this a desirable group.
Garfield & Arthur: Rare and Stunning 1880 Jugate Woven Silk Campaign Ribbon. 3½" x 8½". Albumen portraits of the candidates are mounted on a shield surmounted by a spread-wing eagle and flanked by draped flags with the entire tableau woven on a deep azure silk ribbon with heavy silver-wire fringe at the bottom. This is a visually striking ribbon with extraordinary detail and in fine condition.
Advertising
James A. Garfield: H. H. Warner's Safe Kidney Cure Advertising Lithograph Sign, Circa 1880. It was in 1879 that H. H. Warner, after suffering from Bright's Disease, bought the rights to Dr. Charles Craig's Kidney Cure. Warner, a man with a keen sense for marketing, was inspired to use the presidential election of 1880 to advertise his product. Pictured in this colorful early lithograph is James A. Garfield being congratulated by a group of constituents including his opponent, James G. Blaine. Each political figure is identified along the bottom edge and the Capitol building shows prominently in the background. Although the paper sign shows creasing and some folds and wrinkles, it has no tears and appears complete, reading "Copyright 1881 by Root and Tinker". Complete with complimentary mat 25.5" x 18.25". This lot requires 3rd party shipping.
Political
Hancock & English: Rare 1880 Jugate Badge. I½" x 1½". Hancock & English jugates are exceedingly rare. This item was once rated nearly as high as a Cox & Roosevelt! Although more copies have shown up in recent years, the total population in the hobby of all varieties is well under fifty examples. A significant percentage of these have light and/or soiled photos. Missing the original pin, else, very fine condition.
Grover Cleveland: Unique Massive Glass Top Hat with His Portrait and "The Same Old Hat" Slogan. Not to be confused with smaller and more familiar varieties of Benjamin Harrison glass top hats. This one has an etched portrait of Cleveland in an oval with "For President" on one side and the slogan on the other. Certainly large enough and probably intended to be used as a vase. Recently obtained from a prominent New England dealer, this is the only example we have ever encountered. Unquestionably one of the top three-dimensional glass campaign items from this era, which yielded a rich variety of glass and china presidential and political novelties. Excellent condition. Height 4.25", diameter 6.625", although "in person" the piece has more presence than those dimensions would seem to suggest. Weight is upwards of two pounds.
Cleveland & Hendricks: Most Impressive Large 1884 Jugate Campaign Banner. Political textiles picturing Cleveland with the first of his three running mates are distinctly scarcer than those with Thurman or Stevenson. This design is unlisted, although it is similar to and clearly by the same manufacturer as two examples pictured by Collins in Threads of History (page 235). Although there is light and very even overall aging, it is in excellent condition, especially when compared to most other large banners of this which we have encountered. The banner is 25" x 37.5" and elegantly double matted and custom-framed to and overall 34 x 48". Great display presence. This lot requires 3rd party shipping.
Cleveland & Hendricks: Remarkably Colorful 1884 Jugate Campaign Banner. The color-tinted portraits are surrounded by colorful geometric shapes, probably intended to simulate stained-glass windows. Names of the candidates and "Democratic Candidate for President / Vice President" below their portraits. Printed on fine cotton cloth. The style is unlisted by Collins, and to our knowledge has never before appeared for sale. In general, items depicting Cleveland's 1884 running mate are considered scarcer and more desirable than those with the 1888 or 1892 vice presidential candidates, and the unique colorful design of this particular banner makes it a real stand-out among 1880s political textiles. Minor light perimeter soiling and a light water stain on Hendricks' forehead detract minimally. 26" x 16.5".
Cleveland & Thurman: Figural Rooster Head Jugate Cane. Very scarce and sought after parade cane that features the 1888 Democratic candidates, measuring 35" from head to tip. The 2.5" x 2" handle is in the form of a "stubby" rooster with enclosed portraits on opposite sides of Grover Cleveland and Allen Thurman. It is composed of silvered spelter or pot metal. There are light traces of the original silvering. The rooster's comb is lightly colored red and his crest gold. The shaft is composed of a soft wood, possibly birch. Complete with metal tip at the bottom. Missing from even the most advanced collections. Excellent condition.
Cleveland & Thurman: Fantastic, Never Before Seen, Large 1888 Jugate Campaign Flag. The giant portraits relate most closely to a pair of designs made for the 1876 candidates, but we have never seen a political flag which compares with this bold format. The cloth is loose weave cotton, and the flag is mounted on its original stick, measuring 35" x 21.5". Colors are very strong, and overall condition is excellent. Two minor holes to the right of Thurmond's beard detract minimally. Minor separation at the bottom, where the flag is attached to the stick. As is so often the case, there is a little staining and soiling, in this case very light, along the right edge, which was left exposed when the flag was stored, rolled around the stick. As a general rule, Cleveland textiles are not among the most highly valued among political candidates of this era. However in this case, the uniqueness and dramatic display presence of this should make it hotly contested indeed.
James G. Blaine: Magnificent Image on Glass. 53mm mounted to a 2½" x 5" ribbon. Essentially one of the last ambrotypes, the photo emulsion was actually applied in reverse on the underside of the glass. While it made for a beautiful effect, these items were vulnerable to damage, as the emulsion scratched or flaked off easily. Quite rare to find with the original ribbon backing. There are a couple of minor spots on the image with some soiling to the ribbon, otherwise a superb example.
Blaine & Logan: Large Double-Sided 1884 Campaign Banner. An imposing 84" x 13" hand-stenciled banner for the "Plumed Knight" of Maine and his running mate, General John Logan. Minor aging, but very nice display condition overall.
Harrison & Reid: Dramatic and Colorful Large Banner in Pennant Form. A very nice design, with a most unusual original handmade wooden mount at one end to allow a person to hold onto and wave the banner at a political event. Very trivial light aging noted for accuracy, but overall exceptional condition for the type. Length 99".
George Washington: Brass 1789 Inaugural Shank Button. A classic design featuring a heraldic eagle. As is often the case with these, this is an excavated example which exhibits light but very even surface porosity and soiling. Very pleasing color and overall appearance. Original shank is in excellent condition. Diameter 34mm.
McKinley & Hobart: Pair of Rare 1¼" Jugate Button Varieties in Great Condition. It is very hard to find 1896 pinbacks of this type in such nice shape. With its remarkably deep blue and red tones and glossy surface, the "National Wheelmens Club" example is particularly spectacular. Note that the "Canton" design, which one might understandably presume came from McKinley's hometown in Ohio, is actually from Canton, SOUTH DAKOTA!
McKinley & Roosevelt: One of the Rarest and Loveliest "Dinner Bucket" Jugate Designs. Representations of gold and silver coins above and below the portraits, while in the center is a small dinner pail marked "4 yrs of Full Dinner Pail." For devotees of contemporary American politics, it may be difficult to imagine the Republican Party of 1900 with its widespread support from working men. The Republicans have long been the party of Protection to American industry and hence of American jobs. To make matters worse, when the candidate of the Democratic "Free Traders," Grover Cleveland, won the 1892 election, he had barely entered office when the country was plunged into a major economic depression. Whether its reversal was coincidental or the result of Republican policies, it was nonetheless the case that the country enjoyed an economic resurgence in the late 1890s under the Republican leadership of William McKinley. When McKinley ran for reelection in 1900, one of the most ubiquitous campaign symbols was a full dinner bucket symbolizing the return of American prosperity. A number of 1900 campaign button designs reflect this theme, and the present variety is one of the most sought after. Magnificent condition, with rich, deep, and consistent sepia background rarely encountered a designs of this type. The celluloid surface is glossy and free of even microscopic marks, and were it not for a little unavoidable oxidation on the metal back we would describe this button as truly "mint." Diameter 1".
William McKinley: One of the Rarest and Best of All Cartoon Button Designs from His Golden Era. This 1¾" button depicts McKinley wielding a sword, and Uncle Sam holding a rifle with bayonet and American flag, putting down the radical Boxer Rebellion in China . "No blow has been struck except for liberty and humanity. And none will be" -William McKinley." "Is This Imperialism?" the button demands. It seeks to strike back at Democrats' attempts to portray America's projection of power throughout the world as cynical and self-interested. Certainly fewer than five examples are known of this marvelous design. Although there is overall foxing as shown, Geary Vlk always considered this to be one of his most important and favorite buttons.
William Jennings Bryan: Rare and Beautiful 1908-Dated Celluloid. Found in both brown and cream and color-tinted versions, this is the preferred color variety. Both the 1¼" celluloid and the leather fob are in unimprovable, near mint condition. A prize for generalists and specialists alike.
William Jennings Bryan: Spectacular Massive 1908 Democratic Convention Badge in Unbelievable, Pristine Condition. Incorporates a choice 2 1/8" celluloid. Rarely does one see a large badge of this type in anything approaching this condition. Made predominately of silk elements, these badges were particularly vulnerable to dry rot and usually show deterioration. A perfect Bryan centerpiece for the most condition-conscious collector. Length 10.5".
Debs & Hanford: Very Choice Example of this Colorful 1904 Jugate. A classic design for this five-time Socialist presidential candidate, it features rich color background design with American working men and images of American commerce and industry. For some reason, this particular button variety is notoriously found with varying degrees of foxing or other condition problems. The present example is virtually pristine and beautifully centered, undoubtedly the finest we have ever handled and almost certainly unimprovable. Diameter 1¼".
Eugene V. Debs: Classic 1920 "Convict Button." Jailed for his political activities, the five-time Socialist presidential candidate conducted his last campaign from his prison cell, and capitalized on his situation in several varieties of endearing button designs. This 1" version comes in two variants; this is by far the scarcer, with a much smaller Debs portrait. Debs is unquestionably the most popular and collectable of third-party candidates among hobbyists, and all of his items range from scarce to rare. This one is an excellent shape and a great representative Debs item.
Theodore Roosevelt: Fabulous 1912 "Hat in the Ring" Design. In small white letters around the bottom perimeter: "Pat. applied for by the Hat in the Ring Company." Teddy's famous quote gave rise to a number of button designs featuring this theme which are avidly collected. This is one of the nicest and rarest; we had never handled another. Perfectly centered and in beautiful condition. Striking, deep red and blue colors.
Theodore Roosevelt: Extremely Rare 1904-Dated Illinois Issue Picturing Teddy with State and Local Candidates. "Republican National - State - City - Ward & Club, Combination." A marvelous example of the coat-tail campaign item tradition, in which local candidates seek to trade on the popularity of the head of the national ticket. This is one of the rarest such designs, the first example we have ever offered, and in a very attractive format. Scattered light foxing is not terribly intrusive, as it blends with the busy design. Despite this imperfection it should draw spirited competitive bidding for Roosevelt, coat-tail, and Illinois locals specialists.
Roosevelt & Fairbanks: Impressive Large 1¾" 1904 Jugate. Perfectly centered in virtually mint condition. It is so hard to find the larger-size white-background buttons of this era in this condition. Button paper is missing on verso, but this should have a very common and easily replaced Whitehead and Hoag paper if one is concerned.
Theodore Roosevelt: Group of Four "Rose - Velt" Designs. Sizes 7/8" to 1¼", shown to scale. These clever designs have always been collector favorites. The scarcest would be the gold background variety lacking a portrait, but the other three are hard to find in such clean condition. For accuracy, we note a trivial manufacturing defect on the rim at seven o'clock on the gold background example.
Theodore Roosevelt: Fine Group of Mostly 1912 Pinbacks. Seven different designs, sizes ¾" to 1", shown to scale. Six are from his losing Bull Moose campaign, and the seventh is a scarce 1904 issue from Illinois. All in great shape and an exceptional opportunity to purchase these popular designs.
Theodore Roosevelt: Choice Example of the Classic "San Juan Hill" Design. One of collectors' all-time favorites, this colorful design shows Teddy in rough Rider uniform on horseback atop San Juan Hill. Clearly his Spanish-American war exploits which had propelled Roosevelt to the governorship of New York and the vice presidency still resounded in 1904 campaign. For some reason, this button has always been particularly prone to foxing, and unimpaired examples are in the distinct minority. This one is very choice and perfectly centered; an all but unimprovable copy. Diameter 1¼".
Theodore Roosevelt: Popular Large Pinback from His 1912 Bull Moose Campaign. Teddy may have fallen short in his bid to win election as a third-party candidate, but this imposing 2 1/8" celluloid has always been a winner with collectors. This is a choice, perfectly centered, and probably unimprovable example. With its large amount of white space, this has always been a tough button to find in this condition.
Alton B. Parker: One of the Best Single-Portrait Designs for this 1904 Democratic Nominee. Plucked from relative obscurity to run against the seemingly invincible Teddy Roosevelt in 1904, Parker receded quickly from the limelight after his overwhelming electoral defeat. But he did leave a legacy of colorful campaign buttons highly prized by collectors. This rare beauty is one of the nicest, and is in choice condition.
Taft & Sherman and Bryan & Kern: Two Great Mechanical Pinback Badges from the 1908 Campaign. The portraits pulled into place behind the colorful shield bearing an image of the White House and the slogan "My Choice," and sprang into view only when released. Virtually all known examples of these designs were found in a bag stuck behind a ceiling heating pipe in an Indianapolis basement. Most examples suffered from condition issues, some relatively severe. The present Bryan & Kern example is perhaps the cleanest we have ever seen. The Taft & Sherman is also quite presentable, and despite some scratches on the portraits from opening and closing it, has a nice display appearance. Each measures 2.25" in width by just under 2" in height.
Taft & Sherman: One of the Loveliest 1908 Jugate Button Designs. This beautiful format with Miss Liberty first appeared for the 1904 candidates, but is much scarcer in its 1908 incarnations. Perfectly centered and choice condition, with a couple of fine surface scratches noted for accuracy. Diameter 1¾".
Taft & Sherman: Rare 1¼" 1908 Jugate Celluloid on a Leather Watch Fob. One of the most attractive of black and white button designs, it can be attributed to the 1908 election because an equally rare Bryan & Kern version was also produced. A very choice example; even the leather fob portion, often more worn than the celluloid on items of this type, is near mint but for trivial surface rust on the metal buckle.
William Howard Taft: Classic "Commercial Travelers" Button Design. Very scarce and always a collectors' favorite among Taft varieties. It depicts Taft on the side of the suitcase marked "I'm Somewhat of a Traveling Man Myself." A choice example; a small black dot seen near the rim at seven o'clock is a speck of printer's ink. Only for the sake of strictest accuracy do we note one utterly trivial small brown spot along the collet at twelve o'clock.
Woodrow Wilson: Rare and Colorful 1¼" Pinback Design. The exact genesis of this attractive variety is unclear. Quite possibly it was a 1916 reelection campaign issue, but it may also date from the period after World War I when Wilson fought for American acceptance of the League of Nations. Beautiful condition on one of the nicest Wilson portrait button varieties.
Woodrow Wilson: Dramatic 1¾" 1916-Dated Rarity from Illinois. Just a marvelous design and impeccable condition; even the ribbon suspended below is near mint. We can recall seeing only two examples previously, and both had significant condition issues. Should receive considerable attention from Wilson and Illinois specialists as well as generalists.
Progressive Party: Rare and Enigmatic 1912 (?) Cartoon Button Design. The GOP elephant and Democratic donkey are locked in mortal combat below the slogan. The manner of manufacture places this button in either the 1912 or 1924 elections, both of which featured "Progressive" third-party candidacies. Excellent condition. Diameter 1¼".
Charles Evans Hughes: One of the Most Colorful Designs for This 1916 Republican Presidential Hopeful. The 1916 election was a transitional one in terms of political campaign novelties. The often elaborate and fanciful designs of the "golden era" of 1896-1912 began to give way to the more mundane styles of the 1920s. A revival of the 1908 format, this 1¼" Hughes variety clearly runs counter to that trend. Buttons also began to run smaller in terms of size, and all Hughes varieties of 1¼" or larger are scarce. Choice condition with dead-on centering.
Woman's Suffrage: Interesting Collection of Eight Different Pinback Buttons. Sizes ranging from ½" to 1¼", shown to scale. Several scarce varieties included. Particularly appealing is the one proclaiming that "Suffrage Means Prohibition". It was true that many advocates of one cause certainly supported the other, and both were adopted at about the same time. All in excellent condition.
Rare 1¼" Oklahoma Statehood Pinback. The next star refers to supporters and aspirations to make Oklahoma the next state. Excellent condition, with unusual back paper from George E. Benz & Co, St. Louis.
Warren G. Harding: One of the Most Interesting Button Designs for this Tough Candidate. With the exception of a handful of nationally distributed designs, buttons for this 1920 GOP candidate range from scarce to rare. Most are rather drab and unimaginative designs, in black and white or brown or white. In this company, the present 7/8" variety with its bright blue collar is a standout as well as being quite rare. Beautiful condition.
Warren G. Harding: Four Uncommon 1920 Portrait Buttons. Ranging in size from 5/8" to 7/8" as shown. The first voter variety is particularly appealing, while the 5/8" sepia example is deceptively rare in this diminutive size. All in beautiful condition.
Warren G. Harding: Impressive 1¾" 1920 Campaign Button Suspended from a Silk Ribbon. Bears a wonderful slogan in gold letters: "McKinley's Neighbors and Friends of Stark County Greet our Next President." The button itself is in beautiful condition, but the ribbon has a small tear on the bottom line of lettering and several scattered small soil marks. Rare.
Warren G. Harding and James M. Cox: Near-Unique Pair of Colorful 1¼" Portrait Buttons. Among the highlights of the Vlk Collection is this striking matched pair. Rare enough in the larger 1¾" size, they are even more so in this version. Both choice and beautifully centered.
James M. Cox: Key 1¼" Portrait Pin. This striking design is particularly tough to find this beautiful condition. Flawless centering.
Calvin Coolidge: Rare and Dramatic 4" Celluloid. With its stirring slogan, "Deeds - Not Words," this variety forms the centerpiece of most advanced Coolidge collections. Clearly a 1924 campaign item, as a John W. Davis mate was also produced and is offered in this auction as well. This item and its Davis mate are notoriously found with minor surface bumps, apparently a result of the conditions under which they were manufactured. The present example has such scattered minor bumps at the very top, but the surface is otherwise very clean; overall, it is a distinctly superior example. Only for strictest accuracy do we note a trivial small surface blemish on Coolidge's upper lip. Original cardboard stand on verso has never been unfolded.
Coolidge & Dawes: One of the Most Beautiful Large Jugate Pin backs of the 1920s Era. This blue, white, and gold beauty is a must-have for any serious collector. Choice condition, and not always easy to find so. Diameter 1¾".
Calvin Coolidge and John W. Davis: Fine Pair of 1924 Campaign Watch Fobs. Much scarcer in this form than in the 7/8" pinback button versions. Note that here the celluloids are a full 1" in diameter, and have much greater display presence then the buttons. Both beautiful condition and perfectly matched.
Calvin Coolidge: Equally Rare 7/8" Companion Piece. The "Sane and Safe" slogan is also a great one, but always ranked just a little below the other variant by collectors. Equally choice condition, although for accuracy, we noted several minor light surface scratches which detract minimally.
Calvin Coolidge: One of the Rarest and Best Single-Portrait Pinback Designs. Classic "Silent - Safe - Sure" slogan, and play on words "Cool - Idge." A perfectly centered and truly mint example, absolutely unimprovable. Only a handful are known. Diameter 7/8".
Davis & Bryan: Key 1924 Jugate Pinback Rarity. All jugate buttons for this ticket are rare, the most obtainable being the black background design produced by Bastian Brothers. This tougher sepia version was made in three sizes, this 7/8" variety being the smallest. Production quality of this design was notoriously uneven, and most known examples are found with light images, as made. This near mint beauty is as strong and bold as any copy we have ever encountered.
John W. Davis: Mate to the 4" Celluloid "Deeds not Words" Coolidge Variety. Like its Republican counterpart, this dramatic piece is the chosen centerpiece for nearly all advanced collectors who can afford to purchase an example. Like the Coolidge version, this item is almost always found with scattered soft surface bumps, and the present copy is no exception. Most are located at the very top, with one on the edge of Davis's right shoulder. The surface is otherwise bright and reflective, and the condition overall is well above average for this for this variety. There is one small, very fine cut in the celluloid in the field near the edge at eleven o'clock, which is detected only by turning the button back and forth to catch the light at the proper angle. A very pleasing specimen.
John W. Davis: Scarce 1¼" Portrait Button. This appealing design features a distinctive Davis image not found on other varieties. Excellent overall condition, with three light edge spots at 11:30-12:30, which detract minimally. For some reason, this variety is particularly prone to condition issues and this is certainly an above average example.
Robert LaFollette: Rare 1¼" Pinback for the 1924 Progressive Candidate. Long a familiar presence on the national political scene, the Wisconsin firebrand mounted one of the more serious third-party presidential campaigns of the twentieth century. This tough variety, in superb condition, is absent from many advanced collections.
Hoover & Curtis: Spectacular, Colorful 4" Litho Design in Virtually Mint Condition. Although formed as a button, this item lacks a pin and has tiny holes at three o'clock and nine o'clock as made, and is generally considered to have been a license plate attachment. However, in a display frame it presents as a button. With its 1928 date and Capitol dome, the stunning item is the perfect centerpiece for any Hoover display. Rare, especially in this condition.
Al Smith: Rare 1928 Pocket Mirror with Classic Slogan. This even-rarer companion piece to the familiar pinback portrait design with the same slogan is one of probably fewer than five known copies. Bold graphics, and in great condition. The right side is a trifle light, as made- noted for accuracy. Diameter 2 1/8".
Franklin D. Roosevelt: Rare 1¼" Pinback Associating Him with Famed Labor Leader John L. Lewis. A Pennsylvania issue, it also features Democratic Governor George Earle. Near mint condition, with three very light, irregular vertical lines of black ink which are barely noticeable, but mentioned for accuracy.
Roosevelt, Osborn, Wallace: Classic "A Row of Democrats" Coat-tail Design. Very scarce, and always a collector favorite. Very few button designs pictured both FDR and his controversial second vice president, who would bolt the party to launch a left-wing third-party presidential candidacy against Truman in 1948. This is a perfectly centered and absolutely mint example of this wonderful St. Louis Button Company design. Absolutely unimprovable. Diameter 1¼".
Franklin D. Roosevelt: Classic "Wake County" Design. This colorful 1" beauty is one of the most esteemed of single-picture FDR varieties. A "poster" in the background features Roosevelt's visage, while in the foreground, a rooster proudly proclaims "Victory in 1936." Quite rare and in great condition.
Landon & Knox: Three Variants of This Scarce 1936 Litho Jugate. Deep blue background, cream colored background, and white background. The latter two varieties also have different shades of blue used for the portraits and lettering. All three are in very choice condition and may well have been manufacturer's samples, since it is so hard to find litho buttons of this era in such fine shape. Diameter 7/8".
Alf Landon: Dramatic 2 1/8" "Notification" Pinback. For decades it was considered unseemly for presidential aspirants to attend national conventions and pander for votes. Accordingly, it was the custom for delegations to visit the nominees at their homes to formally notify them of their selection. Usually such visits were accompanied by throngs of supporters, and turned into enthusiastic campaign rallies. To our recollection, 1936 was the last year for this charming custom, and the occasion gave rise to the production of this wonderful Landon centerpiece. It is also found in a much less imposing 1¼" version, but this form is much rarer and more impressive. The button itself is in great condition. The original felt sunflower has light even soiling, and could probably be cleaned easily if one felt the need.
Thomas Dewey: Two Scarce 6" Buttons. With a limited number of button varieties available for this candidate, these two buttons are a good way to fill the space in your Dewey display. Excellent condition.
Harry S Truman: Key 3½" Button Rarity by Philadelphia Badge. Despite its simplicity, the bold colors make is one of the most attractive of Truman designs. When a given button design is known in more than one size, it is almost always the rule that the larger the example, the greater the value. However, this design is the exception to the rule. It was also made in a 9" version, which is very nearly as rare. But historically the smaller size has commanded about three times the price of the larger one. Superb condition.
Harry S Truman: Three Scarce 1¾" 1948 Slogan Pins. Two of these appear to be by the same manufacturer, while the variety with "No New Man" all on the same line seems to be by a different maker, possibly a "knock off." All three are in fine shape.
Harry S Truman: Very Rare 7/8" Minnesota Word Pin. We cannot recall ever having handled this tough pin before. A beautiful example.
Harry S Truman: Rare 1¼" "Truman Crusaders" Slogan Button. One of the scarcest Truman varieties, and especially prized by collectors for its colorful and unique design. Only the second example we can recall having handled in over thirty years. Great condition.
Harry S Truman: 1949 Inaugural Pinback in Scarce 1¼" Size. To our experience, a rarer variety in this size than the 1¾" version. Fine condition: a pinpoint spot in the field near the "I" in inauguration is a dot of printer's ink.
Adlai Stevenson: One of the Best Slogan Buttons for this Popular Candidate. A 1952 issue, it features a youthful Stevenson portrait and the admonition not to allow the presidency to be taken away from the incumbent Democratic party. A rare and understandably popular design, it is especially hard to find in this beautiful condition. Diameter 2 1/8".
Adlai Stevenson: Key 2½" Convention Issue. One of only a handful of known examples and in beautiful condition. Such limited-distribution designs are often among the most sought after of political items.
Kennedy & Johnson: Rare 3" Litho Jugate in Great Condition. At first glance one might easily confuse this rare variety with the much more common Stevenson & Kefauver version in similar style. But this Kennedy variety is seldom encountered, especially in such clean condition.
John F. Kennedy: Very Tough 4" Slogan Button. A particularly hard variety to find this completely clean, near mint state.
Lyndon B. Johnson: Key "Civil Rights" Button Rarity. Along with its 3" companion piece of similar design, this variety, because of its rarity and theme, has always been perhaps the most prized of LBJ pinbacks. Amazing condition for a litho button, this is essentially a mint example. Diameter 1 5/8".
Hubert Humphrey: Four Scarce and Popular 1968 Designs. Three of these 3½" varieties feature "rolling" eyes, which move comically as the button is tilted. All in fine shape. A rare opportunity to obtain all four at once.
William McKinley: Rare and Colorful 1896 Campaign Poster. Wonderful theme, as McKinley is shown holding the key to the lock which "Financial Mistrust" has placed on the Temple of Prosperity, as figures representing "Labor" and "Capital" cheer him on. A sign on the door reads "This door will be opened Nov. 3rd, 1896," with a facsimile signature of McKinley. The promise of a return to prosperity fueled the Republicans 1896 campaign after recession and financial uncertainties in the preceding term of Grover Cleveland. Beautiful condition. 28" x 21", nicely custom-framed to an overall 29" x 37". This lot requires 3rd party shipping.
William McKinley: Perhaps the Most Sought After of All Color Political Lithography from This "Golden Era." The period from the late 1880s through the early 1900s produced without a doubt the most beautiful of all political campaign posters. At, or very near, the top of everyone's list of the best of the genre would be this wonderful McKinley 1900 reelection poster. The country was coming off four years of renewed prosperity after the recession-plagued Cleveland years, as well as an easy victory in the Spanish-American War, and the Republicans wisely chose to trade on the public euphoria as they swept to an easy election win. This amazing poster features McKinley with an American flag, standing on a giant representation of a gold coin which is supported by American businessmen and working men. In the background are elaborate vignettes illustrating American commerce and industry, while the entire scene is illuminated by a rising sun emanating its yellow rays behind the standing figure of McKinley. "Prosperity at Home, Prestige Abroad," it proclaims, summarizing the 1900 GOP campaign mantra. Here graphic appeal combines with rarity, as there are surely fewer than ten examples of this poster known in the organized hobby, and several of those exhibit condition issues. This example is in superb condition and is assuredly unimprovable. A very special opportunity. 28.5" x 41.5", elegantly double matted and custom-framed to an overall 37 x 51". This lot requires 3rd party shipping.
McKinley & Roosevelt: Preferred 1¾" Version of One of the Most Colorful and Appealing of all Jugate Button Designs. Baltimore Badge & Novelty Company, Baltimore, MD., backmark. Teddy in Rough Rider uniform on a white horse at the bottom. Simply magnificent color! This design is notoriously prone to condition problems but this example is in excellent condition, slightly dented, yet clear and bright.
McKinley & Roosevelt: Large Oval Tin Serving Tray. The portraits are surrounded by colorful patriotic motifs. Overall condition very good to excellent. Minor rim chipping as usually seen, and a few very trivial and scattered surface scratches. Several minor small moisture marks detract minimally but are noted for accuracy. Pleasing display presence. Diameter 16".
McKinley & Roosevelt: Colorful Lithographed Tin Tray. This 1900 campaign design was issued along with a mate picturing Bryan & Stevenson. Considered scarcer then the larger oval trays. The colors are slightly faded as is often seen with these, but the condition is otherwise very good. Several very minor small scrapes do not detract seriously; the two most noteworthy are on McKinley's left cheek below his eye and on Roosevelt's face along the side of his nose. Diameter 10".
McKinley & Roosevelt: Large Oval Jugate Lithographed Tin Tray. The wonderful design, picturing the candidates within ovals and a scene of the Capitol building in the background, makes this campaign item a collector favorite. While some carry advertising, the majority, like this one, simply promote the candidates. The edge wear is apparent in this example and several rub marks appear above the eagle holding the cloth of stars. Minimal scratching to the lithographed surface although a more significant scratch appears over McKinley's eyes. Although not in mint, this tray presents in very fine condition. Width: 16.125".
Bryan & Stevenson: Classic 1900 "16 to 1" Jugate Campaign Button. 1¾". Baltimore Badge & Novelty Company, Baltimore, MD., backmark. A beautiful multi-color pinback button featuring portraits of Bryan and Stevenson surmounted by an eagle and framed in red, white, and blue bunting. At the bottom of the button is a heap of silver coins representing Bryan's "bimetallism" philosophy and "Free Silver" at a ration of 16:1. Trivial wear to front with a few scratches to the surface, otherwise in excellent condition.
Bryan & Stevenson: Most Desirable Design of Colorful 1900 Tin Tray. Along with its McKinley & Roosevelt mate, this attractive design, with Miss Liberty embracing the two portraits, is always in demand. Minor edge chipping as usual and some scattered minor surface imperfections which do not attract badly. Overall, a very presentable example.
William Jennings Bryan: Perhaps THE Classic American Political Poster. The 1890s and early 1900s are largely considered the golden era of American color lithography, and some of the finest posters of that era had political subject matter. The "Bryan Octopus Poster" is perhaps the most widely published and familiar such image today. With its rich color and evocative themes, it seems to sum up Bryan's 1900 campaign in a single poster, which features Bryan's immortal "No crown of thorns, no cross of gold" quote, and various devices, including Miss Liberty chopping at the tentacles of an octopus labeled "Trusts" as it seeks to embrace the major categories of American industry. This example is in beautiful condition, and has been professionally linen backed to preserve it and to facilitate easy and safe handling. 19.5" by 29".
Miscellaneous
Molly Maguires: Remarkable Artifact from One of the Darkest Episodes in the History of the American Labor Movement. A pass dated "Bloomsburg March 25, 1878" to "Doctor C. L. Frey a Deputy Sheriff appointed by me to be present at the execution of Patrick Hester, Patrick Tully and Peter McHugh" and signed by "John W. Hoffman" as "Sheriff" of Columbia county, Pennsylvania. 2.35" x 3.9", in fine sound condition. It was Doctor Frey's duty that day to pronounce the prisoners dead after the hanging. A total of 150 of these passes were issued to observe the hanging, with but a handful of examples known to exist today.
While the history of the Molly Maguires is shrouded in mystery, it is generally accepted that this secret Irish organization existed in the anthracite coal fields of Pennsylvania as early as the Civil War. There is little question the "Mollies" conspired to resist the exploitative labor conditions in the mines, and their activities culminated in a series of sensational arrests and trials from 1876 - 1878.
Hester, Tully, and McHugh were accused of robbing and murdering Alexander Rea of Centralia, Pennsylvania, a prominent mine official, on October 17, 1868. After a series of trials, beginning in 1869, the three were finally convicted of the murder of Rea in 1878 and sentenced to hang. It is generally accepted that the investigations and trials were more the result of attempts by the mine owners to break the "Mollies", than what could be construed as sound physical evidence, and their conviction was essentially based on the questionable testimony of a mine official as well as second hand testimony from a Pinkerton agent, hired by the mining companies. Whatever the true story of the conviction and hanging of Hester, Tully, and McHugh, the incident is generally credited with setting back the unionization of the coal mining industry, as well as the reform of intolerable working conditions, by at least twenty years.
A remarkable touchstone to one of the most sensational and tragic occurrences in the history of the American labor movement, and a controversy that is still hotly debated to this day.
While the history of the Molly Maguires is shrouded in mystery, it is generally accepted that this secret Irish organization existed in the anthracite coal fields of Pennsylvania as early as the Civil War. There is little question the "Mollies" conspired to resist the exploitative labor conditions in the mines, and their activities culminated in a series of sensational arrests and trials from 1876 - 1878.
Hester, Tully, and McHugh were accused of robbing and murdering Alexander Rea of Centralia, Pennsylvania, a prominent mine official, on October 17, 1868. After a series of trials, beginning in 1869, the three were finally convicted of the murder of Rea in 1878 and sentenced to hang. It is generally accepted that the investigations and trials were more the result of attempts by the mine owners to break the "Mollies", than what could be construed as sound physical evidence, and their conviction was essentially based on the questionable testimony of a mine official as well as second hand testimony from a Pinkerton agent, hired by the mining companies. Whatever the true story of the conviction and hanging of Hester, Tully, and McHugh, the incident is generally credited with setting back the unionization of the coal mining industry, as well as the reform of intolerable working conditions, by at least twenty years.
A remarkable touchstone to one of the most sensational and tragic occurrences in the history of the American labor movement, and a controversy that is still hotly debated to this day.
Political
American Socialists: Gold Pocket Watch Presented by Appeal to Reason for "Faithful Service in the Struggle for Socialism". The case features hand-engraved working men shaking hands below the inscription, "Workingmen of all countries unite you have nothing to lose but your chains / You have a World to gain. Marx". The watch was presented to James M. Best by the Appeal to Reason, a newspaper endorsed by the Socialist Party of America. Upton Sinclair's novel The Jungle was first published as a serial in the paper, as well as articles by Jack London, Mary "Mother" Jones, Stephen Crane, Eugene Debs, and Helen Keller. The 18 size watch is a 15-jewel American Waltham Watch Company "Model 83" gilt full-plate movement. The serial number is 11112282, which indicates the movement was made in 1902. The movement is lever set and has an enamel face with Roman numerals and blue steel spade hands. The case, unmarked, but perhaps by Keystone, is 14K gold filled with the hand-engraved figures and the quotation by Karl Marx. The case is numbered 630173. Modest wear, else, fine.
Roosevelt & Fairbanks: Stunning Large Full-Color 1904 Jugate Campaign Poster. Perhaps the most noteworthy change in political item collecting patterns since your writer entered the hobby in the 1960s has been the increased emphasis on display items. The "old time" hobby very much revolved around pinback buttons. A few legendary collectors such as U.I. "Chick" Harris and Kenton Broyles were aggressive collectors of cloth, paper, and three-dimensional items, but most hobbyists could store virtually their entire collections in butterfly cases. Around 1990, more and more newer collectors seemed to diversify their interests. Early china, political flags, and turn of the century color lithography became particularly sought after and valued. This spectacular large 40" x 27" poster by San Francisco printers Britton and Rey must surely be ranked near the pinnacle of the last category. The color lithography is so rich and nuanced as to give the poster an almost three-dimensional presence. Condition is outstanding, with several very subtle partial creases detectable only on careful examination, and noted purely for accuracy. With numerous recorded sales of the familiar "Bryan Octopus" poster (readily available in the 1970s for $100 - $150) in a range from $5,000 to nearly $10,000, our estimate seems quite realistic. Elegantly double matted and custom framed to an overall 48" x 35". This lot requires 3rd party shipping.
Roosevelt & Johnson: Important and Possibly Unique Campaign Flag for This 1912 "Bull Moose" Ticket. When Teddy Roosevelt threw his hat into the ring to run for a third term on the Progressive Party ticket, his candidacy electrified the populace, and a wide variety of campaign novelties, all cherished by modern collectors, were produced. Included were a number of textiles, mostly in the form of pennants and bandannas. This striking design is the only Roosevelt & Johnson banner in flag format with which we are familiar, and to our knowledge is the only known example of this design. This flag was sold in December of 2005 by a Chicago-area collectibles auction, where it fetched $13,939- an astonishing price for a non-portrait twentieth-century political textile which clearly reflects its importance and collector appeal. For those seeking to own a representative flag from as many campaigns as possible, this may be a literally once in a lifetime opportunity. This particular flag has received what might well be viewed as a high compliment: an Internet vendor who offers a selection of reproduction political flags has chosen this design as one of his offerings! Condition is superb, and with its vibrant red, white, and blue colors and gold accents, it has tremendous display appeal. For strictest accuracy we note a tiny tear above the "T" in "PRESIDENT." 32" x 23".
Roosevelt & Johnson: Key Celluloid Jugate for These Bull Moose Running Mates. 1¼" celluloid button suspended from a pendant and ribbon to an overall length of 3½". Although technically a third-party ticket, Roosevelt and Johnson outpolled the regular Republican ticket of Taft & Sherman in 1912. Accordingly most hobbyists, even those who eschew third-party items, actively seek items from this upstart party. While a number of Roosevelt & Johnson jugate varieties exist, all are rare, and most are thought to have been manufacturers' samples or limited-distribution items such as the present example put out by the Progressive Party of Wisconsin. The celluloid itself is in very choice condition, holed at the top for suspension as made, as is all of this variety. It hangs from a brass "Committee" bar, suspended from a blue silk ribbon reading "Wisconsin Progressive Party". The ribbon is typically deteriorated, but has been stabilized and is in solid condition despite its partial horizontal separations and overall aging. A great relic of this historic and popular ticket.
Roosevelt & Fairbanks: The Largest 2 1/8" Size of the Classic "Miss Liberty" Jugate. This colorful design was perhaps the most popular jugate style of its day, being used for Republican and Democratic tickets from the 1904, 1908, and 1912 campaigns. The 1904 Roosevelt & Fairbanks version came in 1¼", 1¾", and 2 1/8" sizes. This largest size is the scarcest and of course has the greatest display presence, and commands the most attention and the highest price from collectors. The original backpaper is inscribed in ink, "'Teddy' Roosevelt - N.Y / and / Charles W. Fairbanks - Ohio /'1904' / Winners". This example has rim foxing, otherwise in very fine condition and an affordable example of this great button.
Theodore Roosevelt: George V. Sinclair, Roosevelt in the Jungle. (Akron: The Saalfield Publishing Company, n.d.), six pages of text, six color lithograph mechanical illustrations., folio (9.5" x 14.25"), illustrated board covers. This very rare children's book contains six full-color mechanical lithographs depicting Teddy's fictional African adventures and encounters with various wild animals. Various elements of each picture move when one pulls a tab at the bottom of the page. While each mechanical illustration still functions as designed, they have become fragile with age and, no doubt, the ardent attention of generations of children. As a result of this attention, the text block has become detached from the scuffed and worn boards (the rear board has an abraded area from tape removal), the front endpaper is lacking, there is a small area of damp stain at the top edge of each illustration, and the illustrations are slightly ragged around the pull tab. Otherwise, a rare title from Saalfield (a premier publisher of juvenile material for the first three quarters of the 20th century), printed in Bavaria.
Theodore Roosevelt: Very Unusual Celluloid and Brass Hand Mirror. Distinctive TR portrait we have not seen on any other item. 3¾" button-like celluloid is encased in brass frame and handle. Excellent condition. Overall length 7¾".
Roosevelt & Fairbanks: Very Rare and Unusual 1904 Jugate Campaign Pocketknife. Colorful red, white, and blue design, with White House on reverse. A bit evenly light, but none of the typical moisture staining and other damage typically found on this type of item. The construction afforded no protection from moisture seeping in under the celluloid, and the vast majority of older examples of this type suffer from severe condition problems. We cannot recall seeing this particular design before. Excellent overall condition, with both foldout blades intact.
Taft & Sherman: Gorgeous "Radiating Eagle" Classic Age Jugate. A 1¼" celluloid pinback featuring the successful 1908 Republican standard-bearers, superimposed on American flags and a shield surmounted by a "radiating eagle". The most beautiful campaign buttons ever produced were made in 1908 and 1912 by the American Arts Works division of the Meek Company of Coshocton, Ohio. These designs constitute the Classic Age of politicals. Appears minty, but we mention for accuracy's sake two "specks"- one on the extreme left edge and another below Taft's portrait, as well as a miniscule cut on the bottom curl on the letters "OMP" of "COMPANY". These rarely appear on the market and typically suffer from foxing. This is one of the better examples known.
William Howard Taft: Oil Portrait by Emily Burling Waite. The striking portrait shows Taft in the robes of Chief Justice of the Supreme Court of the United States, an office the former president held from 1920 until 1930. The painting measures 40" x 50" and is in a period wood and gesso gilded frame (46.5" x 56.5" overall). Mounted on the frame below the painting is an engraved brass plaque that reads, "William Howard Taft / Chairman of the Central Committee / American Red Cross / November 1915 - January 1919". Taft was named as the chairman of the central committee, the governing body of the American Red Cross by his successor as president, Woodrow Wilson. The artist, Emily Burling Waite, was born Worcester, Massachusetts in 1887 and died in 1980 after a long and distinguished career. Her works are featured in the collections of the Smithsonian American Art Museum, Museum of Fine Arts - Boston, and many other major American museums. From the Collection of the American Red Cross.
William Howard Taft: Interesting Group of Four Items. All relate to an August 4, 1909, visit by the president to a celebration held by Gloucester, Massachusetts in his honor. Consists of:
(1) A substantial wood plaque with a silver colored metal engraved plate, framed by a delicate ivy "vine." The plate is inscribed: "Gloucester Pageant in honor of the President of the United States WILLIAM HOWARD TAFT, Wednesday, August 24, 1909, State Fort Park, Gloucester, Mass. Awarded to the master of the pageant Eric Pape." (11.75" x 13.5");
(2) A large 10" x 14" second-generation photo of Taft by J.E. Purday, Boston, mounted on original board, boldly inscribed to Pape by Taft, signed, and dated October 24, 1909.
(3) The forty-eight page, 8" x 11" souvenir book about the event.
(4) A beautifully crisp and detailed 4.75" x 3.25" original photograph of Taft with a large group of well-dressed people, doubtless the leading citizens of Gloucester. A charming little girl holds the president's hand. Vintage framed. This lot requires 3rd party shipping.
(1) A substantial wood plaque with a silver colored metal engraved plate, framed by a delicate ivy "vine." The plate is inscribed: "Gloucester Pageant in honor of the President of the United States WILLIAM HOWARD TAFT, Wednesday, August 24, 1909, State Fort Park, Gloucester, Mass. Awarded to the master of the pageant Eric Pape." (11.75" x 13.5");
(2) A large 10" x 14" second-generation photo of Taft by J.E. Purday, Boston, mounted on original board, boldly inscribed to Pape by Taft, signed, and dated October 24, 1909.
(3) The forty-eight page, 8" x 11" souvenir book about the event.
(4) A beautifully crisp and detailed 4.75" x 3.25" original photograph of Taft with a large group of well-dressed people, doubtless the leading citizens of Gloucester. A charming little girl holds the president's hand. Vintage framed. This lot requires 3rd party shipping.
Woman's Suffrage: Suffrage Newsletters. A collection of seventeen New York suffrage newsletters. Printed monthly, these issues range in date from October 1910 to October 1916. Included are twelve issues of the New York Suffrage Newsletter, two issues of the Headquarters News Letter, one issue of The American Suffragette, a Woman's Journal and Suffrage News, and one issue of The Woman Voter. Within the pages of these newsletters are pictured and chronicled many of the major suffrage events. All are heavily toned from age. Some have fold lines, foxing, mild paper chipping, and moisture stains, else very fine condition.
Woman's Suffrage: "The Woman's Bible" Broadside. In 1895, Elizabeth Cady Stanton published "The Woman's Bible," a lengthy commentary challenging the 1888 King James version of the Bible as biased unfairly against women. By highlighting selected excerpts from this work, this broadside aims to discredit the suffrage movement by inferring that those supporters who subscribe to Stanton's views are sacrilegious and not worthy of a voice in politics. Broadside measures 9.5" x 16.5" and is in very fine condition. Matted and framed to 14.25" x 21". Not examined outside the frame. This lot requires 3rd party shipping.
Woman's Suffrage: Suffrage Poster. Published by the Artists Suffrage League, this poster pleas for the vote for women by depicting a couple laboring at the same task. The female, however, is working at a disadvantage because she has not been given the same tools as the man. The caption reads "Brothers, let us give her a truck too" implying that if she is equal to the same task, she should receive the same considerations. Measuring 19.75" x 30", this poster has been folded in quarters and has a 5" long tear from the top center edge. It also has a small hole in the upper left quadrant, tears with paper loss on the right center edge, and two tears with loss in the top margin. Else very good condition.
Woman's Suffrage: Woman's Ballot Box. Woman's right to vote came came slowly and conditionally. More often than not, they were restricted to voting only on issues men felt they had a vested interest in, such as the education of their children, and then were made to use separate ballots and ballot boxes. This example was made by Geo. D. Barnard & Co., a manufacturer of office fixtures and equipment, in St. Louis, Mo. A tin, barrel form in black japanned finish with stenciled gold lettering, sunbursts, and bands. The slotted, cast iron lid is fitted with a latch and wire bale handle. Measures 14.25" wide x 12.25" high x 12.5" deep. Some denting in the rims, else fine condition.
Woman's Suffrage: Iowa Suffragette Parade Flag. The cotton flag measures 6.75" x 2.75" and is mounted on a 7" stick. The flag reads "Let Iowa Women Vote / Add Another [star] to the Flag of Free States" at the hoist. The blue canton has four white stars and the field has red and white stripes. Extremely fine and very scarce.
Woman's Suffrage: NAWSA Pamphlets. An assortment of twenty-three pamphlets distributed by the National American Woman Suffrage Association. Most are addresses and commentaries by notable suffrage supporters while others are collected facts published to promote the suffrage movement. All are moderately toned with age. Some have fold lines, foxing, mild paper chips, and moisture stains, else very fine condition.
Woman's Suffrage: Suffrage Pamphlets and Leaflets. An assortment of twenty-nine suffrage pamphlets, leaflets, and other correspondence. Included are addresses delivered by notable suffrage supporters including Wendell Phillips, George F. Hoar and Frances Dwight Johnson. Overall toning, with some fold lines, and paper chips, else very good condition.
Woman's Suffrage: Suffrage Documents. An assortment of fifty-three suffrage party enrollment forms, membership cards, event invitations, and other miscellaneous pamphlets and leaflets. Overall toning, with some fold lines, and paper chips. Some have slight moisture stains, else all in very good condition.
Woman's Suffrage: Group of National Woman's Party Items. A group of five items saved by an attendee of the 1914 National Woman's Party convention in Washington, D.C. Included is a 3" x 4" photo of a young girl that might well be the Miss Frances Williams mentioned on the string tag, also included. There is also a 3/4" "Votes for Women" ribboned button, an usher's sash, and a 6.5" x 4.5" group photo of convention attendees taken on the East Steps of the Capital. Matted and framed to an overall size of 23.5" x 19.5". Overall toning commensurate with age, else all items in very fine condition. Not examined outside the frame. This lot requires 3rd party shipping.
Woman's Suffrage: Suffragette Figurine. Measuring 11.25" tall, this demure figure of a demonstrating suffragette is hand painted plaster of Paris. Her 3.5" x 2.75" base is inscribed on all four sides. On the front is stated "Equal Suffrage" while the remaining sides attribute the piece to H.F. Smith of 350 W. 55th St., M.V., April 24, 1912. All inscriptions appear to be hand etched. In her right hand, held chest high, this suffragette also holds a small, removable, silk U.S. flag. Some slight finish abrasions, else this figurine is in very fine condition.
Woman's Suffrage: Women's Social Political Union Pennant. In 1908, the WSPU adopted purple, green and white as its official colors. In those colors, this rare felt pennant reads "Votes for Women" to the right of a classic Herald figure, also adopted by the suffrage movement at large to represent its civic virtues. This example, measuring 27" x 9.5", is framed to an overall size of 37.25" x 14.25". Colors have faded with age, else in very fine condition. Not examined outside the frame. This lot requires 3rd party shipping.
Woman's Suffrage: Pro-Suffrage Poster. Initially, President Woodrow Wilson was repelled by the methods that militant suffragists used to gain support for their cause but, half-way through his second term, was swayed by the patriotism of the many suffrage supporters who shunned confrontational tactics. On this poster is an extract from his September 1918 address to the Senate in which he spoke out in favor of the suffrage amendment. Poster measures 19" x 23.25"; framed to an overall size of 20" x 24.5". Overall toning, both vertical and horizontal fold lines, else in very fine condition. Not examined outside the frame. This lot requires 3rd party shipping.
Woman's Suffrage: Alva Belmont Suffrage Dinnerware. A four piece place setting of Alva Vanderbilt Belmont's Suffrage dinnerware. Belmont commissioned the pattern, "Votes for Women" in blue script along the rims of white ground earthenware, from John Maddock & Son, England. In 1909, after forming the Political Equality League, Belmont held "Suffrage Dinners" at her Newport, Rhode Island estate, Marble Palace, to raise funds for the Suffrage movement. When the festivities were over, each guest was invited to take their "Votes for Women" place setting with them as a favor. This set includes a 9" dinner plate, a 7.75" soup bowl, a 6.25" bread and butter plate, and a coffee cup. The plates and bowl bear the John Maddock & Son hallmark. The dinner plate has mild, overall crazing with some subsequent moisture stains beneath, else the set is in very fine condition.
Woman's Suffrage: Carlton Crested China "She Shall Have Votes" Bell. A humorous souvenir made available to tourists while visiting the town of Oxford. This 4" china bell is representative of the attitudes towards the woman's suffrage movement in the United Kingdom at the time. Seen from one direction the viewer sees a face representing the flower of English beauty; when viewed from the opposite direction, one sees the typical caricature of a bonneted dowdy suffragette. The implication being that votes for women would somehow spoil the classic beauty of England's fair woman folk. The colors are still very strong in this example. There are some surface micro-chips along the bell's resting edge otherwise it is in excellent condition.
Woman's Suffrage: Swan Crested China "She Shall Have Votes" Figurine. A dual faced, 3.5 " china bust. Below the face of the young, English beauty is written the statement "She shall have votes". Turn the figure around and you see the caricaturized features of Sarah Gamp, a character is Charles Dickens' book Martin Chuzzlewit. Dickens portrayed Mrs. Gamp as an alcoholic nurse and midwife who, along with an imaginary companion, indulged herself to every hospitality her employers could afford. The comparison here implies that suffrage for women would ultimately impair their character. This particular little whimsy was a souvenir from Torquay, England and is in excellent condition.
Warren G. Harding & James M. Cox: Rare Pair of Matched 1920 Presidential Campaign Portrait Pinbacks. 7/8". Two 1920 campaign buttons of identical styles but for opposing candidates. Each feature the candidate's name and sepia portrait within a slightly dull blue border and the caption "For President". The Cox example has a few light scratches and minor dents; the Harding portrait is slightly off center and is likewise a bit dented. Both examples are nicely matched and in very good condition.
Calvin Coolidge: Pristine Example of the Classic "Vermonter" Badge. Whitehead & Hoag, Newark, New Jersey backmark. This great item, incorporating a 1¼" celluloid portrait within a metal frame and suspended from a pendant and ribbon to an overall length of 3¾", was issued for distribution in the state where Coolidge was born. "Elect him again," it proclaims, so probably issued in anticipation that he would run for re-election in 1928. However, this quiet and private man walked away from what would surely have been a landslide re-election to return to private life. A rare item for a candidate whose buttons and badges tend to have little color and display appeal, and especially desirable and hard to find in this beautiful condition.
Davis & Bryan: Classic "Teapot Dome" Jugate Cardboard Sign. All campaign items picturing these two top candidates are scarce to rare, and this marvelous, double-sided die-cut sign has always been a collector favorite. "Hang me on the window or hang me on the wall" printed on the handle. Teapot Dome was a major scandal which clearly tarnished the Harding administration, but straight-laced Vice President Calvin Coolidge emerged from the controversy untouched, and despite the efforts of the Democrats and Progressives, this issue gained little traction in the 1924 presidential election. The cardboard used to make the sign is particularly brittle, and it is rare to find a complete example such as this where no pieces have broken off completely and had to be reattached. Several minor creases in the handle and corner of the spout. Overall one of the better examples one might hope to find. 13.5" x 10.25".
Roosevelt & Garner: Tough 1¼" 1932 Jugate Pinback. Although Garner also ran with Roosevelt in 1936, this variety can be dated to 1932 because there is a Hoover & Curtis mate in the same design. This is an excellent example, with some minor fading to the red, white, and blue border.
Franklin D. Roosevelt: Unusual Large Dark Blue and White Cloth Banner. Often FDR banners are variants using one of the typical portraits. This one, however, is a completely unique style. Very good display condition, although there is some light soiling and one light water stain, none of which detract noticeably. Minor roughness at upper left-hand corner. 35" x 48".
Franklin D. Roosevelt and Herbert Hoover: Most Unusual Metal 1932 Automobile License Attachment. "Tip the canoe...Roosevelt...Hoover too" it proclaims in raised block letters. Clearly it derives from William Henry Harrison's famous 1840 campaign slogan "Tippecanoe and Tyler too." But in this context we can see no other reading except to view this as a sentiment of opposition to BOTH candidates. In the depth of the Depression there was plenty of anti-establishment sentiment, and this item may have been created by one of the fringe parties or simply by a disgruntled citizen. In any case, it should have considerable appeal, because it is fair game for Hoover, FDR, and license plate collectors alike! Much of the original black painted finish is worn away, otherwise excellent condition. Diameter 9.5".
Harry S Truman: Profoundly Rare 1" Lithographed Tin Pinback Button. Among the more "recent" presidential nominees, Truman has long been the most avidly collected and most highly valued by hobbyists. For some, his appeal was his irascible personality, for others, his dramatic comeback win in the 1948 campaign. With the exception of a handful of widely distributed designs, Truman buttons have always been scarce. This may well be due to the widespread presumption that Thomas Dewey had locked up the presidency long before the 1948 election took place. Doomed candidacies have always had trouble raising contributions, and a shortage of funds undoubtedly contributed to the paucity of Truman campaign novelties.
Despite their scarcity, Truman button varieties have long been well-documented. We cannot recall the last time we encountered a Truman picture pin of a completely new and different design. And yet, here we have one: a highly distinctive 1" litho made by L. J. Imber Co. of Chicago! The provenance of this particular button is highly impressive. It comes from the estate of John W. Snyder, who was Truman's Secretary of the Treasury, and was found with one of Snyder's calling cards, which is included with the lot. Choice condition, rarely encountered in such a lithographed tin pinback.
Despite their scarcity, Truman button varieties have long been well-documented. We cannot recall the last time we encountered a Truman picture pin of a completely new and different design. And yet, here we have one: a highly distinctive 1" litho made by L. J. Imber Co. of Chicago! The provenance of this particular button is highly impressive. It comes from the estate of John W. Snyder, who was Truman's Secretary of the Treasury, and was found with one of Snyder's calling cards, which is included with the lot. Choice condition, rarely encountered in such a lithographed tin pinback.
Autographs
Harry and Bess Truman: Glossy 8" x 10" Photo Signed by Both. Inscribed by Bess in black ink, "For Jane with much love" and signed by her, with Harry signing below. Jane was Jane Lingo, daughter Margaret's best friend. Accompanied by the original envelope addressed in Bess's hand, and a handwritten note by Bess:"You asked for this - remember? I think, judging from the large grins, we must have been on our way to New York. Love, Mrs. T." An excellent example with strong bold signatures. Although Harry Truman signed photos are plentiful, ones signed by Harry and Bess are deceptively scarce.
Harry S Truman: Most Interesting Grouping. Includes the following items: (1) An engraved place card for dinner on the presidential yacht the Williamsburg in the name of "Miss Lingo" (Margaret Truman's best friend). Harry has written on it "a pleasant day with Miss Lingo aboard, Harry Truman" in pencil. On verso the other guests have signed, including Margaret Truman; (2) An engraved card with a facsimile Truman signature, thanking Miss Lingo for her kind thoughts during his recent illness, envelope included; and (3) Most interestingly, a remarkable anonymous typed "hate" note sent to Lingo's mother on the occasion of Truman's inauguration. The Lingos were Washington society bluebloods, and undoubtedly one of their friends did not think much of the Lingos' relationship with the Missouri couple: "Mrs. B.H. Lingo, Colonial Dames Club is a far cry from the Truman Pendergast Brothel Association. Hope you enjoy the dis grace you have brought on your family and your self. What are you getting out of such a foul friendship" The note is accompanied by its original mailing envelope postmarked January 20, 1949 (Inauguration Day) and a newspaper clipping regarding the Pendergast reference. A truly unusual grouping.
Political
Harry S Truman: Plaster and Wood Shelf Bracket Removed from the White House. The cream colored painted bracket has a bronze finish plaque on the back that reads, "Original White House Material / Removed in 1950". The bracket is 6.5" wide, 7" long, and 4" deep. Some cracking and plaster loss, else fine. This lot requires 3rd party shipping.
John F. Kennedy: Pair of His Personal Wool "Long John" Underwear. With well-worn "John F. Kennedy" ID label sewn into the collar. The pair has excellent provenance: they were purchased by the late well-known Maryland collector/ dealer Richard Wilson at a highly publicized auction of Kennedy memorabilia in New York in 1998. The New York Post illustrated an article about the auction with a photo of Wilson holding this very pair of long johns, and noted that they fetched $3000 at the time. Apparently, they came along with another pair, lacking a name tag, both of which left the Kennedy family in the early 1950s, when Jacqueline Kennedy sold a number of items including antiques, clothing, household furnishings, etc. to a Bethesda antiques dealer. The underwear was used to wrap fragile glass items! Wilson offered the unlabeled pair for sale for $5500 in his "Norma's Jeans" sales catalog of celebrity items. Presumably they were sold, because they were not included, as was the pair on offer now, in his estate. While clearly worn, they are in excellent condition.
Caroline Kennedy: Charming 1961-Dated Pencil Drawing. In the upper right-hand corner someone has written "Caroline Mar. 10, 1961." From the estate of the late Maryland collector and publisher of "Norma's Jeans," Richard Wilson. Nicely matted with three images of Caroline at about the age when this would've been drawn. The drawing itself measures 8" x 12", nicely custom framed to 20" x 15.5". This lot requires 3rd party shipping.
John F. Kennedy: Five Substantial Strands of His Hair. With certificate of authenticity from John Reznikoff/ University Archives, widely considered the leading authority on hair samples. Nicely mounted along with a color portrait of JFK. 11.5" x 16". Bidders should be aware that no provenance accompanies this lot other than the fact that it came from the Wilson estate, and there is no basis upon which it can be authenticated based on examination of the item itself. Accordingly it is sold "as is."
Barry Goldwater: Pair of Large 3½" Goldwater Portrait Variation Pinbacks. These large pinbacks were manufactured by the A.G. Trimble Company of Pittsburgh, Pennsylvania. Each features a large portrait of Barry Goldwater set against the ubiquitous gold background. Each is captioned "Goldwater in '64"; one example has a red band along the rim; the other a black band. Both examples are in very good condition with only trivial wear to the surface and both are complete with their pins.
Goldwater & Miller: Large Pinback Issued by the Yonkers Republican City Committee. Button 3½"; ribbon 3" x 9½". The ribbon is captioned "5th Ward / Vote / Row / A / All the Way / Yonkers Republican / City Committee". The ribbon is near mint with only a minor crease above the eagle. The button is "choice".
Gerald Ford: Rare "Missourians For Ford" Pinback. 4". A rather striking slogan pinback with only trivial surface wear. This is the first time we've been fortunate enough to offer this rare button for auction.
Reagan & Bush: Autographed Original Artwork for the Familiar Official Poster from the 1984 GOP National Convention in Dallas, Texas. This spectacular painting is surely the most impressive Ronald Reagan display item one might ever hope to possess! The artistry, by well-known Dallas painter Don Adair, is of the highest quality, and the running mates have each autographed this piece boldly in the field to either side of their portraits. Adair, a well-known Dallas artist, is widely respected for his varied body of work, including two US postage stamps, a series of 100 paintings on the history of America commissioned by the Postal Commemorative Society, original art for Donruss baseball cards, and commissioned oil portraits of celebrities ranging from Ben Hogan to Margaret Thatcher. Obtained directly from the artist, the artwork itself measures 24" x 18", and is very elegantly custom-framed to 35" x 30". Pristine condition.
Antiques
1800 Charleston FISHER Slave Hire Badge. Number 55. A flat even-sided octagonal tag with a hole at the top for suspension, 42mm x 40mm. The "ATMAR" hallmark stamped on the reverse denotes manufacture by Ralph Atmar, Jr., a one-year only maker. He was a goldsmith and engraver whose parents had been banished from Charleston in 1781 by the British because they would not take the loyalty oath. Ralph Atmar, Sr. brought his family back to South Carolina in 1782 and later became a messenger of the state house of representatives. The elements on the obverse are as follows (top to bottom): an engraved "No 55"; "FISHER" in individual punches; and "1800" punched. This excavated badge is in fine condition with some light surface roughness, a dark patina, and the expected verdigris. Note that there is no "Charleston" on these first year badges. Ex Gilbert G. Steinberg Collection.
Although Charleston had licensing laws and issued badges to hired-out slaves as early as 1764, none of these badges are known to have survived. The law that called the badges offered here into existence was passed in July 1800 to go into effect in mid-August of that year. It mandated that masters who hired slaves out as laborers would have to purchase a badge for the slave to wear with fees dependent upon the occupation. The City Gazette of September 3, 1800 announced: "Denomination and Price of said badges are as follows: Huckster, not under thirty years of age, six dollars per badge. Mechanic, three dollars. Porters and cart and dray men, two dollars. Washers, Fishers and Hired Servants, one dollar." There were 2,116 badges issued in this first year indicating that more than 20% of the slaves in the city of Charleston participated in this system. The Fisher is one of the rarest occupations and, according to our research, this particular badge bears possibly the second lowest number known for this year, making it one of the earliest produced of all Charleston slave hire badges and the cornerstone of any advanced collection.
Although Charleston had licensing laws and issued badges to hired-out slaves as early as 1764, none of these badges are known to have survived. The law that called the badges offered here into existence was passed in July 1800 to go into effect in mid-August of that year. It mandated that masters who hired slaves out as laborers would have to purchase a badge for the slave to wear with fees dependent upon the occupation. The City Gazette of September 3, 1800 announced: "Denomination and Price of said badges are as follows: Huckster, not under thirty years of age, six dollars per badge. Mechanic, three dollars. Porters and cart and dray men, two dollars. Washers, Fishers and Hired Servants, one dollar." There were 2,116 badges issued in this first year indicating that more than 20% of the slaves in the city of Charleston participated in this system. The Fisher is one of the rarest occupations and, according to our research, this particular badge bears possibly the second lowest number known for this year, making it one of the earliest produced of all Charleston slave hire badges and the cornerstone of any advanced collection.
1800 Charleston PORTER Slave Hire Badge. Number ??. A flat octagonal tag with a hole at the top for suspension, 38mm x 40mm. The "ATMAR" hallmark stamped on the reverse at the top denotes the manufacturer, Ralph Atmar, Jr.; this was the only year he produced these badges. The elements on the obverse are as follows (top to bottom): an engraved "No ???"; "PORTER" in individual punches; and "1800" punched. This excavated badge is in very good condition with surface porosity and a very dark brown patina. Note that there is no "Charleston" on these first year badges. Even without being able to ascertain the number, this is a tremendously scarce badge from the first year of manufacture.
1810 Charleston FISHER Slave Hire Badge. Number 49. A somewhat convex octagonal tag with four long sides and four shorter sides, and with a hole at top for suspension. 53mm x 57mm. There is a "LAFAR" hallmark on the reverse signifying that this was manufactured by silversmith John Joseph Lafar, likely his first year of production (no 1808 or 1809 badges have been located). Interestingly, Lafar was known to be a slaveholder himself and would later serve as Charleston's city marshal. The elements on the front are as follows (top to bottom): "*CHARLESTON*" in a lunate bar punch; "1810" bar punched; "FISHER" in a rectangular punch; and "No" in a square punch followed by an engraved "49". This example was likely not dug; it is as nice a slave badge as you're likely to find with extremely fine detail, a beautiful medium brown patina, and a smooth obverse surface. The reverse has some verdigris and pitting. Based on our research, this low numbered tag is the third-oldest known Lafar badge.
Contemporary reporting of badge sales after 1805 showed just dollar amounts. Authors Harlan Greene, Harry S. Hutchins, Jr., and Brian E. Hutchins, in their definitive reference work Slave Badges and the Slave-Hire System in Charleston, South Carolina, 1783-1865, have devised a mathematical formula for estimating the number of badges issued for each year. Their estimate of the number of badges produced for 1810 is a miniscule 656. The small mintage, large size, uncommon occupation, low number, and extreme displayability all combine to make this a particularly desirable example, worthy of any collection.
Contemporary reporting of badge sales after 1805 showed just dollar amounts. Authors Harlan Greene, Harry S. Hutchins, Jr., and Brian E. Hutchins, in their definitive reference work Slave Badges and the Slave-Hire System in Charleston, South Carolina, 1783-1865, have devised a mathematical formula for estimating the number of badges issued for each year. Their estimate of the number of badges produced for 1810 is a miniscule 656. The small mintage, large size, uncommon occupation, low number, and extreme displayability all combine to make this a particularly desirable example, worthy of any collection.
1811 Charleston PORTER Slave Hire Badge. Number 37. A convex, four-sided tag with deeply scooped, rounded corners and a hole at top for suspension. 50mm x 50mm. This is the only year where this particular shape is found. The "LAFAR" punch on reverse indicates its manufacture by John Joseph Lafar. The elements on the front are as follows (top to bottom): *CHARLESTON*" in a lunate bar punch; "1811" bar punched; "PORTER" in a rectangular punch (at a slight angle); and "No" in a square punch followed by an engraved "37". Very fine condition with brown / olive patina and some copper red highlights on the obverse, likely from cleaning after excavation. There are relatively few 1811-dated tags known with the four full scalloped corners as some have been cut down to a rectangular shape. Also, our research did not find a lower-numbered example with this date. Any collector seeking a badge in every possible shape format would have to have an original, unmodified 1811 example. Ex Gilbert G. Steinberg Collection.
The book Slave Badges and the Slave-Hire System in Charleston, South Carolina, 1783-1865 estimates that there were only 881 badges made with a date of 1811. This is the lowest mintage for the period of 1811-1864.
The book Slave Badges and the Slave-Hire System in Charleston, South Carolina, 1783-1865 estimates that there were only 881 badges made with a date of 1811. This is the lowest mintage for the period of 1811-1864.
1814 Charleston SERVANT Slave Hire Badge. Number 314. A nearly-flat square-shaped (as they were in even-numbered years during this period) tag with clipped corners and a hole at the top for suspension, 50mm x 50mm. There is a lightly-punched "LAFAR" hallmark on the reverse indicating manufacture by silversmith John Joseph Lafar. The elements on the obverse are as follows (top to bottom): "*CHARLESTON*" in a lunate bar punch; "No" in a square punch followed by an incuse "314" in individual punches (very strong); "SERVANT" in a rectangular punch; and "1814" bar punched. The condition is extremely fine with an even, dark patina and strong elements.
1814 was the first year in which all the elements of the badges were punched, nothing was engraved. Also, it was the first year in which maker LaFar started the pattern of square-shaped badges in even-numbered years and diamond-shaped badges in odd-numbered years. Approximately 1,338 badges were issued with the 1814 date.
1814 was the first year in which all the elements of the badges were punched, nothing was engraved. Also, it was the first year in which maker LaFar started the pattern of square-shaped badges in even-numbered years and diamond-shaped badges in odd-numbered years. Approximately 1,338 badges were issued with the 1814 date.
1815 Charleston SERVANT Slave Hire Badge. Number 689. A flat diamond-shaped (as they were in odd-numbered years during this period) tag with clipped corners and a hole at the top for suspension. 62mm x 63mm. "LAFAR" hallmark punched on the back, signifying manufacture by Charleston silversmith John Joseph Lafar. The elements on the front are as follows (top to bottom): "*CHARLESTON*" in a lunate bar punch; "No" in a square punch followed by an incuse "689" in deep individual punches; "SERVANT" in a rectangular punch; and "1815" bar punched at somewhat of an angle. The condition on this tag is extremely fine with well-defined elements, smooth surfaces, and an even medium brown patina. There is just a bit of verdigris at the bottom. Approximately 1,898 badges were issued with the 1815 date.
1816 Charleston PORTER Slave Hire Badge. Number 486. A slightly convex square-shaped tag (as they were in even-numbered years during this period) with clipped corners and a hole at the top for suspension. 48mm x 50mm. Hallmark punched "LAFAR" on the reverse indicating manufacture by Charleston silversmith and city marshal John Joseph Lafar. The elements on the obverse are as follows (top to bottom): "*CHARLESTON*" in a lunate bar punch; "1816" bar punched; "PORTER" in a rectangular punch; and "No" in a square punch followed by an incuse "486" in individual punches. Condition is extremely fine; the light brown patina has copper red highlights with just a bit of verdigris in the numbers. All elements are very strong.
The Charleston slave hire system allowed for slaves to work at various different trades as indicated on the badge; the fees charged were based on level of skill. The semi-skilled occupations (Servant and Porter) were the most common and account for as many as 80% of the badges known to today's collectors. There were an estimated 1,972 badges issued with this date.
The Charleston slave hire system allowed for slaves to work at various different trades as indicated on the badge; the fees charged were based on level of skill. The semi-skilled occupations (Servant and Porter) were the most common and account for as many as 80% of the badges known to today's collectors. There were an estimated 1,972 badges issued with this date.
1818 Charleston SERVANT Slave Hire Badge. Number 163. A slightly convex square-shaped tag (as they were in even-numbered years during this period) with clipped corners and a hole at the top for suspension (affecting the "Charleston" element). 51mm x 55mm. Hallmark punched "LAFAR" on the reverse indicating manufacture by Charleston silversmith John Joseph Lafar. The elements on the obverse are as follows (top to bottom): "*CHARLESTON*" in a lunate bar punch; "SERVANT" in a rectangular punch (there is about a 6mm split in the metal beneath this punch); "1818" bar punched (at somewhat of an angle); and "No" in a square punch followed by an incuse "163" in individual punches (a tiny part of the "1" is punched all the way through). Condition is generally very fine with a very dark but even patina. This is the only year in which Lafar placed the elements in exactly this order on a square badge. There were an estimated 2,297 badges issued with this date.
1821 Charleston PORTER Slave Hire Badge. Number 366. A nearly-flat diamond-shaped tag (as they were in odd-numbered years during this period) with clipped corners and a hole at the top for suspension. 66mm x 68mm. Hallmark punched "LAFAR" on the reverse indicating manufacture by Charleston silversmith John Joseph Lafar. The elements on the front are as follows (top to bottom): "*CHARLESTON*" in a lunate bar punch; "No" in a square punch followed by an incuse "366" in deep individual punches; "PORTER" in a rectangular punch; and "1821" bar punched (at an angle). Condition is about fine with evidence of having been folded or bent with a 20mm split at 4:30. Dark brown patina. There were an estimated 1,618 badges issued with this date.
1821 Charleston SERVANT Slave Hire Badge. Number 318. A slightly-convex diamond-shaped tag (as they were in odd-numbered years during this period) with barely-clipped corners and a hole at the top for suspension. 68mm x 71mm. Hallmark "LAFAR" punched on the reverse indicating manufacture by Charleston silversmith John Joseph Lafar. The elements on the front are as follows (top to bottom): "*CHARLESTON*" in a lunate bar punch; "No" in a square punch followed by an incuse "318" in deep individual punches; "SERVANT" in a rectangular punch; and "1821" bar punched. Condition is extremely fine with strong elements, smooth surfaces, and an attractive brown, green, and red patina. Great for display.
1833 Charleston PORTER Slave Hire Badge. Number 583. A slightly convex diamond-shaped tag with clipped corners and a large hole at the top for suspension. 67mm x 68mm. There is no hallmark though John J. Lafar was the contractor for this year's badges. The elements on the front are as follows (top to bottom): "*CHARLESTON*" in a lunate bar punch; "No" in a square punch followed by an incuse "583" in individual punches; "PORTER" in a rectangular punch; and "1833" bar punched. The condition is fine with some surface roughness and light verdigris; patina is very dark though the elements are well-defined.
It is estimated by the authors of Slave Badges and the Slave-Hire System in Charleston, South Carolina, 1783-1865 that 3,356 badges were manufactured for this year bringing $7,339.00 to the city coffers.
It is estimated by the authors of Slave Badges and the Slave-Hire System in Charleston, South Carolina, 1783-1865 that 3,356 badges were manufactured for this year bringing $7,339.00 to the city coffers.
1836 Charleston SERVANT Slave Hire Badge. Number 938. A flat diamond-shaped tag with clipped corners and a hole at the top for suspension. 66mm x 68mm. Manufactured by William Madison Rouse. The elements on the obverse are as follows (top to bottom): "*CHARLESTON*" in a lunate bar punch; "1836" bar punched; "SERVANT" in a rectangular punch inside a dotted border; and an incuse "938" in individual punches. The appearance is about fine with a somewhat mottled surface and dark brown patina. Excavated in Charleston, December 2001.
This was the first year that Rouse, a silversmith, received the city's contract. He used a different and smaller typeface than his predecessors for the badges and dropped the "No" punch. It is estimated that there were 3,707 badges manufactured with the 1836 date.
This was the first year that Rouse, a silversmith, received the city's contract. He used a different and smaller typeface than his predecessors for the badges and dropped the "No" punch. It is estimated that there were 3,707 badges manufactured with the 1836 date.
1839 Charleston SERVANT Slave Hire Badge. Number 18. A nearly-flat diamond-shaped tag with clipped corners and a hole at the top for suspension. Manufactured by silversmith William M. Rouse. The elements on the obverse are as follows (top to bottom): "*CHARLESTON*" in a crescent-shaped bar punch (the "N*" is missing from metal loss); an incuse "18" in individual punches; "SERVANT" in a rectangular bar punch with a dotted border; and "1839" bar punched (the "1" is quite weak). Fair, excavated condition with rough surfaces and small missing pieces metal at two edges. There were an estimated 3,852 badges manufactured with the 1839 date.
Photography
Three Quarter Plate English Daguerreotype, Circa 1850. Brightly tinted, perfect untouched condition. This is the exact image used as the frontispiece of "The Daguerreian Annual 2007", the official "Yearbook" of The Daguerreian Society. Bright tinting, superbly executed. Doubtless a Shakespearean character, the subject wearing a coronet rather than a crown, implying one of the earlier Shakespearean kings such as Richard II, King John, or Macbeth. The actor is unidentified but worthy or diligent research. Housed in the original black pebbled leather case with double brass hinges and brass hook closure in perfect condition. A great daguerreotype, worthy of inclusion in even the most sophisticated collection.
Quarter Plate Ambrotype: Chess Players, Circa 1860. Incredibly charming "painterly" image, with young woman seated across the table from what is doubtless her father, concentrating on a chess game on the table between them. They are seated in a room with windows visible at the left side. Beautifully posed with the elderly gentleman holding a long ear trumpet at his side. Superb quality, pristine condition. This is the exact image illustrated on page 30 in The Photograph Collectors Guide by Lee D. Witkin and Barbara London. Ex-Witkin Gallery and Jinny Moe collection. A great image with excellent provenance.
Ninth Plate Thermoplastic Photograph Case: "The Profile of William Shakespeare" (Krainik #378, Berg 1-151). One of the rarest of all cases, this being an exceptional example. The profile of Shakespeare is on the front, medallion with dates of birth and death on the back. Minor "bubbling" at the edge of each medallion, obviously occurring during fabrication, else absolutely mint. Unique form with single large brass hinge in the center rather than two small hinges. No image, retaining the original black and gilt label, "F. C. Key & Son, Excelsior Ambrotype Case etc. Philadelphia, Pa." The first example we've encountered and a rare opportunity for the sophisticated case collector.
Quarter Plate Daguerreotype: Portrait of a Girl, Circa 1854. She is holding a huge china/bisque head doll on the table at her side. The doll is fully half the girl's size, one of the largest we've ever seen. The little girl, with "movie star" looks, wears a dress over white lace pantaloons, necklace with gilt highlights, the doll and little girl both with delicately tinted pink cheeks. Finest quality, perfect condition. Original seal present, carefully opened to clean cover glass. Image untouched/ uncleaned. Housed in the original floral vase leather case, hinge split else fine. Great image.
Quarter Plate Daguerreotype Portrait, Circa 1848. In a triple breasted coatee with piping, stripes on the sleeves, eagle buttons, bullion fringed epaulettes with brass crescents is this officer, cradling his brass scabbard eaglehead sword with fluted ivory grip. At his waist he is wearing a white buff belt with two piece interlocking buckle depicting a drooped wing eagle holding an infantry horn on suspensory cords in his beak. Beside him is a brass mounted stove pipe shako with suspensory cord, sunburst front plate with silver 1833 dragoon eagle, huge feathered plume with the top tinted red. Superb quality, perfect condition. Seal broken but image untouched/ uncleaned. Housed in a scarce brown leather case with gilt embossed scroll decoration. Maroon velvet pad embossed with a grape leaf, hinge split, else very fine. Very desirable subject and a striking image.
Three Quarter Plate English Daguerreotype: The Hon. Catherine Pakenham, Circa 1850. Absolutely gorgeous daguerreotype in perfect condition with the original maroon paper seal cover the entire verso of the image. Really stunning. The Duchess married the Duke of Wellington in 1806 and died in 1831. Housed in the original brown leather case with brass hinges in near perfect condition. Beautiful daguerreotype in a very rare format in superb condition.
Half Plate Daguerreotype of a Painting by M. P. Simons of Philadelphia, Circa 1853 Exquisite pristine image with original seal intact, just some typical "condensation" on the inside of the cover glass. Very distinguished subject and doubtless identifiable. Simons logo stamped on the bottom edge of the mat. Housed in a rare "Washington Monument" leather case (CI40) in excellent condition. Striking signed image in a very scarce case.
Full Plate Thermoplastic Photo Case, Circa 1860. With ten (two missing) table knives, modified by the manufacturer to house the knives. The knife handles are of ivory embossed with the letter "F". Each blade bears five cartouche touchmarks. Generally excellent, a few of the handles with hairline age cracks. The entire case is velvet lined, fabricated especially to house the knives, and embossed on the pad "Hartford Manufacturing Co./ Hartford, Conn." Also embossed with the oval silver logo of the dealer who sold them "Robert Rait/ 261 Broadway/ New York." Lining excellent. The dark brown thermoplastic case is plain on the reverse with deep relief scallop and shell motifs on the front and is in about mint condition. Really choice and a beautiful case. A most unusual presentation and an interesting insight into the alternate uses for these innovative photo cases, being the first thermoplastic items ever produced.
Half Plate Ambrotype: Niagara Falls, Circa 1861 Babbit owned the photo concession at the Falls, and for many years held unique rights to photograph the myriad visitors to the iconic landmark. He was, in a sense, the first "boardwalk photographer" and it was not unusual for Babbit to photograph visitors without their knowledge, subsequently offering them the image as a "souvenir" of their visit. This is a truly exceptional example, superb quality, pristine condition. The well dressed gentleman with top hat and cane in foreground, with his back to the camera, probably the subject of Babbit's apparently "candid" shot. Housed in the original geometric leather case, hinge split, else very fine. Really a choice example.
Half Plate Daguerreotype: Portrait of a Young Couple, Circa 1853. In a three quarter plate size mount. Probably a wedding portrait, the couple holds hands and dressed in what is clearly their "Sunday best." Professionally cleaned, a few minor scratches, but a very impressive image. Housed in a half case.
Half Plate Thermoplastic Photo Case: "The Washington Monument, Richmond, Va.", (Krainik #4, Berg 1-3S). Doubtless one of the most impressive, deepest relief, and intricate of all the cases, this being possibly the finest example we've ever seen, in mint condition. Original paper label, "S. Pecks's and Halverson's Patent Union Case", perfect. Contains a ruby ambrotype of a distinguished bearded gentleman, with some spotting else, fine. Accompanied by Anthony stereo "War View" #No. 3168 showing the monument, with 1865 copyright date. Fine condition and a superb companion piece.
Quarter Plate Stereo Daguerreotype, Circa 1853. Maroon leather case with push button closure, double brass hinges. Flip up viewer embossed in gilt "Mascher's Improved Stereoscope/ Philada./ Patent/ March 8th 1853." Stereo pair images of distinguished gentleman, professionally cleaned and resealed. Images and case both about perfect. Choice example of this very desirable and scarce photographic oddity.
Sixth Plate Mother of Pearl Photograph Case, Circa 1856. (Similar to Berg #6-115). Generally among the rarest of all cases, this is the finest example we've seen. Deep relief carved profile bust of a classical Graeco/Roman female figure, superb quality. The front and sides of the case composed of mother of pearl panels, the reverse of maroon pebbled leather, extensively embossed with gilt floral designs, push button closure. White silk pad, white corduroy liner. One small piece missing along bottom front edge, minor, else about perfect. An exceptional example of a prohibitively rare case.
Sixth Plate Daguerreotype: American Militia Officer, Circa 1850. Nicely posed with arms folded in front. Double breasted coatee with high standup collar. Fringed epaulettes, collar tabs and rectangular waist belt plate all highlighted with gilt. Uncleaned, just a couple of tiny hairlines, negligible, else excellent, very fine quality. There is no case. A good representative American military daguerreotype worthy of research.
Sixth Plate Daguerreotype: American Militia Artilleryman, Circa 1855. Wearing a single breasted frock coat with high standup collar, separately affixed numerals "26" on either side of the collar, worsted wool fringed epaulettes and white buff cross belts (cartridge box and bayonet sling) with circular plate tinted gilt. An M1836 waist belt set, two piece buckle tinted gilt, with M1833 foot artillery sword is at his side. The M1851 shako with gilt tinted crossed cannons on the front has a huge white feather plume with the tip tinted red. Finest quality, perfect condition. Original seal present but neatly opened to clean cover glass, image untouched uncleaned. The daguerreotype is housed in the original eagle on shield case, hinge split else fine. A very impressive image of a scarce subject.
Octagonal Quarter Plate Thermoplastic Photo Case: "The Horse Race" (Krainik #86, Berg 1-46). Very rare and possibly the most beautiful case ever produced. Choice example, one small chip at upper right corner on front, else mint. No images, obviously never used, formatted for images on both sides, with the original matching mats, preservers, and glass. Original, perfect condition label for S. Peck & Co. "Union Case". Extremely desirable and rarely offered in this superb condition.
Sixth Plate Daguerreotype: Portrait of a Elderly Man, Circa 1850. He is holding a handmade wooden crutch. Family tradition states the subject was a veteran of the American Revolution. Very fine quality, two tiny hairlines, negligible, else perfect condition. Seal professionally replaced, image untouched/ uncleaned. Housed in the original floral leather case, about perfect. Most unusual subject.
Half Plate Daguerreotype: Mother and Two Daughters, Circa 1853. An unusual format. Attractive group, regaled in lace trimmed dresses, with broaches at the throat, the mother's broach being a carved cameo. The mother also holds an elegant embroidered purse in her lap. Finest quality, perfect condition, original seal intact, untouched. The unusual detail is the gilt embossed logo of Root's 140 Chestnut St, Philadelphia, Gallery, which includes Root's actual signature, in the center of the back of the leather floral case. Unique in our experience. Case with hinge split, else fine. Impressive image and very scarce.
Sixth Plate Ambrotype: Historic Diamond Hotel in Hollidaysburg, Pennsylvania, Circa 1860. An absolutely superb quality image in perfect condition with the original seal intact and lacquered on verso. One man is seated on the bench in front where numerous hitching posts are seen along street. " Diamond Hotel/ C. B. Jacobs" is painted on the front. Accompanied by a 2.25" x 3.5" business card from the hotel listing C. B. Jacobs as the "Proprietor". Hollidaysburg, the county seat of Blair County, Pennsylvania, was an important part of the Pennsylvania Main Line Canal, where it connected to the Allegheny Portage Railroad, and is, interestingly, the home of the iconic American toy the "Slinky." The center of town, where the hotel was located, was referred to as "The Diamond," where the building and streets formed a perfect diamond. Housed in the original geometric leather case, very fine. A really exceptional ambrotype and a superb photographic record of a lost nineteenth century America.
Very Rare Carte de Visite Photographic Viewing Box, Circa 1865. 9.5" x 5.25" x 4.5" high. Covered with purple velvet with porcelain/ brass tack decoration. Velvet covering shows considerable wear but intact and sound. One porcelain cap missing. Brass clasp for closure, although only the upper portion remains. The double oval frame mounted on the top, as well as the operating knobs are fabricated of brown thermoplastic and extensively decorated in deep relief. Perfect condition, no cracks or chips. The CDVs are pasted to a linen belt which is moved past the viewing slots with the operating knobs. The inside of the box is painted gilt and the gears/ wheels of the mechanism are all cast iron. Works perfectly. A scarce and very desirable piece of mid-nineteenth century American photographica. This lot requires 3rd party shipping.
Three Quarter Plate Albumen Portrait by English Photographers Maull & Polyblank, Circa 1860. Exquisitely hand tinted, perfect condition. Housed in the original tan, pebbled leather, push button case, with brass hinges. Image perfect, case excellent. The case is embossed in gilt in the center of the reverse "Maull & Polyblank/ 55/ Gracechurch/ Street/ London". The partnership of Maull & Polyblank existed from 1856 to 1865, and they were renowned for their photographic portraits of noted individuals, many of which were published in The London Times or as book illustrations. Although unidentified, the subject of this image is certainly worthy of research. A very attractive image by an important English photographer and very desirable in this great case.
Half Plate American Daguerreotype: Family Portrait, Circa 1854. Remarkable view of a clearly "put upon" mother, father and their eight children, seven of them boys. Very nicely posed with an interesting mix of expressions on the children's faces. The two littlest children, in their parents' laps show the slightest movement, other wise extremely crisp. Very bright, perfect condition. Professionally cleaned and resealed. A most unusual and arresting image in a geometric leather case, hinge split, else perfect.
Half Plate Daguerreotype: Portrait of Two Cute Little Girls, Circa 1853. Both children are standing on Hitchcock style chairs, holding hands. Very fine quality, perfect condition. Original seal present but carefully opened, image untouched/ uncleaned. Housed in the original black, pebbled leather, push button case, maroon velvet pad, very fine. A very pretty half plate of a charming subject.
Sixth Plate Daguerreotype Portrait, Circa 1848. The image shows a well dressed, "slick" looking young man with high top hat. His head cocked to one side holding a loose fist to his mouth, is doubtless simulating "blowing" on dice. Fascinating image and a unique presentation in our experience. Very fine quality, perfect condition. Resealed, but the image is untouched/ uncleaned. Housed in the original floral leather case with plain pink silk pad, very fine. Lots of fun.
Quarter Plate Daguerreotype: Portrait of a Young Man with a Cello, Circa 1848. Very good quality, excellent condition, resealed but appears to be uncleaned. Very nicely posed, holding the bow in one hand, with his fingers in playing position, book on the table at his side. Housed in a leather lyre case, hinge split else about perfect. Very scarce subject.
Half Plate Ambrotype: View of Niagara Falls, Circa 1860. As with the other image in this catalog, doubtless the work of Platt Babbit; although this example is taken from a slightly different vantage point, and is actually the mirror opposite. Likely the result of either the presence or absence of a reversing lens vis a vis the other image. Very fine quality, excellent condition, just some tiny scattered dark spots, minor. Housed in a leather floral half case. Another fine view depicting the power and majesty of this important American landmark.
Stereoviews: Lot of Nine Featuring Views of the First Annual Encampment of the Sioux Fishing Club of Gettysburg, Pennsylvania, 1879. Each card measures 7" x 4" with W.H. Tipton & Co., Photographers, Gettysburg, Pa. studio imprints on the verso of each card. This fabulous lot includes nine of the original ten stereo cards in the set of scenes from the First Annual Encampment of the Sioux Fishing Club held at Camp Sycamore, Point of Rocks, Maryland from July 21 to 25, 1879. The verso of each card has a printed list of the ten scenes in the series and each is signed in ink "G. H. Buehler". The stereo views clearly show the details of the men's uniforms (a bibbed shirt with the letter "S" applied to the front), their tents, a wide shot of the entire encampment, the men eating, and various other posed shots. The detail is quite remarkable, easily showing small points of interest like musical instruments, fishing gear, and one member with a GAR medal pinned to his chest. All examples are in fine condition. This cataloger was able to find records of the Sioux Fishing Club holding annual encampments through 1929.
Stereoviews: Lot of Fifteen Featuring Views of the Second Annual Encampment of the Sioux Fishing Club of Gettysburg, Pennsylvania, 1880. Each card measures 7" x 4" with W.H. Tipton & Co., Photographers, Gettysburg, Pa. studio imprints on the verso of each card. This fabulous lot includes fifteen of the original eighteen stereo cards in the set of scenes from the Second Annual Encampment of the Sioux Fishing Club held at Camp Mitchell, near Newport, Pennsylvania from August 2 to 12, 1880. The verso of each card has a printed list of the eighteen scenes in the series. The views include many scenes around the camp showing the members of the club relaxing, smoking, playing the banjo and guitar, eating, posing outside tents, and generally doing everything but fishing. All examples are in fine condition. This cataloger was able to find records of the Sioux Fishing Club holding annual encampments through 1929.
Circus Performer and Human Oddity: Memorabilia Archive. An interesting group of photographs and ephemera related to freaks and side-show performers of the mid-nineteenth to early-twentieth centuries. The Tom Thumb material includes a 5" x 7.5" handbill announcing his appearance at Egyptian Hall in Piccadilly (mounted to an album page along with his diminutive calling card), a full copy and cover-only of his 1863 wedding as reported in Harper's, and an 1872 paperback account of his three-year world tour measuring 4.5" x 7.5". The balance of the collection includes fourteen cabinet cards of various individuals, a 6" x 4.5" promotional card for the Gulliver Lilliputians, a real photo postcard of "Bernard Coyne Giant of the World" dated 1920, and three circa 1920 portrait negatives. The cabinet cards include six examples by Eisenmann, two by Wendt, a Bogardus, two by Harrie Rose of Indianapolis, and others. Many identified on verso, the portrait of Chang-Yu-Sing apparently autographed on verso in Chinese characters. Condition varies, please refer to photos.
Calamity Jane: Rare Image of the Frontierswoman. A 4.25" x 6.5" cabinet card, identified in the image as "Calamity Jane, Gen. Crook's Scout." She is shown armed with a repeating rifle, ammunition belt, and revolver. Martha Jane Cannary (1852-1903) worked as a scout for Gen. Crook and was a colleague of Buffalo Bill. She acquired her nickname in 1872 after rescuing Captain Egan from certain death during an Indian ambush in South Dakota. She later appeared in Buffalo Bill's Wild West Show, but was dismissed for drunkenness, dying two years later. She was buried next to Wild Bill Hickok in Deadwood, S.D. Photographer's credit at bottom of mount reads: "Wilson 389 State St. Chicago. Theatrical Celebrities". The reverse has paper residue from previous mounting in an album. The mount has some abrasions and light soiling. The portrait itself is bold with some abrasion to the left. Undated, but likely circa 1880. Images of Calamity Jane are significantly rarer than those for Annie Oakley.
Autographs
John X. Beidler: Signed Cabinet Card Photo by Keller of Helena, Montana. 4.25" x 6.5". Beidler was a well-known Montana vigilante and "shot-gun messenger" for Wells, Fargo & Co. and the Gilmer, Salisbury & Co. stage lines. Autographed in pencil on verso. Virtually all Beidler photos are autographed, but this one also has an applied label on the back side touting some of his accomplishments as a treasure box guard, claiming he "... never threw up his hands, nor lost an ounce of Gold Dust... while in discharge of his duties..." A particularly desirable image in very fine condition.
Photography
Annie Oakley: Very Scarce Cabinet Card Pose. Here the legendary sharpshooter sits rather demurely in a massive Renaissance-style chair, a shotgun resting in her lap. Her delicate feminine features and flowing hair belie her rugged outdoors image. Trivial light surface wear at a few points along the edge of the mount, and for strictest accuracy we note an equally trivial shallow incipient crease in the upper left-hand corner; more like a slight bend, really. Overall condition is excellent. 4.25" x 6.5".
"Buffalo Bill" Cody: Cabinet Card, Circa Early 1880s. 4.25" x 6". No photographer's imprint. Captioned "Buffalo Bill" along the bottom front edge. This early studio image features Buffalo Bill dressed in his mountain man finery including his fringed and beaded long buckskin jacket, fringed leggings, beaded moccasins, Remington rifle, and an ivory-handled revolver and Bowie knife tucked into his belt. Some toning to margins, mounting remnants on the verso, else a clear image in excellent condition.
Autographs
Wild West Show Performers: Group of Ephemera. A fine assemblage that features items for Captain Jack Crawford and Pawnee Bill. Consists of: autographed 3.5" x 5.5" real photo postcard of Pawnee Bill inscribed, "To Frank Gordon Lillie 'Pawnee Bill'", a 4.25" x 6.5" cabinet card by Handerst & Son of Chicago showing "Pawnee Bill's $2000.00 Team of Elk", a 1929 check signed G. W. Lillie of the "Pawnee Bill Oil Co.", and a matted and framed array of three especially interesting pieces. These include: a 3.5" x 5.5" real photo postcard of Captain Jack Crawford, an August 25, 1914 newspaper clipping of a poem by English poet William Watson urging America's involvement in the First World War, a typed transcript of the very same poem along with Crawford's poetic reply, signed "Capt Jack Crawford Late Chief of Scouts U.S.A." with annotation "Editor/ I trust that these will have your Personal Attention. I've taken some trouble to make these of interest. JWC". The anti-war poem urges a "watch and wait" policy: "Well Poet Friend, the Poet Lariet/ Has this to say for Uncle Sam to you/ We feel as did the noble Lafayette/ When we were mixed up in an English stew/ And made about the same appeal to you!... When reason reigns and selfish war has ceased/ And when despotic crowned heads have decreased/ And this the answer I would send today/ From Uncle Sam's Yankee Blue and Gray."
Photography
"Buffalo Bill" Cody: Rare Photograph. A 4.25" x 6.5" cabinet card depicting a rather youthful Buffalo Bill astride his horse, apparently on the grounds of one of his Wild West shows. He holds a repeating rifle across his lap. The bridle, martingale, and reins are decorated with silver discs or conchos. Inscribed on the lower mount in an unknown hand: "Col. W. F. Cody/ 'Buffalo Bill'". Mount is lightly and evenly toned. This image is rarely encountered and may have been sold as a souvenir at one his early performances.
Western Americana: Ned Buntline Signed Carte de Visite. 2.5" x 4.125". The image, by Sarony of New York, pictures an older Buntline with a lapel festooned with badges and medals. The image is clearly signed "Ned Buntline" in pencil across the bottom. Buntline was an American publisher, journalist, writer, and publicist best known for his dime novels and the Colt Buntline Special he is alleged to have commissioned from Colt's Manufacturing Company. Pencil notation, else near mint.
General Custer's Crow Scout "Curley" (Ashishishe) Cabinet Card. 4.25" x 5.75". D. F. Barry, West Superior, Wisconsin studio label with Chief Gall's imprint in red on the verso. Curley was chosen by Custer to lead the expedition into the Little Bighorn in 1876. He is thought to be the only surviving witness to Custer's land stand. The mounting board has been slightly trimmed but it hasn't affected the photograph. There is a period modification on the verso to aid in handing the photograph. With the exception of trivial soiling, the image is clear and in excellent condition.
John Wallace "Captain Jack" Crawford Signed Photograph. "Yours in clouds or sunshine/ J. W. Crawford/ Capt Jack". 5.5" x 7.5", mounted on photographer's studio board to an overall size of 7" x 10". "Captain Jack" Crawford was known as the "Poet Scout" and was one of several characters that sold a certain romantic take on the American West in the second half of the nineteenth century. Crawford had been a soldier, scout, Indian fighter, and friend of both Buffalo Bill Cody and Wild Bill Hickok. In this superb studio photograph Captain Jack is seen in all his western finery including his fringed and fur-trimmed coat, buckskin trousers, pistol tucked in his waist band, holding an octagonal-barrel Winchester rifle, and with the seemingly de rigueur hair, mustache, and goatee. An exceptional image, sharp with trivial soiling from the Taber studio in San Francisco, California, in very good condition.
Saddle Maker's Samples: Lot of Four Boudoir Cabinet Photographs. 5.75" x 9". Silver print, sepia and black and white. Large, heavy mounts with blind-stamped borders, and photographer's name "Varney - 418 J St. (one example 521 J St.), Sacramento, Cal". These excellent sample photographs are attributed to A. A. Van Voorhies & Co. of Sacramento, California. Each of these fine photographs features a different style saddle, each displaying extraordinary hand-tooling. Presumably the style numbers are written in ink at the top of each example and the versos of a couple of the cards have notations in ink providing additional information on particular details. With the exception of some minor scuffing and scattered light stains, the photographs are in fine condition.
Montana Lynching Party: Important Souvenir Photos. Pair of matted and framed boudoir cards, measuring 4.25" x 8" (sight) and 5.25" x 8" (sight). The first albumen image is a close-up view of a man, feet bound and arms tied behind his back, hanging from a telegraph pole. The photo is light, but easily discernible. The second image is a mid-range shot depicting thirteen men standing in front of railroad tracks with the suspended victim and a shed in the background. One man holds a section of rope while another has a small coil of rope attached to his belt. They appear to be standing on the wooden planking of a railroad switching platform. There is some faint foxing at the top, but condition is fine overall. The cards have the imprint of W. R. Finch of Billings, Montana on the back side, a photocopy of which is displayed in a window on the mat. Circa 1880-1890. These came out of an old-time collection and have been off-the-market for over forty years.
Cowboys and Western Figures: Four Album Size Tintypes and a Cyanotype. One subject with single holstered revolver, another with a cross draw holstered revolver on one hip, and a Bowie knife in sheath on the other. One figure holding a single action Colt in his right hand with a knife on his belt (a few flakes), another holding a Remington and a Smith & Wesson revolver crossed in front of him. The cyanotype shows a young man with shoulder length hair, beaded and fringed buckskin jacket, his hands leaning on the muzzle of a rifle. Images with a few flakes but sound and overall fine. Nice group.
Western Images: Spectacular Archive Including Five Armed Men and One Pistol-Packing Cowgirl. This wonderful group of mainly cabinet photographs provides an excellent study of clothing and weapons of the American West, circa 1880-1900. Fringe is in abundance as are rifles, pistols and knives. None of the men are identified; however the woman is identified as Carmen Alvarez. Two examples have studio imprints - Sword Bros., York, PA. and M. Casteel, Ravenna, Neb., and a third's studio imprint has been obscured. The backing mount of one example has been slightly trimmed, and a couple of the images have slightly faded, otherwise they are mostly sharp and in very good condition.
Western Expansion
William Henry Jackson, Photographer: Hayden Expedition Camped Near Ogden, Utah 1872. 10.25" x 7.5". Beginning in 1867, Dr. Ferdinand V. Hayden began a series of exploratory ventures into the relatively unknown areas of the American West. The 1872 Hayden Survey Expedition, his second, marks the beginning of recorded exploration of the Teton Range. The fruits of Hayden's surveys would later be published by the Department of the Interior in a book titled United States Geological Survey of the Territories in 1877. It would include important information about the natural resources and topography of the region. Hayden would later be instrumental in convincing President Grant to make Yellowstone the first National Park in the United States. This photograph features the twenty members of Hayden's expedition, including Hayden himself standing next to the surveying transit, camped below the Rocky Mountains near Ogden, Utah preparing for the survey into Yellowstone Park. Clearly visible are their tents, the men holding rifles, survey transit stands, and the "cook outfit". Fifteen of the twenty members of the team are identified in ink on the verso. This is one of very few photographs taken of Hayden's entire team on the expedition into the Grand Tetons and Yellowstone Park. As an historical side note, only days after this photograph was taken, two members of Hayden's expedition broke off from the team and became the first two white men to reach the summit of the Grand Teton. William Henry Jackson, the photographer on the expedition, is perhaps best known for the portraits of Native Americans taken on the various Hayden expeditions. The photograph has small areas of loss at three corners and along the bottom edge, otherwise it remains bright, sharp and in very good condition.
Photography
Important Early Albumen Photograph of El Paso, Texas by F. Parker. A wonderful panoramic view of the town, probably from the very early 1880s. Parker's photography studio imprint on verso. Absent is the smelter built by the Mexican Ore Company in 1883. Parker was an important photographic chronicler of the early development of this legendary Texas town. Beautiful condition, measuring 7.75" x 5" on the original board.
Unusual and Important Early El Paso Albumen Photo by F. Parker. A really remarkable image depicting the day the circus came to town. A parade of circus wagons makes its way down the dusty main street to the delight of scattered onlookers. Prominent in the foreground is the first wagon, drawn by an elephant. One can only imagine the reaction of the locals, most of whom had almost certainly never seen a pachyderm in the flesh! Probably late 1870s - early 1880s. Excellent overall condition, with scattered minor light foxing in the sky area at top. Parker's photography studio imprint on verso. 8" x 5" on original board.
Oklahoma Land Rush: Mounted Albumen. A 9" x 6" boudoir card depicting an active camp scene, with dozens of men milling about, men on horseback and in wagons. Titled on mount: "Guthrie, I.T., the City of Tents, April 23, 1889. P. A. Miller, Photographer, Arkansas City, Kansas." Loss to lower right corner on mount, loss and chipping to top layer of paper on front and back, image sharp and resonant. The Oklahoma Land Rush that occurred the previous day signaled the close of the frontier. Fifty thousand people participated, vying for vast parcels of "unassigned" lands made available by the Indian Appropriations Bill of 1889. Unscrupulous settlers who tried to "hide out" and beat the legal entry time became known as "sooners." Towns, such as Guthrie, were established in the blink of an eye. Harper's Weekly described the scene as follows: "Unlike Rome, the city of Guthrie was built in a day. To be strictly accurate in the matter, it might be said that it was built in an afternoon. At twelve o'clock on Monday, April 22d, the resident population of Guthrie was nothing; before sundown it was at least ten thousand. In that time streets had been laid out, town lots staked off, and steps taken toward the formation of a municipal government."
Transportation
Charles Savage, Photographer: "Palisades. Humboldt River. Nevada.", Circa 1868. 10" x 9", mounted on captioned studio board which has been trimmed. Charles Roscoe Savage was one of the greatest pioneer western photographers of his time. Some of his best known work was associated with his following of the route of the Central Pacific Railroad as it was being built. His views of Nevada are amongst his most scarce and this image is one such example taken of the Humboldt River in Nevada. This expansive view clearly shows the railroad tracks, the river, and the steep walls of the Palisades Canyon. Particularly interesting is the seated individual in the foreground who is likely Savage himself. The photograph is in Savage's trademark large format and the scene arranged in the artistic fashion that set him apart from his contemporaries. This is an important Nevada railroad image by an important Western photographer that depicts a small scene from the grander picture of the building of the Transcontinental railroad. The photograph remains sharp and bright; the captioned studio backing displays some modest foxing, otherwise in excellent condition.
Western Expansion
Burton Frasher, Photographer: Bodie, California Mining District, Circa 1915. 17" x 7", Frasher Fotos, Pomona, California studio stamp on the verso. Bodie, California was a mining camp in the Bodie Hills east of the Sierra Nevada mountain range established in the late 1870s. This wonderful panorama shows the entire town including the cemetery, mines, mills, a church and residences including their outhouses. The photograph was evidently taken in late Fall or Spring as there are traces of snow scattered about. The photograph was taken before 1917 as the Catholic church on the south end of town burned to the ground in that year and was never rebuilt. Burton Frasher came to California in 1914 and established studios in Pomona and June Lake. This is undoubtedly one of his early photographs from the period. He went on to be one of the most prolific landscape photographers in the state, producing hundreds of thousands of real photo postcards through the 1940s. The image has a 4" x 1" area of loss at the bottom edge which fortunately mainly affects only the border and not the image. There is also a 5" crease running centrally from the top margin, scattered scuffing, and some occasional water damage, and old taped repairs on the verso, else it is in good condition. In spite of the condition issues this is a rare image depicting a once booming mining town winding down after years of prosperity. Bodie is now a ghost town and maintained as an historic landmark.
Photography
D. W. Earl & Co. Forwarding and Commission Merchants, Tuscarora, Nevada Lumber Mill Cabinet Card, Circa 1889. Image size 3" x 5", mounted on studio card to an overall size of 3.75" x 6". D. W. Earl & Company manufactured and freighted supplies to various mining camps throughout Nevada. This image of their lumber operation is amazing for the detail contained including the stacks of cut lumber in the foreground, the steam-powered machinery in the background, a team of mules, and several employees including an African American child and man. On the verso, in script, each individual in the photo is identified, though largely illegible, it appears that one of the Earls, presumable one of the founders of the company is present in the image. A very early and important Nevada business and mining related image. Mount and image are soiled but the integrity of the image remains sound and is in very good condition.
Western Expansion
Rare Stereoview of C Street, Virginia City, Nevada, Circa 1868. Cabinet size mounted 6.75" x 4.25". Continent Stereoscopic Co., New York Publishers. An early Virginia City main street scene providing excellent architectural and street level details, including a group of men gathered under a "Head Quarters Democratic County Central Committee" banner which hangs over the street. The verso has a "Wm. A. Frey 107 & 109 Post St. San Francisco" retailer's stamp. The backing board is damp stained and worn along the edges, but with the exception of a small area of discoloration and light foxing, the image remains clear and in very good condition.
Photography
Putnam & Valentine Panoramic Photograph of the Grand Canyon. 29" x 14.5", sepia toned, circa 1910. A large and impressive view of the Grand Canyon with clouds overhead, blind stamped with "PUTNAM & VALENTINE/ PHOTO/ LOS ANGELES, CAL." in bottom left corner. Upper left has light stains and paper tears. Near fine.
Sitting Bull, Red Cloud, Swift Bear, and Spotted Tail: Extremely Rare and Important Early Large Format Photo. A marvelous image showing the four great chiefs along with Julius Meyer in a quilled buckskin jacket. The photo was taken in Omaha, Nebraska in May 1875, when the Chiefs were en route to Washington to meet with President Grant to discuss the Black Hills question. Meyer was, according to the printed legend below, "INDIAN INTERPRETER , Trader & Dealer in Indian, Chinese, and Japanese Curiosities" at 234 Farnham St, Omaha. The photographer was Frank F. Currier, who maintained an Omaha studio at 235 Douglas St.
Of course, the Chiefs' mission would ultimately prove fruitless. Over the next year gold hunters and other opportunists would swarm into the Black Hills, setting the stage for the epic battle between the united plains tribes and Custer's Seventh Cavalry at Little Bighorn.
The image is in very nice overall display condition. Three light horizontal creases are not conspicuously located and do not detract badly. The photo quality itself is marvelous, with rich deep sepia and excellent contrast. One small corner chip to the mount. The image itself is 8.25" x 9.5" and, including the mount with printed legend below, it measures approximately 9" x 12" overall. Nicely custom framed. A variant of this image recently sold for approximately $18,000 in an Ohio Americana auction. That example lacked the identifications and legend at the bottom, which add great character to the photo offered here. This lot requires 3rd party shipping.
Of course, the Chiefs' mission would ultimately prove fruitless. Over the next year gold hunters and other opportunists would swarm into the Black Hills, setting the stage for the epic battle between the united plains tribes and Custer's Seventh Cavalry at Little Bighorn.
The image is in very nice overall display condition. Three light horizontal creases are not conspicuously located and do not detract badly. The photo quality itself is marvelous, with rich deep sepia and excellent contrast. One small corner chip to the mount. The image itself is 8.25" x 9.5" and, including the mount with printed legend below, it measures approximately 9" x 12" overall. Nicely custom framed. A variant of this image recently sold for approximately $18,000 in an Ohio Americana auction. That example lacked the identifications and legend at the bottom, which add great character to the photo offered here. This lot requires 3rd party shipping.
William Henry Jackson, Photographer: Four Albumen Prints of Pawnee Natives, Circa 1870-1879. From Department of the Interior. United States Geological Survey of the Territories. F. V. Hayden, U.S. Geologist. Miscellaneous Publications-No. 9. Descriptive Catalogue of The Photographs of the North American Indian by, W. H. Jackson, Photographer of the Survey. Washington: Government Print Office, 1877. Each portrait measures approximately 3.75" x 5" and they are mounted on heavy paper mat, 11" x 14", with a printed decorative gilt border and captioned in gilt: "Dept. of the Interior, U.S. Geological Survey of the Territories, Prof. F. V. Hayden in charge." and "W. H. Jackson, Photo." The images include an unnamed young Pawnee brave (588) wearing a bear-claw necklace and peace medal; Fox (Ke-Wouk), a Pawnee brave (582); Particular as to Time of Day (Kuhn-sa-coo-re-culla-ha), a Pawnee brave (576) draped in buffalo fur and wearing a fur hat; and "Pawnee papooses" (572), Pawnee children in traditional garb, standing with an elder dressed in a military uniform. There is some question as to whether or not Jackson made all the Indian photographs in the collection from Hayden's survey, including those captioned "W.H. Jackson Photo." or was merely was in charge of project. Nevertheless, these albumen prints remain an impressive record of the Native American people of the American West. These images remain clear and sharp, with some moderate toning to the outside borders and slight browning to the backing mat, else they are in very good condition.
William Henry Jackson, Photographer: Albumen Print "Black Horn" Oncpapa Sioux. Circa 1870-1879. Plate number 802 from Department of the Interior. United States Geological Survey of the Territories. F. V. Hayden, U.S. Geologist. Miscellaneous Publications-No. 9. Descriptive Catalogue of The Photographs of the North American Indian by, W.H. Jackson, Photographer of the Survey. Washington: Government Print Office, 1877. Approximately 5.25" x 7.5", mounted on heavy paper mat, 11" x 14", with a printed decorative gilt border and captioned in gilt: "Dept. of the Interior, U.S. Geological Survey of the Territories, Prof. F. V. Hayden in charge." and "W. H. Jackson, Photo." Black Horn (He-sha'-pa) sits posed in profile holding a fan and 1860 cavalry sword. Elements of his clothing are clearly visible in including his decorative collar, vest and wrapped braids. There is some question as to whether or not Jackson made all the Indian photographs in the collection from Hayden's survey, including those captioned "W. H. Jackson Photo." or was merely was in charge of project. Nevertheless, these albumen prints remain an impressive record of the Native American people of the American West. The image remains clear and sharp, with some moderate toning to the outside border, more significant at the lower edge, and trivial browning to the backing mat, else it is in very good condition.
William Henry Jackson, Photographer: Albumen Print "Night Chief and the Man Who Left His Enemy Lying in the Water" Pawnee. Circa 1870-1879. Plate number 550 from Department of the Interior. United States Geological Survey of the Territories. F. V. Hayden, U.S. Geologist. Miscellaneous Publications-No. 9. Descriptive Catalogue of The Photographs of the North American Indian by, W.H. Jackson, Photographer of the Survey. Washington: Government Print Office, 1877. Approximately 5.25" x 7.25", mounted on heavy paper mat, 11" x 14", with a printed decorative gilt border and captioned in gilt: "Dept. of the Interior, U.S. Geological Survey of the Territories, Prof. F. V. Hayden in charge." and "W. H. Jackson, Photo." An extraordinary studio image of bare-chested Pawnee braves Night Chief (La-roo-rut-ka-haw la-shar) and Man Who Left His Enemy Lying in the Water (La-roo-ra-shar-roo-cosh) clearly showing each man wearing a peace medal around his neck , and wearing leather leggings. Night Chief's leggings have a decorative beaded band around the calf and he rests a tomahawk on his knee. His companion stands posed with a muzzle-loading long rifle. There is some question as to whether or not Jackson made all the Indian photographs in the collection from Hayden's survey, including those captioned "W. H. Jackson Photo." or was merely was in charge of project. Nevertheless, these albumen prints remain an impressive record of the Native American people of the American West. The image remains clear and sharp, with some moderate toning to the outside border and trivial browning to the backing mat, else it is in very good condition.
William Henry Jackson, Photographer: Albumen Print Mounted Nez Perce Chief. Plate number 437 from Department of the Interior. United States Geological Survey of the Territories. F. V. Hayden, U.S. Geologist. Miscellaneous Publications-No. 9. Descriptive Catalogue of The Photographs of the North American Indian by, W.H. Jackson, Photographer of the Survey. Washington: Government Print Office, 1877. Approximately 5.25" x 7.5", mounted on heavy paper mat, 11" x 14", with a printed decorative gilt border and captioned in gilt: "Dept. of the Interior, U.S. Geological Survey of the Territories, Prof. F. V. Hayden in charge." and "W. H. Jackson, Photo." An image of an un-named Nez Perce chief mounted on a small pony and set in a rare outdoor natural setting amid tepees as opposed to the more common studio portrait. The chief is armed with a bow and wears fringed and beaded shirt, moccasins, and ornate hat. His horse's head moved slightly as the negative was exposed causing a bit of blur, giving the image a rather animated quality. There is some question as to whether or not Jackson made all the Indian photographs in the collection from Hayden's survey, including those captioned "W. H. Jackson Photo." or was merely was in charge of project. Nevertheless, these albumen prints remain an impressive record of the Native American people of the American West. The image remains clear and sharp, with only trivial browning to the backing mat and a couple of minimal areas of foxing, else it is excellent condition.
William Henry Jackson, Photographer: Albumen Print "Jason" Nez Perce. Circa 1870-1879. Plate number 427 from Department of the Interior. United States Geological Survey of the Territories. F. V. Hayden, U.S. Geologist. Miscellaneous Publications-No. 9. Descriptive Catalogue of The Photographs of the North American Indian by, W.H. Jackson, Photographer of the Survey. Washington: Government Print Office, 1877. Approximately 5.25" x 7.5", mounted on heavy paper mat, 11" x 14", with a printed decorative gilt border and captioned in gilt: "Dept. of the Interior, U.S. Geological Survey of the Territories, Prof. F. V. Hayden in charge." and "W. H. Jackson, Photo." An impressive image of Nez Perce Chief Jason (Kal-kal-shu-a-tash) dressed in beaded fringed shirt, leggings, and moccasins holding a ceremonial pipe and eagle feathers. Of particular interest is the chief's beaded, single bear claw choker and fur hat. There is some question as to whether or not Jackson made all the Indian photographs in the collection from Hayden's survey, including those captioned "W. H. Jackson Photo." or was merely was in charge of project. Nevertheless, these albumen prints remain an impressive record of the Native American people of the American West. The image remains clear and sharp, with only trivial browning to the backing mat, else it is excellent condition.
William Henry Jackson, Photographer: Albumen Print "Jose Pocati" Yuma Apache. Plate number 414 from Department of the Interior. United States Geological Survey of the Territories. F. V. Hayden, U.S. Geologist. Miscellaneous Publications-No. 9. Descriptive Catalogue of The Photographs of the North American Indian by, W.H. Jackson, Photographer of the Survey. Washington: Government Print Office, 1877. Approximately 5.25" x 7.25", mounted on heavy paper mat, 11" x 14", with a printed decorative gilt border and captioned in gilt: "Dept. of the Interior, U.S. Geological Survey of the Territories, Prof. F. V. Hayden in charge." and "W. H. Jackson, Photo." Jose Pocati sits posed in contemporary clothing with a decorative cloth wrap around his head. There is some question as to whether or not Jackson made all the Indian photographs in the collection from Hayden's survey, including those captioned "W. H. Jackson Photo." or was merely was in charge of project. Nevertheless, these albumen prints remain an impressive record of the Native American people of the American West. The image remains clear and sharp, with only trivial browning to the backing mat, else it is excellent condition.
William Henry Jackson, Photographer: Albumen Print "Bear Nose" Cut Head Sioux. Plate number 287 from Department of the Interior. United States Geological Survey of the Territories. F. V. Hayden, U.S. Geologist. Miscellaneous Publications-No. 9. Descriptive Catalogue of The Photographs of the North American Indian by, W.H. Jackson, Photographer of the Survey. Washington: Government Print Office, 1877. Approximately 5.25" x 7.25", mounted on heavy paper mat, 11" x 14", with a printed decorative gilt border and captioned in gilt: "Dept. of the Interior, U.S. Geological Survey of the Territories, Prof. F. V. Hayden in charge." and "W. H. Jackson, Photo." Bear Nose (Ma-to'-po'-zhe) sits holding a pipe and ornately beaded bag. A neckerchief, beaded choker, and multiple eagle feathers round out his ensemble. There is some question as to whether or not Jackson made all the Indian photographs in the collection from Hayden's survey, including those captioned "W. H. Jackson Photo." or was merely was in charge of project. Nevertheless, these albumen prints remain an impressive record of the Native American people of the American West. The image remains clear and sharp, with only trivial browning to the backing mat and a couple of minimal areas of foxing, else it is excellent condition.
William Henry Jackson, Photographer: Albumen Print "Thunder Hawk" Oncpapa Sioux. Plate number 269 from Department of the Interior. United States Geological Survey of the Territories. F. V. Hayden, U.S. Geologist. Miscellaneous Publications-No. 9. Descriptive Catalogue of The Photographs of the North American Indian by, W.H. Jackson, Photographer of the Survey. Washington: Government Print Office, 1877. Approximately 5.25" x 7.5", mounted on heavy paper mat, 11" x 14", with a printed decorative gilt border and captioned in gilt: "Dept. of the Interior, U.S. Geological Survey of the Territories, Prof. F. V. Hayden in charge." and "W. H. Jackson, Photo." Thunder Hawk (Wa-kin'-yan-chi'-tan) sits holding a tomahawk and eagle feather. There is some question as to whether or not Jackson made all the Indian photographs in the collection from Hayden's survey, including those captioned "W. H. Jackson Photo." or was merely was in charge of project. Nevertheless, these albumen prints remain an impressive record of the Native American people of the American West. The image remains clear and sharp, with only trivial browning to the backing mat and a couple of minimal areas of foxing, else it is excellent condition.
William Henry Jackson, Photographer: Albumen Print "Sitting Crow" Blackfeet Sioux. Plate number 256 from Department of the Interior. United States Geological Survey of the Territories. F. V. Hayden, U.S. Geologist. Miscellaneous Publications-No. 9. Descriptive Catalogue of The Photographs of the North American Indian by, W.H. Jackson, Photographer of the Survey. Washington: Government Print Office, 1877. Approximately 5.25" x 7.5", mounted on heavy paper mat, 11" x 14", with a printed decorative gilt border and captioned in gilt: "Dept. of the Interior, U.S. Geological Survey of the Territories, Prof. F. V. Hayden in charge." and "W. H. Jackson, Photo." Sitting Crow (Kan-gi'-i-yo'-tan-ka) is posed appropriately seated, wearing an eagle-feather adorned fur-topped hat, beaded bag and leggings, and holding an extraordinarily long pipe in one hand and eagle feathers in the other. Perhaps the most striking element of the image are the goggles that Sitting Crow wears. Perhaps this is the same Sitting Crow who was also known as Scarlet Eagle and present at the battle of Little Big Horn. There is some question as to whether or not Jackson made all the Indian photographs in the collection from Hayden's survey, including those captioned "W. H. Jackson Photo." or was merely was in charge of project. Nevertheless, these albumen prints remain an impressive record of the Native American people of the American West. The image remains clear and sharp, with only trivial browning to the backing mat and a couple of minimal areas of foxing, else it is excellent condition.
William Henry Jackson, Photographer: Albumen Print "Other Day" Wahpeton Sioux. Plate number 193 from Department of the Interior. United States Geological Survey of the Territories. F. V. Hayden, U.S. Geologist. Miscellaneous Publications-No. 9. Descriptive Catalogue of The Photographs of the North American Indian by, W.H. Jackson, Photographer of the Survey. Washington: Government Print Office, 1877. Approximately 5.25" x 7.5", mounted on heavy paper mat, 11" x 14", with a printed decorative gilt border and captioned in gilt: "Dept. of the Interior, U.S. Geological Survey of the Territories, Prof. F. V. Hayden in charge." and "W. H. Jackson, Photo." John Other Day (Au-pe'-to' ke-cha) is posed sitting wearing contemporary clothing, with a striking eagle headdress, leg decoration, and holding a bow and arrows in his lap, Two large medals are suspended from his chest, perhaps these are peace medals. John Other Day was a Christian Sioux who saved the lives of several whites during the Great Sioux Uprising in 1862. There is some question as to whether or not Jackson made all the Indian photographs in the collection from Hayden's survey, including those captioned "W. H. Jackson Photo." or was merely was in charge of project. Nevertheless, these albumen prints remain an impressive record of the Native American people of the American West. The image remains clear and sharp, with only trivial browning to the backing mat and a couple of minimal areas of foxing, else it is excellent condition.
Expedition Survey Albumen: Utah Rock Formation. An 11" x 14" photograph of "Rain Sculpture, Salt Creek Canon [sic], Utah." Inscribed in the image "W. Bell, Phot. No. 10." The mount has the logo of the "War Department Corps of Engineers U. S. Army" and the lines: "Explorations and Surveys West of the 100th Meridian. Expedition of 1872 - Lieut. Geo. M. Wheeler, Commanding". Light damp stain upper right corner and unrelated scribbling on the verso.
Expedition Survey Albumen: Zuni Pueblo. An 11" x 8" deep sepia photograph identified in the mount as: "Section of South Side of Zuni Pueblo, N.M." and "T. H. O'Sullivan, Phot. No. 19". The image depicts a sole Zuni man about to climb a ladder to an upper-level of the pueblo. The mount has the logo of the Corps of Engineers and the inscription: "Geographical & Geological Explorations & Surveys West of the 100th Meridian. Expedition of 1873 - Lieut. Geo. M. Wheeler, Corps of Engineers, Commanding".
Expedition Survey Albumen: Arizona Fort. An 11" x 8" deep sepia photograph, identified in the mount as "Distant View of Camp Apache, Arizona" and "T. H. O'Sullivan, Phot. No. 6." The image shows a dramatic view of a frontier outpost with clouds casting their shadows on a butte or mountain range. The mount has the logo of the Corps of Engineers and is inscribed: "Geographical & Geological Explorations & Surveys West of the 100th Meridian. Expedition of 1873 - Lieut. Geo. M. Wheeler, Corps of Engineers, Commanding." One small circular splotch appears in the clouds which may be an irregularity in the negative. Very fine overall.
Expedition Survey Albumen: Nevada Rock Formation. An 11" x 8" deep sepia photograph depicting a cluster of six structures in front of an unusual formation of volcanic rock. Identified in the mount as: "Water Rhyolites, Near Logan Springs, Nevada." and "T. H. O'Sullivan, Phot. No. 13." The mount has the logo of the Corps of Engineers and is inscribed: "Explorations in Nevada and Arizona. Expedition of 1871 - Lieut. Geo. M. Wheeler, Com'dg." Several residents pose in front of their homes which range from a "sod hut" to a two-story frame house.
Expedition Survey Albumen: Arizona Natural Scenery. An 8" x 11" deep sepia photograph depicting a cluster of cacti, identified in the mount as "Cereus Giganteus, Arizona" and "T. H. O'Sullivan, Phot. No. 12." The mount has the logo of the Corps of Engineers and is inscribed: "Explorations in Nevada and Arizona. Expedition of 1871, Lieut. Geo. M. Wheeler, Com'dg."
Expedition Survey Albumen: River Campsite. An 11" x 8" light sepia photograph depicting a docked boat, seated man and campsite. Identified as: "Black Canon [sic], Colorado River, Looking Above, From Camp 7." and "T. H. O'Sullivan, Photo. No. 2." The mount has the logo of the Corps of Engineers and is inscribed: 'Geographical Explorations and Surveys West of the 100th Meridian. Expedition of 1871. Under Command of Lieut. Geo. M. Wheeler, Corps of Eng'rs." Foxing to mount, primarily along right side, not affecting image.
Expedition Survey Albumen: The Grand Canyon. An 11" x 8" photograph of six men (looks like five surveyors and an Indian scout) along the banks of the Colorado River. Identified as: "Wall in the Grand Canon [sic], Colorado River." and "T. H. O'Sullivan, Phot. No. 11." The mount has the logo of the Corps of Engineers and is inscribed "Explorations in Nevada and Arizona. Expedition of 1871 - Lieut. Geo. M. Wheeler, Com'dg." Light foxing around the perimeter.
Expedition Survey Albumen: Colorado River Scenery by Timothy O'Sullivan. An 11" x 8" deep sepia photograph of boat docked in a river canyon. Identified as: "Black Canon [sic], Colorado River, Looking Above From Mirror Bar." and "T. H. O'Sullivan, Phot. No. 9." The mount has the logo of the Corps of Engineers and is inscribed: "Explorations in Nevada and Arizona. Expedition of 1871 - Lieut. Geo. H. Wheeler, Com'dg." Minor toning along edges.
Expedition Survey Albumen: Colorado River by Mathew Brady Associate. An 11" x 8" deep sepia photograph identified in the pale yellow section of a two-tone mount as: "Black Canon [sic], Colorado River, From Camp 8, Looking Above." and "T. H. O'Sullivan, Phot. No. 8." O'Sullivan was an employee of Mathew Brady who took most of the Civil War battlefield images that Brady published. This is a particularly fine image depicting a seated man in a dory making notations in a small book. The mount has the Corps of Engineers logo and the inscription: "Explorations in Nevada and Arizona. Expedition of 1871 - Lieut. Geo. M. Wheeler, Com'dg." Some toning and light soil around the perimeter, but generally excellent.
Expedition Survey Albumen: River Campsite. An 11" x 8" bold and deep sepia photograph depicting a docked boat, seated man and campsite. Identified as: "Black Canon [sic], Colorado River, Looking Above, From Camp 7." and "T. H. O'Sullivan, Phot. No. 5." The mount has the logo of the Corps of Engineers and is inscribed: "Explorations in Nevada and Arizona. Expedition of 1871 - Lieut. Geo. M. Wheeler, Com'dg." Beautiful condition.
Pair of Cabinet Photographs of Yuma and Ute Native Women, Circa 1890s. Superb images of Native American women including "No 83 Ute Indian Girl from Pojuaque [sic].", 5" x 8", with a D. B. Chase, Photographer, Santa Fe studio imprint. Pojoaque Pueblo is located just to the north of Santa Fe and is home to Pueblo Indians who speak the Tewa language. It is likely the photographer has misidentified the young girl as a Ute and she is in reality a member of the Pojoaque Pueblo. The image, shot in rather soft focus, makes an excellent study of her no-doubt colorful clothing. On the reverse of the image there is an advertising label for the Denver & Rio Grand Rail Road. The second image captioned "230 Squaws of Yuma Indians." measures 5.25" x 8.5" and has a Pierce & McConnell, 515 North Main St. Los Angeles studio imprint. The mother and presumably her daughter are posed in the studio wearing a curious mix of native and contemporary clothing and accessories. Both of these amazing images are in excellent condition.
American Indian: Purported "Medicine Man" Cabinet Card. Hand tinted cabinet card, 4.5" x 6.5". Rounded corners. The reverse with the pencil notation "Medicine Man" and an indecipherable photographer's mark. Some mounting residue on the verso. Framed between glass. Very good. This lot requires 3rd party shipping.
Salt Lake City, Utah: Large Albumen Attributed to C. R. Savage. A 9" x 7" sepia photograph affixed to 20" x 16" mount, depicting snow-capped mountains in the background, a cluster of buildings in the center, and homesteads in the foreground (a large excavation appears to be a basement for a farm house under construction). Identified on verso as "East Side Salt Lake".
Political
Silver Treaty of Easton Medal, 1757, also known as the Quaker or Duffield Medal. Julian-IP-49. The obverse features a bust of King George II facing left with "GEORGIVS II DEI GRATIA." around. The reverse pictures a colonist and an Indian seated around a council fire passing a peace pipe surrounded by "LET US LOOK TO THE MOST HIGH WHO BLESSED OUR FATHERS WITH PEACE", and "1757" below. Plain edge. Holed for suspension with a modern ring. This is a vintage and still quite collectable restrike. The originals were over-struck on silver coins, and hence had reeded edges. The 45 mm medal weighs 42.8 gm. Attractively toned, although the toning may be artificially induced. Very Fine or nearly so as to wear.
George Washington: Bronze Washington Second Term "Season" Peace Medal designed by John Trumbull. The 48mm medal, one of three designed by Trumbull, extols the virtues of domestic tranquility and occupation by showing women spinning, weaving, and child-rearing on the obverse. The letters "C.H.K.F." for C.H. Kuchler are in the exergue above "U.S.A.". The reverse has the words "Second / Presidency / of / Geo: Washington / MDCCXCVI" surrounded by an olive branch representing peace and prosperity, and oak leaves symbolizing strength and loyalty. A ribbon binds the two branches together. The "Season" medals were struck in Birmingham, England and did not arrive in the United States until July of 1798, seven months into John Adams's administration. In 1803, Meriwether Lewis requisitioned fifty-five "Season" medals from the Secretary of War to supplement his supply of Jefferson peace medals for presentation to Indian chiefs on his exploration of the west. The "Season" medals were not popular with the recipients, the Indians generally preferring medals featuring the image of the president. Evenly and darkly toned, minor pitting and abrasions on the reverse, edge knocks, and a 10mm gouge at the top, else fine condition.
Original J. Q. Adams "1825" Indian Peace Medal AU Details, Julian-IP-11 AR, NGC. Silver, 75.5mm, 160.2 gm. The obverse has a bust of Adams facing right surrounded by "JOHN QUINCY ADAMS PRESIDENT OF THE UNITED STATES" and "1825" below. Engraved by Moritz Furst. Die crack, rim to C in QUINCY into left field. The first reverse shows clasped hands below a crossed peace pipe and tomahawk and the legend "PEACE / AND / FRIENDSHIP". The obverse surface shows attractive vestiges of purple hues which have interacted with the surface to create what NGC terms "environmental damage." However, as the photos show, the surface of the medal is very smooth and clean.. Holed for suspension. An NGC photo certificate of authenticity accompanies the lot. One of the scarcer presidents in this peace medal series.
Original Franklin Pierce "1853" Small Date Indian Peace Medal. Julian-IP-32, XF Details NGC. Silver, 75mm, 153.5 gm. Signed obverse by Salathiel Ellis, signed reverse by Joseph Willson. Obverse bust left, "FRANKLIN PIERCE, PRESIDENT OF THE UNITED STATES" around, small date "1853" below. Reverse shows a settler instructing an Indian, flag behind, and "LABOR VIRTUE HONOR" above. Holed for suspension. Minor surface scratches and edge dings detract minimally, as the photos show. During the 1950 - 1960s the consignor made trading visits to Indian reservations across the American West. He recollects acquiring both this and the preceding JQ Adams peace medal from Native Americans through whose families they had descended, although no specific details were preserved.. An NGC photo certificate of authenticity accompanies the lot.
Rutherford B. Hayes Indian Peace Medal, 1877, Restrike, AU Details NGC. Silver oval, 75.3mm x 59.2mm, 191.1 gm. The obverse has a bust of Hayes facing left surrounded by "RUTHERFORD B. HAYES PRESIDENT OF THE UNITED STATES" and signed by George T. Morgan. The reverse has "PEACE / 1877" in a glory and a central panel with a farmer showing Indian chief the "benefits of civilization" (Julian), in the exergue a crossed pipe and tomahawk and "MORGAN" on the exergual line. Although called an Indian peace medal, no silver examples were ever struck for presentation to Indians. The Ford catalog states: "The Hayes medal with the date and Morgan's name in full was the design for that administration's intended medals; the type without the 1877 date on the reverse was restruck during Garfield's later administration." Sold with NGC photo-certificate of authenticity.
Several requests for more background on the Hayes and Garfield peace medals (this lot and lot 47279) have led us to research them further. Unfortunately the origins of these medals at the U.S. Mint remain somewhat sketchy, but we have been able to unearth a little more information.
No records were kept at the Mint as to how many of these were struck, or when. It appears that they may have been made more or less "to order" over a period of a couple of decades. Both Prucha and Julian concur that twenty-five silver Garfields were struck in 1881-82 for presentation to Indians ("originals"), but the Mint records cited by Julian for the period of 1883-1904 record no silver Hayes restrikes, and only single silver Garfield in 1903/04. Mint records do show a total of eighty bronze restrikes for the two presidents over the same period.
It may be safely presumed that this lot is an "early" restrike, as it was struck from the original reverse die with the date 1877. Most of the known bronze restrikes used a different die without the date, and were made with a matte finish (neither this Hayes nor the Garfield in this auction has a matte finish).
Unfortunately, auction records yield little help in determining the populations, or relative rarity, of these medals. A highly respected dealer in medallic art kindly allowed us access to his auction database, which goes back to the 1970s and includes virtually every significant token and medal auction over the last several decades. Each medal had but two auction appearances in silver: the 1986 Dreyfuss sale included a silver Hayes - but with an undated reverse - and the Bridge Collection sold in 1991 included a dated version with an integral loop(which may be the present example), as well as an undated one with a matte surface. The John Ford Collection did not include a Hayes example in silver.
Ford did have an "original" Garfield, which sold for nearly $100,000. The only Garfield restrike in silver for which we could find a sale record was also in the Bridge auction. Like the Hayes, it had an integral loop, and may have been the same copy on offer here as lot 47279.
Several requests for more background on the Hayes and Garfield peace medals (this lot and lot 47279) have led us to research them further. Unfortunately the origins of these medals at the U.S. Mint remain somewhat sketchy, but we have been able to unearth a little more information.
No records were kept at the Mint as to how many of these were struck, or when. It appears that they may have been made more or less "to order" over a period of a couple of decades. Both Prucha and Julian concur that twenty-five silver Garfields were struck in 1881-82 for presentation to Indians ("originals"), but the Mint records cited by Julian for the period of 1883-1904 record no silver Hayes restrikes, and only single silver Garfield in 1903/04. Mint records do show a total of eighty bronze restrikes for the two presidents over the same period.
It may be safely presumed that this lot is an "early" restrike, as it was struck from the original reverse die with the date 1877. Most of the known bronze restrikes used a different die without the date, and were made with a matte finish (neither this Hayes nor the Garfield in this auction has a matte finish).
Unfortunately, auction records yield little help in determining the populations, or relative rarity, of these medals. A highly respected dealer in medallic art kindly allowed us access to his auction database, which goes back to the 1970s and includes virtually every significant token and medal auction over the last several decades. Each medal had but two auction appearances in silver: the 1986 Dreyfuss sale included a silver Hayes - but with an undated reverse - and the Bridge Collection sold in 1991 included a dated version with an integral loop(which may be the present example), as well as an undated one with a matte surface. The John Ford Collection did not include a Hayes example in silver.
Ford did have an "original" Garfield, which sold for nearly $100,000. The only Garfield restrike in silver for which we could find a sale record was also in the Bridge auction. Like the Hayes, it had an integral loop, and may have been the same copy on offer here as lot 47279.
James Garfield Indian Peace Medal, 1881, Restrike. Julian-IP-44, AR, AU Details NGC. Silver oval, 75.3 mm x 59.2 mm, 195.7 gm. The obverse has a bust of Garfield facing left surrounded by "JAMES A. GARFIELD PRESIDENT OF THE UNITED STATES 1881" and signed by Charles E. Barber. On the reverse, a settler shows an Indian his homestead, wife nursing baby, and his son plowing in background. The cartouches depict "PEACE", at top, and a pipe, tomahawk, and wreath, below. An NGC photo certificate of authenticity accompanies the lot.
Several requests for more background on the Hayes and Garfield peace medals (lots 47278 and this lot) have led us to research them further. Unfortunately the origins of these medals at the U.S. Mint remain somewhat sketchy, but we have been able to unearth a little more information.
No records were kept at the Mint as to how many of these were struck, or when. It appears that they may have been made more or less "to order" over a period of a couple of decades. Both Prucha and Julian concur that twenty-five silver Garfields were struck in 1881-82 for presentation to Indians ("originals"), but the Mint records cited by Julian for the period of 1883-1904 record no silver Hayes restrikes, and only single silver Garfield in 1903/04. Mint records do show a total of eighty bronze restrikes for the two presidents over the same period.
It may be safely presumed that lot 47278 is an "early" restrike, as it was struck from the original reverse die with the date 1877. Most of the known bronze restrikes used a different die without the date, and were made with a matte finish (neither the Hayes nor the Garfield in the auction has a matte finish).
Unfortunately, auction records yield little help in determining the populations, or relative rarity, of these medals. A highly respected dealer in medallic art kindly allowed us access to his auction database, which goes back to the 1970s and includes virtually every significant token and medal auction over the last several decades. Each medal had but two auction appearances in silver: the 1986 Dreyfuss sale included a silver Hayes - but with an undated reverse - and the Bridge Collection sold in 1991 included a dated version with an integral loop(which may be the present example), as well as an undated one with a matte surface. The John Ford Collection did not include a Hayes example in silver.
Ford did have an "original" Garfield, which sold for nearly $100,000. The only Garfield restrike in silver for which we could find a sale record was also in the Bridge auction. Like the Hayes, it had an integral loop, and may have been the same copy on offer here.
Several requests for more background on the Hayes and Garfield peace medals (lots 47278 and this lot) have led us to research them further. Unfortunately the origins of these medals at the U.S. Mint remain somewhat sketchy, but we have been able to unearth a little more information.
No records were kept at the Mint as to how many of these were struck, or when. It appears that they may have been made more or less "to order" over a period of a couple of decades. Both Prucha and Julian concur that twenty-five silver Garfields were struck in 1881-82 for presentation to Indians ("originals"), but the Mint records cited by Julian for the period of 1883-1904 record no silver Hayes restrikes, and only single silver Garfield in 1903/04. Mint records do show a total of eighty bronze restrikes for the two presidents over the same period.
It may be safely presumed that lot 47278 is an "early" restrike, as it was struck from the original reverse die with the date 1877. Most of the known bronze restrikes used a different die without the date, and were made with a matte finish (neither the Hayes nor the Garfield in the auction has a matte finish).
Unfortunately, auction records yield little help in determining the populations, or relative rarity, of these medals. A highly respected dealer in medallic art kindly allowed us access to his auction database, which goes back to the 1970s and includes virtually every significant token and medal auction over the last several decades. Each medal had but two auction appearances in silver: the 1986 Dreyfuss sale included a silver Hayes - but with an undated reverse - and the Bridge Collection sold in 1991 included a dated version with an integral loop(which may be the present example), as well as an undated one with a matte surface. The John Ford Collection did not include a Hayes example in silver.
Ford did have an "original" Garfield, which sold for nearly $100,000. The only Garfield restrike in silver for which we could find a sale record was also in the Bridge auction. Like the Hayes, it had an integral loop, and may have been the same copy on offer here.
Books
The Famous 1858 "Pony Express Bible." One of a handful of surviving copies from the original issue of 300, distributed by Russell, Majors & Waddell to the riders of the Pony Express. One of the partners, Alexander Majors, held deep religious beliefs, and insisted that all employees of the company, even Pony Express riders, honor the Sabbath, even going so far as to require each employee to sign an oath to that effect. Each Express rider was presented with his own copy of a Bible, coming from the stock of specially bound copies that Majors had ordered for his company's wagon-train crews. Each copy was imprinted in gold letters, "Presented by Russell, Majors, & Waddell 1858". More details of the fascinating history of these Bibles may be found in the website description of this lot.
Most existing copies seem to be in institutional hands. A 1960 "census," the most recent we could locate, identified twelve copies held by institutions. Our research discloses only two copies sold on the auction market in 30+ years. One of these was sold by Heritage in our November 2007 Western History auction, where it brought $38,837- more than double the reserve -with spirited bidding.
Condition of the present example is, on the whole, probably somewhat superior to that of the copy sold in 2007. The earlier copy exhibited fairly heavy wear to the leather surface of the cover, which is much better preserved on the example offered here. The gold lettering is stronger and presents better contrast. Both copies had suffered partial separation along the spine, however this example has been effectively professionally restored, including a partial split running vertically down the spine through the "B' in Bible. The previous copy was missing part of one interior leaf, but all pages are present and intact in the current offering. The interior pages are basically in excellent condition, with scattered light foxing and water staining which detracts minimally. The 2007 Bible also exhibited these characteristics, perhaps to a slightly greater degree. Vintage inscriptions inside front and back covers connect this Bible to the McGaugh family, a well-known name in Missouri at that time. To date, research has not established a connection between anyone named McGaugh and the St. Joseph-based company of Russell, Majors, & Waddell, but this is certainly worthy of further investigation. Dimensions 4" x 5.75", with a thickness of slightly over 2".
Most existing copies seem to be in institutional hands. A 1960 "census," the most recent we could locate, identified twelve copies held by institutions. Our research discloses only two copies sold on the auction market in 30+ years. One of these was sold by Heritage in our November 2007 Western History auction, where it brought $38,837- more than double the reserve -with spirited bidding.
Condition of the present example is, on the whole, probably somewhat superior to that of the copy sold in 2007. The earlier copy exhibited fairly heavy wear to the leather surface of the cover, which is much better preserved on the example offered here. The gold lettering is stronger and presents better contrast. Both copies had suffered partial separation along the spine, however this example has been effectively professionally restored, including a partial split running vertically down the spine through the "B' in Bible. The previous copy was missing part of one interior leaf, but all pages are present and intact in the current offering. The interior pages are basically in excellent condition, with scattered light foxing and water staining which detracts minimally. The 2007 Bible also exhibited these characteristics, perhaps to a slightly greater degree. Vintage inscriptions inside front and back covers connect this Bible to the McGaugh family, a well-known name in Missouri at that time. To date, research has not established a connection between anyone named McGaugh and the St. Joseph-based company of Russell, Majors, & Waddell, but this is certainly worthy of further investigation. Dimensions 4" x 5.75", with a thickness of slightly over 2".
"Bat" Masterson: Rare Signed and Inscribed Copy of Dodge City the Cowboy Capital. A specially-bound presentation copy of this important work, inscribed on the flyleaf "To Frank Salter From his friend W. B. Masterson New York City Feby. 10, 1914". The relationship between Masterson and Salter is uncertain, but it's certainly a subject to be investigated. At the time, Masterson was a reporter and sports editor for the New York Morning Telegraph. The original cloth cover has been replaced by a more elegant leather and cloth version with gilt title on the spine and other gilt trim. The binding gives every appearance of being contemporary with the book's date and quite probably was ordered by Masterson to enhance the presentation. The interior pages are in excellent condition except that the illustration plate following page 54 is partially separated, and page 333/334 is completely separated and hence somewhat ragged along the exposed outer edge. The cover is in quite nice condition, with minor corner rubbing and light partial separation of front and back covers from the spine (very stable). While this book was reissued in 1932, and again in the 1970s, this is of course the original 1913 edition by Robert M. Wright, 344 pages, with photo illustrations. Dimensions 5" x 7.75", thickness 1.75".
Masterson's signature is quite rare in any form, and is especially desirable along with his inscription of a significant Dodge City history, a legendary town in which he had played such an active and important role. A most important offering for the sophisticated Old West collector.
Please view Lot 47320 in this auction for an author-inscribed copy of this same volume.
Masterson's signature is quite rare in any form, and is especially desirable along with his inscription of a significant Dodge City history, a legendary town in which he had played such an active and important role. A most important offering for the sophisticated Old West collector.
Please view Lot 47320 in this auction for an author-inscribed copy of this same volume.
Autographs
George Armstrong Custer: 1875 Letter Signed with Significant Indian Content. After a lackluster record at West Point, Custer made a name for himself during the Civil War as an aggressive and flamboyant commander during the Civil War. Subsequently, he was appointed lieutenant colonel upon the creation of the U.S. 7th Cavalry Regiment and, in 1873, was sent to the Dakota Territory where the tensions between the U.S. government and many of the Plains Indian tribes were growing.
Custer dictated this two page letter to one of his aides at Headquarters, Fort Abraham Lincoln, Dakota Territory, on March 11, 1875. It was written to Indian Agent Edmond Palmer at Standing Rock, D.T. regarding an Indian Conference. It reads, in full: "I have received your letter acquainting me with the reasons which prevented the delegations of Indians from your Agency from coming as intended to this post to confer with the delegation of the Rees now here. As it was of importance that the date upon which the proposed council should assemble should be determined upon promptly and notice thereof sent to the various tribes interested and as the delegation of Rees was compelled to set out today on their return to their Agency I conferred with them and with Iron Horse who is here from your Agency. At this conference, it was decided to name the 20th of April next as the date upon which the council should assemble at this point. This will allow about forty days to enable notice to be sent to the agencies and the Indians to arrive here. I would be glad if you would submit this matter to all the Chiefs and head men of your Agency and obtain their assent to the proposed arrangements, and their promise to participate. Every tribe and band should be represented by its most influential men otherwise the council will terminate in results of no value. Please communicate with me in regards to the decision of the Sioux. I will send a communication to the agent at Cheyenne informing him of the date fixed and will be greatly obliged to you, if you will cause it to be transmitted by a courier from your Agency. I am, Sir Very Respectfully Truly Yours." He signs his name "G. A. Custer" above his rank, "Lieutenant Colonel of Cavalry Brevet Major General, U.S.A. Comdg." at the close.
We all know the story of the Battle of the Little Bighorn, the most famous battle of the Sioux Wars, where Custer and 267 of his men (including two brothers, a nephew, and a brother-in-law) lost their lives to the combined forces of the Lakota Sioux and Cheyenne tribes. This took place June 25, 1876, just two months after the April 20th Indian Conference proposed in this letter. This unique and historic letter has been elegantly framed to an overall size of 54" x 22" along with two images of Custer and a plaque engraved with a full transcription of the letter. A copy of the first page of the letter is shown next to the actual second page so that the letter may be read in full from the front of the frame. The genuine first page of the letter is visible through glass from the back. Condition is amazing considering the age and history of the letter; two file holes at the right margin affect no text. Rarity and condition, combined with important content, and all enhanced by museum-quality presentation, makes this an extremely desirable piece of American history. This lot requires 3rd party shipping.
Thanks to Dakota Goodhouse, Interpretive Director at the Fort Abraham Lincoln Foundation for pointing out that this letter led to the Treaty of Fort Abraham Lincoln which took place on May 29, 1875. The treaty was signed by members of the Hunkpapa Lakota Sioux, Yanktonai Dakota Sioux, and representatives of the Arikara, Hidatsa, and Mandan nations. According to the Bismarck Tribune, there was feasting and dancing for about ten days following the treaty signing, and after it was over, they went back to fighting it out. The text of the treaty follows.
Custer dictated this two page letter to one of his aides at Headquarters, Fort Abraham Lincoln, Dakota Territory, on March 11, 1875. It was written to Indian Agent Edmond Palmer at Standing Rock, D.T. regarding an Indian Conference. It reads, in full: "I have received your letter acquainting me with the reasons which prevented the delegations of Indians from your Agency from coming as intended to this post to confer with the delegation of the Rees now here. As it was of importance that the date upon which the proposed council should assemble should be determined upon promptly and notice thereof sent to the various tribes interested and as the delegation of Rees was compelled to set out today on their return to their Agency I conferred with them and with Iron Horse who is here from your Agency. At this conference, it was decided to name the 20th of April next as the date upon which the council should assemble at this point. This will allow about forty days to enable notice to be sent to the agencies and the Indians to arrive here. I would be glad if you would submit this matter to all the Chiefs and head men of your Agency and obtain their assent to the proposed arrangements, and their promise to participate. Every tribe and band should be represented by its most influential men otherwise the council will terminate in results of no value. Please communicate with me in regards to the decision of the Sioux. I will send a communication to the agent at Cheyenne informing him of the date fixed and will be greatly obliged to you, if you will cause it to be transmitted by a courier from your Agency. I am, Sir Very Respectfully Truly Yours." He signs his name "G. A. Custer" above his rank, "Lieutenant Colonel of Cavalry Brevet Major General, U.S.A. Comdg." at the close.
We all know the story of the Battle of the Little Bighorn, the most famous battle of the Sioux Wars, where Custer and 267 of his men (including two brothers, a nephew, and a brother-in-law) lost their lives to the combined forces of the Lakota Sioux and Cheyenne tribes. This took place June 25, 1876, just two months after the April 20th Indian Conference proposed in this letter. This unique and historic letter has been elegantly framed to an overall size of 54" x 22" along with two images of Custer and a plaque engraved with a full transcription of the letter. A copy of the first page of the letter is shown next to the actual second page so that the letter may be read in full from the front of the frame. The genuine first page of the letter is visible through glass from the back. Condition is amazing considering the age and history of the letter; two file holes at the right margin affect no text. Rarity and condition, combined with important content, and all enhanced by museum-quality presentation, makes this an extremely desirable piece of American history. This lot requires 3rd party shipping.
Thanks to Dakota Goodhouse, Interpretive Director at the Fort Abraham Lincoln Foundation for pointing out that this letter led to the Treaty of Fort Abraham Lincoln which took place on May 29, 1875. The treaty was signed by members of the Hunkpapa Lakota Sioux, Yanktonai Dakota Sioux, and representatives of the Arikara, Hidatsa, and Mandan nations. According to the Bismarck Tribune, there was feasting and dancing for about ten days following the treaty signing, and after it was over, they went back to fighting it out. The text of the treaty follows.
Judge Roy Bean Court Document Signed "Roy Bean". One page, 8" x 9.5", Pecos County, Texas, n.d. [ca. 1880s], a commitment in the case of the State of Texas v. A. A. Durham. In part: "To John Edgar, Sheriff of Pecos County, State of Texas, I Roy Bean a Justice of the Peace in and for said County and State, Precinct No. 6, herewith commit into your custody for safe keeping one Martain Nester, a witness for the State in the above entitled cause. He, the said Nester, not being able or willing to Enter into bond for or to give his testimony in the same."
The legendary Roy Bean (circa 1825-1903), who lived on the wrong side of the law until he was appointed justice of Pecos County in 1882, was known for his unusual applications of that law. Once he fined a corpse the $40 that it had in its pocket for concealing a pistol; the money was used to pay for the burial. This document is on lined paper with some thumbtack holes; docketing on verso. Nicely repaired along fold separations. Bottom right corner has been torn, though no paper is missing. Near fine.
The legendary Roy Bean (circa 1825-1903), who lived on the wrong side of the law until he was appointed justice of Pecos County in 1882, was known for his unusual applications of that law. Once he fined a corpse the $40 that it had in its pocket for concealing a pistol; the money was used to pay for the burial. This document is on lined paper with some thumbtack holes; docketing on verso. Nicely repaired along fold separations. Bottom right corner has been torn, though no paper is missing. Near fine.
Miscellaneous
Rare 1903-1904 Buffalo Bill Wild West Show Britain Farewell Tour Christmas Card. 5.75" x 12", printed by Weiners Ltd., London. Apparently reluctant to leave the stage, Buffalo Bill staged two farewell tours of Britain, in 1903 and 1904. The 1903 tour was supposed to be the last but the show proved to be so popular that Cody came back the following year. The shows were arranged by Barnum & Bailey and this Christmas card features portraits as tree decorations of key members of the Barnum and Bailey staff, including managing director, George O. Starr. Various iconic characters from the Bill's Wild West show appear as toy figurines hanging from the tree. The card is captioned "Every Bough Laden With Good Wishes From the Barnum & Bailey Staff With Buffalo Bills Wild West". The dates 1903 and 1904 appear at the lower corners of the card. The colors on this large card remain bright, though there are some minor scattered areas of soiling and a small 1" closed tear at the lower edge. All things considered it is in remarkable condition and is the first such example we've offered.
Western Expansion
Chief Sitting Bull: His Personal Pipe with Wonderful Provenance. Blackstone pipe bowl, length 4.75", presented to the famous trick shooter Richard "Diamond Dick" Tanner on a visit to the great chief in the fall of 1889. The pipe is accompanied by a terrific three-page handwritten letter from "Diamond Dick" describing a pilgrimage he made with "Mustang Jack" to seek out the Sioux leader. First they went to Pine Ridge Indian Agency, where they learned that Sitting Bull was at his cabin on Grand River, seventy-five miles north of the agency. A day's journey brought them to their destination just before sunset. The two camped about 100 yards from the cabin, and after supper the chief came out to greet them and invited them into his home. Tanner got off on the right foot by presenting Sitting Bull with a beautiful hunting knife and fancy embossed scabbard, "which appeared to please him greatly." The chief in turn presented them with a beautiful pair of beaded moccasins (Tanner's letter notes that he still had them at that time, although their whereabouts is now unknown). He invited the two visitors to spend the next night in his cabin, but they told him that they preferred to camp near their horses, a priority of which Sitting Bull seemed to approve. As they prepared to leave the next day, they saw Sitting Bull standing in the doorway of his cabin, and so went over to say goodbye to him. As they approached, the chief knocked the fire and ashes out of the pipe he was smoking and presented the bowl to Diamond Dick as a parting gift and token of respect. Tanner's letter concludes with this touching recollection: "As we rode away I looked back and the old fellow still stood in the door. I never dreamed that a little over a year later he would be shot and killed in that very door." (The entire letter may be viewed along with our website presentation of this lot).
Born in 1869 and raised in Nebraska, Tanner was a long-time Wild West show performer, best remembered for a highly-publicized round trip horseback ride he made from Nebraska to New York City in 1893. He stopped performing around 1905 and, interestingly, went to medical school, got his degree, and became a practicing physician- not surprisingly a flamboyant one who tirelessly promoted his lectures and remedies.
The letter describing his acquisition of the pipe was penned to a Robert H. Smeltzer, apparently a friend and regular correspondent. This lot is also accompanied by a second longhand letter to Smeltzer, penned six years later, also with fine western content, discussing the beloved pony he rode on his famous 1893 ride to New York and comparing the boom days of Reno, Nevada to current hard times. Also included is a very scarce 4" x 5.5" original photograph of Diamond Dick, inscribed on verso by him to Smeltzer (water stain along left side). Tanner's autograph is rare, and the letters and photo are significant collectibles in their own right. The Sanders Autograph Price Guide values his cut signature at $200, and does not even have a price for either handwritten or signed letters, suggesting that no auction comparables were available. Sanders values a signed photo at $650. For added display appeal, this lot also includes a rare turn-of-the-century cigar box with portrait label of Diamond Dick, in fairly good condition except that the lid is cleanly separated where it was hinged to the box.
Together with its superb letter of provenance, this pipe bowl is a highly evocative treasure, personally owned by one of the towering figures in the history of the Old West and presented to one its most colorful personalities.
Born in 1869 and raised in Nebraska, Tanner was a long-time Wild West show performer, best remembered for a highly-publicized round trip horseback ride he made from Nebraska to New York City in 1893. He stopped performing around 1905 and, interestingly, went to medical school, got his degree, and became a practicing physician- not surprisingly a flamboyant one who tirelessly promoted his lectures and remedies.
The letter describing his acquisition of the pipe was penned to a Robert H. Smeltzer, apparently a friend and regular correspondent. This lot is also accompanied by a second longhand letter to Smeltzer, penned six years later, also with fine western content, discussing the beloved pony he rode on his famous 1893 ride to New York and comparing the boom days of Reno, Nevada to current hard times. Also included is a very scarce 4" x 5.5" original photograph of Diamond Dick, inscribed on verso by him to Smeltzer (water stain along left side). Tanner's autograph is rare, and the letters and photo are significant collectibles in their own right. The Sanders Autograph Price Guide values his cut signature at $200, and does not even have a price for either handwritten or signed letters, suggesting that no auction comparables were available. Sanders values a signed photo at $650. For added display appeal, this lot also includes a rare turn-of-the-century cigar box with portrait label of Diamond Dick, in fairly good condition except that the lid is cleanly separated where it was hinged to the box.
Together with its superb letter of provenance, this pipe bowl is a highly evocative treasure, personally owned by one of the towering figures in the history of the Old West and presented to one its most colorful personalities.
Transportation
Late Nineteenth Century Union Pacific Railway Central Short Line Broadside. 8.5" x 21". The broadside advertises a multitude of travel options for Union Pacific's 4,000 miles of western routes into the rich mineral regions, stock ranges and agricultural valleys of California, Colorado, Oregon, Kansas, Nebraska, Wyoming, Utah, Montana, and Nevada. Railroad broadsides of the 19th Century survived in small numbers, and are thus hard to find in any condition. The paper is brittle with some loss to the corners and chipping along the edges. Right margin has been trimmed about an inch. Paper toned with a damp stain at the top left corner, otherwise in good condition. A superb piece and graphic representation of the growing interest in the largely untapped potential of the American West during this period.
Western Expansion
1897 Pacific Coast Steam Ship Company Alaska Excursion Souvenir Passenger Manifest Broadside. 10.75" x 17". A broadside issued by the Pacific Coast Steam Ship Company was intended as a souvenir of the journey aboard the S. S. Queen which departed Tacoma, Washington on July 23, 1897 bound for Seattle, Port Townsend, Victoria, Wrangel, Juneau, Takou Inlet, the Muir, Glacier, Killisnoo, and Sitka. The Pacific Coast Steam Ship Company was an early Western steamship company initially catering to miners of the California Gold Rush, then emigrants in general, and finally capitalizing on the Klondike gold rush. The broadside lists the names of nearly 500 passengers, including their hometowns. The passengers no doubt included miners, merchants, their wives, and possibly a few "ladies of the night" with an eye on making their fortune one way or another in Alaska. This voyage coincided with the initial frenzy of the recently announced Klondike gold strikes. The paper is slightly cockled with evidence of old fold creases and some light soiling and trivial chips along the edges, otherwise it is in very good condition. An ultra-scarce item, probably one of few extant and invaluable for genealogical research.
1890 Adams Express Company Shippers' Guide "Comprising All Points in the World Reached by Express". 6" x 8.75". 182 pages, printed boards with cloth spine, illustrated with eighteen maps. This rare shippers' guide for the Adams Express Company lists 50,000 express offices and railway stations that the company served, including those in Canada. No location was too small for delivery by the company, including many mining camps and towns well past their prime, such as Bodie, California and Virginia City, Nevada. The company's shipping guidelines are printed on the inside front board, including one particularly interesting condition applied to the money and paid collections: "Never break the seals of any money package. Open the package at the end, and if not in good order, detain the delivery clerk, count the contents in his presence, and, if short, preserve every piece of paper, and the seals unbroken." The boards are moderately worn and soiled, the hinges are especially tender but the boards remain loosely attached, but the contents are sound and in very good condition. Though not as well known, this guide from Adams Express is rarer than similar guides from its Wells Fargo competitor.
Rare 1886 Bodie and Benton Railway and Commercial Company Bond Certificate. 15" x 18", Britton & Rey, San Francisco, lithographers. This rare certificate bears a beautifully engraved central vignette of the company's sawmill in Mono Mills and an ornately engraved floral border. The document is signed by Henry Marvin Yerington, the company's President and Thomas Menzies, the Secretary. Both signatures have been punch cancelled. Six punch-cancelled coupons remain attached. The document has been stored folded, otherwise it is in near fine condition. The Bodie & Benton Railway was first established in 1881 to link the California gold-mining town of Bodie, now a ghost town, to the Bodie Wood and Lumber Company's sawmill, Mono Mills, along the eastern shore of Mono Lake.
Western Americana: March 1899 Pacific States Telephone Directory, 6" x 9". This extremely rare book is an invaluable research resource for anyone interested in the history of the Pacific coast states at the end of the nineteenth century and the beginning of the twentieth. The book has a listing for every telephone subscriber in the states of California, Oregon, and Washington. In San Francisco, for example, the directory lists the social elite, Mrs. Leland Stanford, at California and Powell streets (Main 15) as well as the less than savory, The Three Finger Jack Shooting Gallery at 115 O' Farrell Street (Brown 506). The directory provides a wealth of information unavailable elsewhere. Chipping and re-enforcing to the paper covers, a few notations, and minor tears to the title page and last page, else very good.
Western Americana: Pacific Coast Business Directory, 1871-1873, (San Francisco: Henry C. Langley, [1871]), octavo, 792 pages, with approximately 200 additional pages of advertisements, original board covers. This fascinating book contains the name and post office address for each merchant, manufacturer, and professional residing in the states of California, Oregon, and Nevada, the territories of Washington, Idaho, Montana, Alaska, and Utah, and the Colony of British Columbia. It also contains a gazetteer of the counties, towns, cities and "an exhibit of the resources of the Pacific Coast". It lists, for example, three mining engineers for the State of Nevada and over 375 retail liquor merchants. That figure pales in comparison to the 945 retail liquor merchants in San Francisco alone. The book binding has been restored with a new leather spine. Wear to the covers, else, fine.
Autographs
G. W. "Pawnee Bill" Lillie's Wild West: Collection of Autographs and Artifacts. Includes: an autograph letter signed, "G. W. Lillie, 'Pawnee Bill'", 8.5" x 11", February 4, 1907, Nashville, Tennessee, regarding a "Monkey Drill" act [military training or calisthenics]; a copy of The Blazing Horizon; The True Story of Pawnee Bill and the Oklahoma Boomers by Ernest Lynn, inscribed and signed by Pawnee Bill; real photo postcard picturing Pawnee Bill; a celluloid portrait button with an image of Pawnee Bill and surrounded by, "Pawnee Bill's Wild West / Maj. G. W. Lillie, Pawnee Bill", 2¼"; and an aluminum token with "Pawnee Bill's /Wild West Co. / Privileges" on the obverse and ""Good For 10 ¢" on the reverse. Some toning and folds to the letter, minor weakness to the spine of the book, and some corrosion to the token, else, very good or better.
Photography
Wild West Show Performers Strut Their Stuff. Unusual albumen, 6.5" x 8.5" on a 9" x 11" mount. The central figure appears to be someone in the Buffalo Bill mold of performers, dressed in beads, buckskins and holding a shotgun. He is surrounded by five Native Americans, costumed appropriately, with a peace pipe, pipe-tomahawks, and a pair of painted wooden pins. They appear to be of Eastern origin, possibly Iroquois. Circa 1875-1885. Framed and affixed to a backing board.
Western Expansion
California Gold Rush: Wonderful 14 Karat Gold Victorian Pin. Very elegantly made, with great detail, it intertwines a pick, a shovel, a gold sifting pan, and grapevines. A nugget of gold is found on one point of the pick blade and on the blade of the shovel. One must really hold this piece in one's hand and examine it closely to appreciate its quality. Diameter 2.5".
California Gold Rush: Miner's Diary for the Year 1857. It tells the story of John McFallen Thompson of Trumansburg, New York, who left his wife and children behind to set out by steamship to take another stab at the California Gold Fields, where he had worked a claim in 1852. Preserved inside the original leather cover, embossed in gold "Diary, 1857", it is in remarkable condition. The narrative opens on April 16: "I left town for California. It required all my energy to start. I felt like an exile that was to be borne far away from friends at home for some little yet that could have been easily avoided. Under my present circumstances I don't regret starting." There are entries for virtually every day for the remainder of the year, including various interesting observations about his voyage and the transfer over the Isthmus of Panama. Thompson arrived at San Francisco on May 29, so destitute that he had to borrow $6.50 to get to Sacramento. There are several references to borrowing from various parties, suggesting that there was a certain camaraderie among the fledgling gold seekers. Upon arrival at his old claim, he renewed a friendship with a former partner, who generously gave Thompson a claim to work. The new arrival was able to buy a cabin on credit and to fix it up, as well as to buy interests in a couple of gold claims for nominal down payments. But by September, the luckless gold hunters had succumbed to reality, and were unsuccessfully seeking jobs that would pay wages. The diary is filled with little insights into daily life, and evocative observations like the one he made on October 3: "I received two letters from Sarah. I certainly am in luck as the Miner Expres [sic] is himself when he finds a lump of gold. I value the letters more than I do the gold. It makes me feel as though I had one friend left." On December 27 he wrote: "I was in my cabin all day. Two men stab each other in the evening. One of them was killed it was a horrible sight. It originated from a drunken row. Made during the week twenty-four dollars."
In the back of the volume are laboriously transcribed copies, many of multiple pages, of twelve letters written to his wife and parents from May 13, 1857 through Feb. 14, 1858. While the letters contain some details about the life and work of a gold miner, they are mostly of a more personal letter, relating the ups and downs of his moods and expectations. Apparently Thompson anticipated that some of his letters would not get through, a fact which was confirmed by a letter from his wife complaining that she had not heard from him often enough (at one point he observes that he sent a letter "by a gambler to the post office as I had no other way of getting it there"). So he lovingly copied each missive into the diary, which he always intended would be given to his wife so that she would not miss any. Indeed, in the last entry he states that he is sending this diary to her, along with ten dollars tucked in the pocket. Clearly the diary itself made it through; however, one wonders if the money did as well. Other letters had also had money enclosed, which may have accounted for her failure to receive them.
Included with the diary are two cartes de visite of the bearded Thompson and a long, chatty letter about family life at home from "Your own true wife Sarah Thompson." By 1877, however, he had returned to Trumansburg and apparently achieved some level of prosperity, since inserted in the diary is an elegant invitation to the wedding of his daughter Blanche. A fascinating and informative relic of this romantic era of our history.
In the back of the volume are laboriously transcribed copies, many of multiple pages, of twelve letters written to his wife and parents from May 13, 1857 through Feb. 14, 1858. While the letters contain some details about the life and work of a gold miner, they are mostly of a more personal letter, relating the ups and downs of his moods and expectations. Apparently Thompson anticipated that some of his letters would not get through, a fact which was confirmed by a letter from his wife complaining that she had not heard from him often enough (at one point he observes that he sent a letter "by a gambler to the post office as I had no other way of getting it there"). So he lovingly copied each missive into the diary, which he always intended would be given to his wife so that she would not miss any. Indeed, in the last entry he states that he is sending this diary to her, along with ten dollars tucked in the pocket. Clearly the diary itself made it through; however, one wonders if the money did as well. Other letters had also had money enclosed, which may have accounted for her failure to receive them.
Included with the diary are two cartes de visite of the bearded Thompson and a long, chatty letter about family life at home from "Your own true wife Sarah Thompson." By 1877, however, he had returned to Trumansburg and apparently achieved some level of prosperity, since inserted in the diary is an elegant invitation to the wedding of his daughter Blanche. A fascinating and informative relic of this romantic era of our history.
Miscellaneous
Mining Boom Town Bank Panic Depression Scrip. A widespread financial panic causing runs on banks and a short supply of Federal notes necessitated a form of currency to keep banks in operation. Although illegal, the government ignored currency laws banning them. Pair of "Rhyolite Clearing House Certificate[s]", each 7.25" x 3.5", not filled in, Rhyolite, Nevada, November 30, 1907, in the amounts of $10 and $20. These notes, backed by securities on deposit, were redeemable at the Bullfrog Bank & Trust Company and the First National Bank of Rhyolite. Printed by Britton & Rey of San Francisco.
Western Expansion
Gold Rush Era Autograph Document Representing a Report by San Francisco Commissioners Advising Against the Expansion of Tolls by the Market and California Street Wharf Company. Two pages, 8" x 12.5", July 29, 1851. This period retained autograph copy is a report by an appointed committee of three prominent San Francisco businessmen in response to the Market and California Street Wharf Company's intention to expand their right to collect tolls to owners of property fronting Market and California streets near the wharf. The committee, consisting of J. A. Morse, D. J. Tallant, and James King of William "cannot believe that such was the intention of the grantors nor does the plain language of the grant sustain such a construction". James King of William further adds "that the company cannot be surprised at the above conclusion as they were fairly warned that such was the intention of the contract." During this Gold Rush period the California and Market Street wharves would have been a lucrative business for the Wharf Company as the majority of gold-field bound men arrived via San Francisco via boat. The dockage fees for a medium-sized ship to dock at the wharf might run $100 per day; larger ships $200. The company also had an exclusive right to levy tolls for goods, livestock, and merchandise landed at the dock. They were apparently trying to expand their tolls to include existing property fronting the representative streets. Of historical interest, James King of William later became the editor of the San Francisco Daily Evening Bulletin and in 1856 one of his editorials so angered San Francisco society that he was shot while on his way to work by James Casey, the conservative editor of the San Francisco Sunday Times. A document touching many important aspects of San Francisco and California history, in fine condition.
North Butte Mining Company Safety Broadsides and Stock Certificate, Circa 1900. In the wake of several mining accidents in the late nineteenth century, the North Butte Mining Company made an effort to improve their employee safety practices. These four broadsides measuring 8" x 12" are representative of those posted throughout their mines. These examples are a bit chipped at the edges, with a few trivial stains, otherwise they are in very good condition. Also included is a North Butte Mining Company stock certificate with an issue date of June 28, 1910. The certificate bears a nicely engraved central mining vignette and is signed by the company's president. There are several punch cancellations; otherwise it is in fine condition.
1858 Gold Rush-Era California Song Book Put's Golden Songster. 4" x 5.75". Printed in San Francisco by D. E. Appleton & Company, 1858. Sixty-four pages, printed wraps. An exceptional little publication, written "to relieve the tedium of a lonely cabin life" which probably afflicted the many gold miners and early settlers in California. The author claims the songbook contains "the largest and most popular collection of California songs ever published." The little book contains the lyrics to 29 songs with titles like "The Miner's Dream", "The Happy Miner", "California Bank Robbers", and "A Ripping Trip". Scattered throughout are little witticisms and jokes very much of the period. At the back of the book the author has gone to some pains to list "Mining Localities Peculiar to California", including such colorful mines as Poker Flat, Murderer's Bar, Dead Man's Bar, Skunk Gulch, and Hell's Delight. An important, early California Gold Rush publication. The front wrap has become detached, the title page is toned, otherwise the book is sound and in very good condition.
1853 Gold Rush-Era English Emigration Broadside. 8.25" x 5.25". A rare, early broadside attempting to capitalize on the increased interest in emigration to America based in large part, no doubt, on the lure of the California gold fields. Printed in eye-catching red ink the broadside reads: "Tapscott's Emigration Packets/ Sail From/ Liverpool/ For/ New York & Other American Ports,/ Every Five Days./ Apply to W. Tapscott & Co.,/ Liverpool./ Above 45,000 Souls Sailed by "Tapscott's Favorite Line," in 1852." The verso reveals that the broadside has been posted to an address in London, probably requested by the addressee in contemplation of a new start in America. And why shouldn't he? It is estimated that once gold was discovered in California, the British came in numbers that some estimate to be as much as 10% of their male population. Experienced miners emigrated in such numbers that it was not uncommon for English mines to close for the loss of experienced workers. William Tapscott & Company were the first in England to take advantage of the rush for California gold, even maintaining an office in San Francisco. The broadside shows traces of old fold creases, with a few areas of loss along the right edge, a small hole near the top edge, and a few very small areas of soiling, otherwise it remains in excellent condition.
Scarce Vulcan Blasting Powder "The Powder for the Miner" Promotional Brochure, Circa 1880. 5.75" x 9", sixteen pages, printed wraps. Issued by the Vulcan Powder Company, San Francisco, California. The Vulcan Powder Company was one of California's earliest and most important producers of explosives and a major supplier of explosives to mining concerns throughout the West. Separate sections in the brochure detail their product's strength, uniformity, safety, freedom from fumes, and pricing. The brochure also includes many testimonials from mining superintendents from across the West. Typical of them is this extract from an 1879 letter written by J. J. Mooney, superintendent of the Savage Mining Company in Virginia City, Nevada: "I have got through using Giant Powder [a competitor]. If I had used 'Vulcan Powder' from the commencement I would have made thirty or forty feet more...". The inside front cover has a detailed advertisement with price list for California's premier assayer, Thomas Price of San Francisco. An exhaustive search has failed to locate a past sales record for this scarce brochure. The wraps are modestly soiled, otherwise the brochure is in fine condition.
Rare 1886 Mining Report on the Jupiter Deep Blue Gravel Hydraulic Mining Co. No. 1, Calaveras County, California. 5.75" x 9", seven pages, printed wraps. This report, dated April, 1886, was produced by mining engineer and metallurgist, C. A. Luckhardt at the request of the company's President, Dr. James D. Whitney. The report includes sections on descriptions of the mine and its various components. Late in 1884 California outlawed hydraulic mining because of the devastating effect on the environment. The Jupiter Deep Blue Gravel Hydraulic Mining Company was one of the last companies to use the procedure. Very few examples of this report are known to exist. With the exception of some trivial soiling to the covers and a gnawed top right corner, the pamphlet is in very good condition.
California Gold Field Related Pamphlet: H. W. Ford. A Collation of Words Common to the French and English Languages. Jackson, Cal.: Amador Dispatch Print, 1883. forty pages, printed paper wraps, 5" x 7.75". Ford identified 2500 words that were common to both the French and English languages and it is very likely that he compiled the pamphlet in an effort to aid communication between the large population of French miners in the region and the English speaking locals. Very few examples of this work are known to exist. A few small closed tears, some sun fading to front cover, modern tape reinforcement to spine, else remarkable sound and in very good condition.
Miscellaneous
Stage Coach Pass. 1891 "National Mail Company" of Atchison, Kansas Annual Pass. Measures 4" x 2.5", inscribed to "Frank M. Baker, Gen. Supt. And G. F. & Rg. Addison and Pennsylvania R.W." Reverse indicates pass is good on omnibus lines at Leavenworth and Lawrence, Kansas of the U. S. Stage Co. and Texas Stage Co., as well as all lines operated by the National Mail Company. Highly graphic vignette of stage coach on the front side. Five spots of glue residue on the back side. Crisp and clean.
Stage Coach Pass: 1884 "The North Western Stage and Omnibus Co." Annual Pass. Measures 4" x 2.25", inscribed to "R. A. Snowden Gen. Pass Agt St Louis & St Paul Packet Co." Central vignette of stage coach, four corners inscribed with names of market area: "Colorado, New Mexico, Dakota, Minnesota, Iowa, Nebraska, Oregon, California". Mint condition.
Stage Coach Pass: 1879 "Texas and California Stage Company" Annual Pass. Numbered 337 and inscribed to "H. S. McComb, President Miss. & Ten. Railroad Co." These passes were presented, reciprocally, with other transportation companies for use of the company executives. The annual stage passes are infinitely rarer than railroad passes of the same period. 4" x 2.25" on lightly coated safety stock, colored pale lavender.
Antiques
Charles Lassell: Two Watercolor Works by This Well-Known Western Illustration Artist. One consists of the two facing pages for the beginning of a magazine article entitled "Murder Buck," a pre-1932-period, signed by the artist. The second is an unsigned image of a cowboy on a white horse, painted on the back side. Each image is 16" x 11.25". Very colorful, with lots of decorative appeal. Nicely custom framed, with glass on front and back, to 25" x 20".
Lassell (1894 - 1958), sometimes known as Charles LaSalle, began his career in a studio in the famous Beaux Arts Building in NYC, along with other prestigious illustration artists such as Harold Anderson and J.C. Leyendecker. His work appeared in the Saturday Evening Post, Colliers, Liberty, Boy's Life, Field and Stream, Outdoor Life, and McCall's. Later he would produce corporate art for such prestigious employers as Ford Motor Co., General Electric, General Motors, Schlitz Beer, and Shell Oil. Toward the end of his life he resided in Scottsdale, Arizona, where he did occasional work for Arizona Highways and concentrated mainly on painting Western subjects. This lot requires 3rd party shipping.
Lassell (1894 - 1958), sometimes known as Charles LaSalle, began his career in a studio in the famous Beaux Arts Building in NYC, along with other prestigious illustration artists such as Harold Anderson and J.C. Leyendecker. His work appeared in the Saturday Evening Post, Colliers, Liberty, Boy's Life, Field and Stream, Outdoor Life, and McCall's. Later he would produce corporate art for such prestigious employers as Ford Motor Co., General Electric, General Motors, Schlitz Beer, and Shell Oil. Toward the end of his life he resided in Scottsdale, Arizona, where he did occasional work for Arizona Highways and concentrated mainly on painting Western subjects. This lot requires 3rd party shipping.
Miscellaneous
Tombstone, Arizona: Archive of Earp Associate, E. B. Gage. Large grouping of checks, documents, letters, and related ephemera dating from 1880-1917. Most of the items relate to the mining industry and many are signed by E. B. Gage, a superintendent of the Grand Central Mining Company, prominent entrepreneur, and developer of Tombstone Consolidated Mines in 1901. In 1882, after the Gunfight at the O. K. Corral, Gage sent $1,000 to Wyatt Earp and his posse, supplemented by additional money and horses supplied by Wells, Fargo & Company. In 1884, a labor dispute got ugly with miners threatening to lynch Gage. Legend has it that local hotelier, prospector, and angel of mercy Nell Cashman spirited him away to safety in a buggy, although Grand Central Mining Company foreman Charles Lynch is credited with keeping the lid on things. The archive includes: thirty-four checks from 1888 signed by Gage drawn on the Cochise County Bank of Tombstone, thirty-five checks signed by Gage from 1885-87 on the New York Exchange Bank of Tombstone, twenty checks signed by Gage on "Office of E. B. Gage" account 1890-91, eighteen similarly signed checks from 1890 on differently designed "Office of E. B. Gage" checks, twelve 8.25" x 4.25" coupons or certificates for shares in stock in the Emerald Mining Company inscribed to Gage 1880-81, fifty checks signed by D. B. Huntley drawn on the Carlisle Mining Company account 1885-87, seven miscellaneous checks signed by Gage (Cochise County Bank and the Anglo-Californian Bank 1885-89), three checks signed by S. W. Wood of Gage's Grand Central Mining Company 1887-88, one signed check from the Tombstone Consolidated Mines Company 1910, 6% Contract Bond of the Tombstone Consolidated Mines signed by Gage in 1903 along with two blank examples, two blank stock certificates for the Oso Negro Mining Company each 13.5" x 5", 1890 letter to Gage from Henry Egerston Mine Supplier and Bullion Dealer regarding quicksilver (faults), 1884 receipt for horse supplies for the Grand Central Mining Company from J. J. Patton & Co. located "Next Door to O. K. Stables", 1900 Western Union receipt or authorization for Gage to send messages, 1890 pay certificate for mining laborer R. J. Ufen, three postcards offering mining supplies 1907-1917, Cochise County bank book for George W. Cheyney 1884, 1884 Tombstone Daily Epitaph clipping mentioning Cheyney attending a meeting of creditors and listing a legal action against Wyatt and Mattie Earp for $365, plus a fascinating August 18, 1884 letter from A. A. House in North Bristol, Ohio to Gage related to his labor dispute and near-lynching. It reads, in part: "... he told me you were on your way to Tombstone. I am very sorry you decided to go as I fear your life is in danger. I think you should listen to your friends and not run with danger. McCurdy said... there was no need of your going.... Please do not remain... And you know a life is nothing to those fellows when in Whiskey... McCurdy said it was a bad time for my business... I am very anxious to put the mine solid. Please write me a line every few days as I am very anxious about you. (wording light but legible). Please view this lot on our website for a list of names associated with these documents.
Autographs
Frank M. Canton: Notorious Outlaw and Lawman, Document Signed. An 1885 subpoena from Johnson County, Wyoming, docketed and signed by "F. W. Canton Sheriff". Thirty-one words in his hand above his signature. Excellent condition except for one small chip missing at one edge as shown.
Canton was born Josiah Horner, and under that name robbed banks and rustled cattle across Texas circa 1871-77. He was arrested for robbing the Comanche, Texas bank, a capital offense, but escaped from Texas Ranger custody and moved to Nebraska, where he changed his name to Frank M. Canton and took up the legitimate cattle business. After a stint working for the Wyoming Stock Growers Association as a stock detective, he won election as sheriff of Johnson County in 1885. Canton later resigned the position to return to the WSGA while working part time as a deputy US marshal. During the infamous Johnson County War he became one of Frank Wolcott's "Regulators", and on April 9, 1892, led their attack on the KC Ranch in which Nate Champion and Nick Ray were shot and killed. A few days later, a posse led by Sheriff Angus arrived to arrest the Regulators at the ranch. A pitched battle ensued, and the Regulators were likely saved by the timely arrival of the U.S. Cavalry.
Canton's autograph is scarce in any form, and is especially nice here, where his signature as Sheriff and a number of words in his hand are found on a Johnson County document. 8.25" x 6.75".
Canton was born Josiah Horner, and under that name robbed banks and rustled cattle across Texas circa 1871-77. He was arrested for robbing the Comanche, Texas bank, a capital offense, but escaped from Texas Ranger custody and moved to Nebraska, where he changed his name to Frank M. Canton and took up the legitimate cattle business. After a stint working for the Wyoming Stock Growers Association as a stock detective, he won election as sheriff of Johnson County in 1885. Canton later resigned the position to return to the WSGA while working part time as a deputy US marshal. During the infamous Johnson County War he became one of Frank Wolcott's "Regulators", and on April 9, 1892, led their attack on the KC Ranch in which Nate Champion and Nick Ray were shot and killed. A few days later, a posse led by Sheriff Angus arrived to arrest the Regulators at the ranch. A pitched battle ensued, and the Regulators were likely saved by the timely arrival of the U.S. Cavalry.
Canton's autograph is scarce in any form, and is especially nice here, where his signature as Sheriff and a number of words in his hand are found on a Johnson County document. 8.25" x 6.75".
Miscellaneous
Wanted Poster: Delightful "Broke Jail", 1877. A $300 reward is offered by the sheriff of Milwaukee County for the capture of Alba W. Dennett, accused of murdering his infant son. An albumen photo of the fugitive is prominently affixed to the poster, which describes Dennett, his escape, and his attire at the time: "boxed-toed boots, light pantaloons, white shirt, dark colored vest, no coat, black military hat." Lots of "period flavor" and in excellent condition. 7.5" x 13", nicely custom framed to 13" x 21.5". This lot requires 3rd party shipping.
Autographs
John Selman: 1894 Criminal Justice Docket Signed by the Slayer of John Wesley Hardin. This 9.5" x 12.5" Texas document authorizes a warrant for the crime of "disturbance", and issues that warrant to Selman, who at the time was serving as an El Paso constable, to be carried out. Selman, a former deserter from the Confederate cavalry, was himself a former outlaw, having led a band called "Selman's Scouts," who were accused of crimes ranging from cattle rustling to rape and murder in Lincoln County, New Mexico in 1879. In 1880, the gang decamped for Texas, where Selman was quickly captured by Texas Rangers and taken to Shackleford to stand trial. He managed to escape before facing justice, however, and hid out in Chihuahua, Mexico until 1888, when charges against him were dropped, and he was able to return to El Paso, where he later found work, ironically, as a lawman. Clearly a man of violence, Selman was involved in various confrontations, some lethal, leading up to his cold-blooded shooting of Hardin on April 5, 1896, following an argument between the gunslinger and Selman's son. Despite the fact that he shot Hardin in the back of the head in front of witnesses, and then fired three more shots into his body, Selman escaped justice with a hung jury. Less than a year later, Selman died a violent death in a shootout resulting from an argument over a card game. John Selman's signature is a rare one in any form (the Sanders Autograph Price Guide lists a cut signature at $1200), and is especially desirable in this form. Excellent condition, beautifully custom framed to 18" x 21.5". This lot requires 3rd party shipping.
Miscellaneous
Wanted Poster: Nevada "White Slavery". This 1913 poster references two fugitives, Albert Cosgrove and Lillian Agnes Mahoney. The former, a miner, bartender and Teamster, was last seen wearing a light Stetson hat. Mahoney, a diminutive blond with size two feet, is described as very good-looking, although that seems a bit of a stretch from her photo on the poster. Both are accused of abandoning spouses and children to pursue their nefarious ways. A fun item with great period charm. 8" x 10.5" in nicely custom framed to 13" x 18.5". Excellent condition. This lot requires 3rd party shipping.
Military & Patriotic
Pacific Northwest Indian Wars: Rare Silver Participant's Badge. The design features crossed Winchester-style shotguns in relief, superimposed over an Indian arrow and a five pointed star. In block letters: "Indian War Veterans N.P.C." Excellent condition with light tarnish and original pin on verso. Accompanied by two silk Indian Wars Veterans Reunion ribbons, each of which pictures this badge with the dates 1847-56. Diameter 1.125". A most attractive and unusual item. A very sophisticated collector of artifacts of the Pacific Northwest with whom we consulted had never seen another example, nor had Heritage's own highly knowledgeable expert in military badges. Beautiful condition.
Photography
California State Legislature: Scarce Large, Early Print. Titled "California House of Assembly 1865-66." Signed by the artist, E. Jump (?), at bottom center. No printer's name in the bottom margin, but it is marked "Copyright Secured," so perhaps it was self-published by the artist. Very good overall condition. Measures 32.5" x 26.25" as nicely custom framed. This lot requires 3rd party shipping.
Western Expansion
Native American Reservation Police Appointment. A 7.5" x 10" paper certificate, printed in red and green, titled "Omaha Indian Police" appointing Zhinga-ga-hega ("Little Chief") a member of the Omaha Indian Police on the Omaha Indian Reservation. Completed in manuscript and signed by the Indian Agent, Dr. E. Painter, February 5, 1870. Red, white and blue silk ribbons attached with sealing wax. Not examined out of frame, but apparently in very fine condition. Accompanied by two pages of research on Little Chief and Painter, whose son-in-law, William Henry Jackson, was a noted photographer of Native Americans and the West. This lot requires 3rd party shipping.
Spectacular 1898 Harry Longabaugh (aka the Sundance Kid), Harvey Logan (aka Kid Curry) and "Flat-Nose" George Curry Nevada Train Robbery Reward Poster. 11" x 17. An amazing reward poster issued by Southern Pacific Rail Road and Wells, Fargo & Company offering a total reward of $1,000 for information leading to the arrest and conviction of the parties connected with the robbery of Southern Pacific Train No. 1 near Humboldt, Nevada in the early morning hours of July 14, 1898. The poster reads in part: "Southern Pacific Train No. 1, leaving Humboldt, Nevada, 1:25 this morning, was held up and robbed about two miles east of that point by three or more men, supposed at present to be a negro and two white men. The express car was entered, the safe blown open, and the car demolished. Baggage and express packages badly damaged." Though it wasn't known at the time, the robbery has since been credited to the handiwork of Wild Bunch members Kid Curry (Harvey Logan), "Flat-Nose" George Curry and the Sundance Kid (Harry Longabaugh). Apparently the Sundance Kid and Kid Curry boarded the train in Humboldt and shortly after the train pulled away from the station they made their way to engine and ordered the engineers to stop a mile or so east of town where their accomplice awaited them with their horses. The duo blew the safe and the express car in the process and made off with $450 and some jewelry. The poster is in remarkable condition with scattered light foxing or staining, a tiny portion of the bottom left corner missing, and one trivial hole, otherwise in excellent condition. A fabulous broadside associated with one of the West's most infamous outlaw groups.
1866 Annotated Catalogue of the Principal Mineral Species Hitherto Recognized in California, and the Adjoining States and Territories; Being a Report to the California State Board of Agriculture by William P. Blake. Sacramento: Printed for the author, 1866. 6.25" x 9.5". Thirty-one pages, printed wraps. Few copies of this fragile early report on the mineral bounty of California have survived. Its author, a geologist of the California State Board of Agriculture and professor at the College of California, has listed the many minerals thus found in California alphabetically with brief descriptions. This may be the author's own copy as there is an ink stamp "W. P. Blake,/ New Haven, Conn." (Blake was a Yale professor later in his career) on the front cover, as well as an inked note "My Copy with notes/ save". Indeed there are a few penciled notes throughout which may be the author's. The paper along the edges has become a bit brittle, otherwise this scarce report is sound and in very good condition.
Miscellaneous
1906 San Francisco Temporary Telephone Directory Issued in the Aftermath of the Earthquake and Fire. 5.75" x 8.5". Forty-eight pages, printed wraps. This important directory was issued slightly less than a month after the devastating earthquake and subsequent fires that destroyed or damaged much of San Francisco. The directory is remarkable on many levels, not least of which is Pacific States Telephone and Telegraph Company's ability to rebuild much of its infrastructure and restore service in a remarkably short period of time. A section in the back of the directory lists the names of customers who have ordered service but were not yet connected. A note to subscribers at the front gives a brief overview of the extent of the damage to company lines as a result of the disaster and their plans for reestablishing service, ending with "We ask your co-operation and toleration with us during this period that we may all work together in the up-building of the greater and more prosperous San Francisco of the future." The covers have scattered areas of foxing and soiling, and there is a small adhesive tape repair at the base of the spine, otherwise the directory is in very good condition.
Scarce 1881 Texas Express Company Tariff Rate Guide Booklet. 5.5" x 8.75". Printed by W. H. Coyle Stationer and Printer, Houston, Texas, eighteen pages with two additional update broadsides laid-in, printed wraps. The Texas Express Company was based in Houston, Texas and was competitive with Wells Fargo from 1870 until 1882. By 1885 the company had been bought by Wells Fargo. The two laid-in broadsides dated 1882 and 1883 give some advance hint that the company was cooperating with Wells Fargo. The booklet lists the company's rates for points outside the state of Texas. Delivery locations went west to San Francisco, California and Virginia City, Nevada as well as Colorado, the Dakota Territory, and New Mexico. Research has failed to turn up a past sales record for this rare booklet. Some insect damage to the edges of the wraps and the corners of the two broadsides, otherwise the booklet is sound and in very good condition.
Books
Dodge City the Cowboy Capital: A Rare History, With Lengthy Inscription by the Author. Dodge City the Cowboy Capital and the Great Southwest in the Days of the Wild Indian, the Buffalo, the Cowboy, Dance Halls, Gambling Halls, and Bad Men. 1913 edition by Robert M. Wright, "Plainsman, Explorer, Scout, Pioneer, Trader, and Settler", in original green cloth cover picturing an Indian and a Buffalo, 344 pages with photo illustrations. Apparently self- published, it is traditionally accepted that original edition was destroyed by fire. While this book was reissued in 1932, and again in the 1970s, this is of course the original volume. Several other copies are known with December 10, 1913-dated inscriptions, suggesting that this was probably the original release date or nearly so. The interior pages are in excellent condition, as is the cover overall. Light corner wear. The spines are very strong, but there is minor fine partial separation of the cloth covering along spine.
Inscribed and signed on the flyleaf: "To my old time Pioneer friend M.W. Levy. Hoping you may find as much pleasure in reading the following pages as I had compiling them & trusting they will inspire & preserve in you an interest in the old days & old times which they describe. I beg to remain with my very best wishes for your health and happiness. Yours very truly, RM Wright, Dodge City, Kans. Dec 11 - 1913". A very special copy of this important volume. Dimensions 5" x 7.5", thickness 1.75".
Please view Lot 47281 in this auction for a copy of this same volume inscribed by the legendary Bat Masterson.
Inscribed and signed on the flyleaf: "To my old time Pioneer friend M.W. Levy. Hoping you may find as much pleasure in reading the following pages as I had compiling them & trusting they will inspire & preserve in you an interest in the old days & old times which they describe. I beg to remain with my very best wishes for your health and happiness. Yours very truly, RM Wright, Dodge City, Kans. Dec 11 - 1913". A very special copy of this important volume. Dimensions 5" x 7.5", thickness 1.75".
Please view Lot 47281 in this auction for a copy of this same volume inscribed by the legendary Bat Masterson.
Miscellaneous
Ten Posters Documenting the San Francisco Earthquake of 1906. These were all issued as supplements to William Randolph Hearst's newspaper, the San Francisco Examiner and include: 18" x 32" "The Stretch of Ruin From Nob Hill to Russian Hall, Taken from the Top of the Fairmount Hotel..." (apparently one of the few buildings to survive the quake, as only one other building appears unscathed), 18" x 32" "Panorama of the Western Addition and the Mission" (some separation at folds and small hole in one corner), 18" x 32" "Birdseye View of San Francisco From Top of Wrecked City Hall Dome" (some loss to bottom corners), 16" x 46" "In the Heart of the Ruins - Panorama Taken from the Roof of the St. Francis Hotel" (border tears with some areas of loss at folds), 32" x 23" "Ruins of Chinatown" (few minor stains), 32" x 21" "Panoramic Views of the Ruins of San Francisco", 19" x 32" "Birdseye View of San Francisco From Twin Peaks" showing the burnt district with outlying areas seemingly undamaged (minor separation at folds), 32" x 22" "Panoramic View of San Francisco From the Water Front", 18" x 32" "Panorama of the Ruins in the Valley..." with Alcatraz in the distance, 18" x 32" "Panorama of the Ruins From Telegraph Hill to the Base of Rincon Hill" (minor separation at folds).
Western Expansion
The "Ute Chieftain" by Heiser - Keyston, Doubtless Among the Rarest, Most Beautiful, and Most Intrinsically Valuable Western Saddles Ever Produced. This being possibly the finest example known of the handful of specimens ever crafted by the Heiser - Keyston Co., circa 1950. The origin of these magnificent silver parade saddles can be traced to the nineteenth century vaqueros in California. Wealthy landowners decorated their saddles with ornate silver trim, complex stitching, and elaborately carved leather work. Heiser - Keyston was among the top craftsmen based shops in the mid-twentieth century, and the largest manufacturers of saddlery on the west coast. The "Ute Chieftain" has been characterized by collectors as "the kind of saddle you think of when you think of silver saddles" and was described by Heiser - Keyston in their catalog as "the finest ever made" and "the acme of sterling silver saddlery". The description of the saddle warranted two full pages in their catalog, with the salient details as follows: "...made of the finest select leather, fully hand carved. The cantle, horn and swells are completely encased in heavy hand engraved sterling silver. Massive 21" taps are made with solid sterling silver fronts. Miniature 14K gold Indian heads are overlaid on every other sterling silver square that rims the saddle and taps. Not even the smallest detail is overlooked. Here is truly a saddle masterpiece." Additionally, on this example, the top of the horn is overlaid with a large deep relief, 14K gold Indian head, of the same form as the smaller heads used throughout the saddle. Every piece of silver is either embossed or elegantly and profusely engraved with floral and scroll motifs.
The massive breast collar features large relief Indian heads on each side, with a 14K gold Indian head, identical to the one found on the horn, affixed as a martingale plate. Small 14K gold Indian heads are overlaid on every other square, continuing the overall artistic theme. The bridle and nose piece are also covered with engraved and embossed silver squares, the rosettes being deep relief Indian heads, embossed silver buckles. The reins are decorated with 1" silver ferrules spaced at 1" intervals.
The saddle is nicely marked in 2" embossed ovals on each skirt "Heiser - Keyston/ Denver - San Francisco".
Superb overall condition. All leather supple and about perfect, with all of the original finish. All stitching tight. Missing just four silver squares on one of the diamond shaped drops on the bottom of the right skirt, and two diamonds on each skirt, all easily replaced, else complete and tight.
Without question one of the most stunning showpieces we've ever offered in an Americana auction, and bound to be the center piece of any Western Americana collection. A rare and exciting opportunity for the advanced collector, depicting the epitome of the romance of "Wild West" culture. This lot requires 3rd party shipping.
The massive breast collar features large relief Indian heads on each side, with a 14K gold Indian head, identical to the one found on the horn, affixed as a martingale plate. Small 14K gold Indian heads are overlaid on every other square, continuing the overall artistic theme. The bridle and nose piece are also covered with engraved and embossed silver squares, the rosettes being deep relief Indian heads, embossed silver buckles. The reins are decorated with 1" silver ferrules spaced at 1" intervals.
The saddle is nicely marked in 2" embossed ovals on each skirt "Heiser - Keyston/ Denver - San Francisco".
Superb overall condition. All leather supple and about perfect, with all of the original finish. All stitching tight. Missing just four silver squares on one of the diamond shaped drops on the bottom of the right skirt, and two diamonds on each skirt, all easily replaced, else complete and tight.
Without question one of the most stunning showpieces we've ever offered in an Americana auction, and bound to be the center piece of any Western Americana collection. A rare and exciting opportunity for the advanced collector, depicting the epitome of the romance of "Wild West" culture. This lot requires 3rd party shipping.
Advertising
American Handcarved Cigar Store Indian It was the American Indian who first brought tobacco to the white settlers. Much later, that same colorfully-dressed Indian could be seen beckoning patrons into cigar stores. Much in the manner of classic Cigar Store Indian maker Samuel Robb, this statue features the colorful headdress, a bear-claw necklace with central medallion, and the fringed skirt for which Robb was so well known. In his right hand he holds the traditional cigars, almost as if offering them to you. The polychrome paint seems to be quite early, if not original. There is a repair to the Indian's left hand, which may have held something other than the current stock of cigars. So very detailed are his features that you feel you are in the presence of a great Indian chief. Although in need of cleaning and restoration, the colors are still vibrant and one can easily appreciate the imagination it took to create this nostalgic, iconic American image. Evocative of simpler times long past. Please view this lot on our website for a series of additional photos that will allow detailed examination and evaluation of its condition.
Base: Height 5.5", Width 16", Depth 20.5"
Indian: Headress to toes 75.5", Left hand to back - depth 24", Elbow to elbow - width 20".
Paint shows crazing, left hand has damage. Rub marks, scratches and paint discoloration prominent. In "as found" condition. This lot requires 3rd party shipping.
Base: Height 5.5", Width 16", Depth 20.5"
Indian: Headress to toes 75.5", Left hand to back - depth 24", Elbow to elbow - width 20".
Paint shows crazing, left hand has damage. Rub marks, scratches and paint discoloration prominent. In "as found" condition. This lot requires 3rd party shipping.
Military & Patriotic
"Libbie" Custer: Engraved Watch Presented to Custer's Beloved Widow by the Veterans of the 7th Cavalry. A 14K gold-filled lady's pocket watch, affectionately inscribed "Libbie" on one side, and "1876 - 1901 'Lest we forget' " on the other. Contained in the original fine maple presentation box, with inset pewter shield inscribed "U.S. 7 Rgt." in center of top of the hinged lid.
According to a notarized affidavit which accompanies this piece, the watch had been left by Libbie to a nephew in Monroe, Michigan, and was subsequently sold at an estate auction. While this statement is the only documentation of the provenance, Heritage jewelry and timepiece experts feel that the engraving is original, and that 1901 would be a correct date of manufacture for this particular model. It has a seven jewel nickel movement in a Courvoisier & Wilcox "O" size hunter's case. White enamel dial, blue spade hands, replaced crystal. Appears to be in working order, but not warranted. Excellent condition, with fine light patina of wear and use. A highly evocative remembrance of one of the most idealized and talked about events in American history, the tragic deaths of Custer and over 200 men of the 7th cavalry at Little Bighorn.
According to a notarized affidavit which accompanies this piece, the watch had been left by Libbie to a nephew in Monroe, Michigan, and was subsequently sold at an estate auction. While this statement is the only documentation of the provenance, Heritage jewelry and timepiece experts feel that the engraving is original, and that 1901 would be a correct date of manufacture for this particular model. It has a seven jewel nickel movement in a Courvoisier & Wilcox "O" size hunter's case. White enamel dial, blue spade hands, replaced crystal. Appears to be in working order, but not warranted. Excellent condition, with fine light patina of wear and use. A highly evocative remembrance of one of the most idealized and talked about events in American history, the tragic deaths of Custer and over 200 men of the 7th cavalry at Little Bighorn.
Western Expansion
Western Americana: Vintage Tooled Leather Cowboy Boots with Etched Silver Mounts and Steel Spurs, Probably Circa 1890s. The black leather boots are deeply hand-tooled with a floral motif. They have inside leather boot-straps. The top of the shaft has leather lacing. The heels are of an underslung riding style. The toes are narrow and pointed. Both the toes and the heels are mounted with etched silver mounts. The silver is unmarked, but is either coin silver or sterling silver. The spurs are steel with nickel-silver decorations, including etched shields. The spur straps are also black tooled leather with floral motifs. The rowels are five-pointed stars. The size is unknown, but the boots measure 11" from toe to the top of the heel and 3.5" across the widest part of the sole. The boots stand 13.5" high (including the heel). Weakness and splitting to the shaft above the upper heel and chipping at the upper shaft, else, excellent condition. One spur strap is split at the inner button.
Antiques
George Catlin: "No. 18. The Bear Dance" Colored Duotone Lithograph, Circa 1844. The hand colored lithograph is from Catlin's North American Indian Portfolio. Hunting Scenes and Amusements of the Rocky Mountains and Prairies of America. From Drawings and Notes of the Author, Made during Eight Years' Travel amongst Forty-Eight of the Wildest and Most Remote Tribes of Savages in North America. (London: Geo. Catlin, 1844). It measures 23" x 15.5" (overall). Toned where the print was once matted, minor foxing, else very good.
George Catlin: Tinted Lithograph, "Catlin the Celebrated Indian Traveller and Artist, Firing his Colt's Repeating Rifle Before a Tribe of Carib Indians in South America", Circa 1855. The lithograph published by Catlin and printed by J. M'Gahey of Chester measures 22" x 17". Dry mounted on board, else near fine.
Western Expansion
Iron Tail 101 Ranch Knife and Original Photo. A 17.5" knife, with bone handle partially wrapped with rawhide. German steel blade with maker's mark correct for the period, inscribed on both sides: "Iron Tail" on one, and "101 Ranch" on the other. Light overall pitting on the blade, otherwise excellent condition. Iron Tail was a Sioux Indian who fought alongside Sitting Bull at Little Bighorn. For some years he was featured in Buffalo Bill's Wild West, where this photo was taken in 1901. He performed in the 101 Ranch show from 1913 to 1916, but he is perhaps best remembered as one of the three models for the buffalo nickel.
It is uncertain whether this knife was made to be used by him as a show prop or was sold as a souvenir. The quality of the blade and the sharp edge seem inappropriate for something sold as a souvenir, but the lack of use patina on the handle seems to support the souvenir argument. We have not been able to uncover another example, and would welcome input in this regard, since if other similar examples exist this would strongly suggest that knives like this were issued as souvenirs. In either case, a wonderful piece of Western Americana.
The photo is 6.25" x 5.5" on its original board, and is in excellent condition; with original pencil attribution dated May 6, 1901, on verso.
It is uncertain whether this knife was made to be used by him as a show prop or was sold as a souvenir. The quality of the blade and the sharp edge seem inappropriate for something sold as a souvenir, but the lack of use patina on the handle seems to support the souvenir argument. We have not been able to uncover another example, and would welcome input in this regard, since if other similar examples exist this would strongly suggest that knives like this were issued as souvenirs. In either case, a wonderful piece of Western Americana.
The photo is 6.25" x 5.5" on its original board, and is in excellent condition; with original pencil attribution dated May 6, 1901, on verso.
Advertising
Tomahawk Plug Tobacco: Fantastic Chromolithograph Die Cut Advertising Sign. 17" x 25". The heavy cardboard sign is diecut and printed to resemble a painter's palette. The front pictures an Indian on the ground with another Indian holding a tomahawk in one hand and a recently cut scalp in the other hand. A group of tribesmen of the slain Indian are approaching by horse in the background. Across the top is "Chew Tomahawk Plug" and "P. Lorillard & Co. / Jersey City, N.J." is along the bottom. The back of the sign has color printed wood graining and the trademark of Donaldson Brothers Lithographers of New York. Five small mounting holes, even darkening, light chipping along the edges and several tiny paint spots, else very good. Extremely attractive and rare.
Antiques
Victorian Cow-Horn Child's Chair with Matching Footstool. A charming little set in excellent condition. Original leather on the chair, vintage needlepoint-upholstered stool. Height of the chair including back 22.5", stool 8.5". Great Southwest period flavor.
Western Expansion
Extremely Rare Muscogee, Indian Territory Police Badge, Circa 1880-1890. 2.75" across. A fabulous Indian Territory police badge, pre-dating Oklahoma's territorial status and statehood. This well-made, five-pointed, nickeled star with applied ball tips has "City Police/ Muscogee, I.T." in recessed letters on the front. The reverse features a one-piece pin assembly common with badges of the era, retained with the original solder. There are no maker's marks present. The badge has clearly been used as is evidenced by the many honest tiny scratches on the face, the loss of black paint from the recessed lettering, and normal wear to the pin. Muscogee was an important economic and cultural hub not only for the relocated Native people of the area but also the participants in the aggressive westward expansion of the period. An extraordinary badge in fine condition.
Western Americana: Stetson Felt Western Hat with a Braided Horse Hair Band and "Shield and Star" Badge. The black felt hat has an up-turned brim. The leather sweatband is marked "John B. Stetson & Co." and "J. Nussbaum & Co. / Mexia & Coolidge, Tex.". Nussbaum was a landowner and rancher who opened a mercantile company in Mexia and later in Coolidge. Coolidge, Texas was established in 1903 and was not named after the president. The hat is marked as a size 7¼. The hand-braided horse-hair hat band has a pierced and etched nickel-silver shield with a voided circle and star. The leather sweatband is intact and the hat is in fine condition.
Wonderful Beaded and Fringed Buckskin Jacket, Circa 1890 - 1910. Handcut 5" fringe along the upper portion of front and back, with 1.5" fringe extending the length of each sleeve. All edges with decorative scalloped cut. 1.5" standup collar with two buttons. The coat buttons right to left, with handmade two hole bone buttons made without shanks and affixed with rawhide. Four front pockets, partial body lining of a rather coarse linen. The pockets and cuffs, as well as a 5" wide panel on the front and the shoulders/back are covered with profuse and elaborate floral beadwork using seed beads and certainly the work of a native American craftsman. Superb overall condition with all stitching and beadwork tight and perfect. Most attractive and loaded with character, exuding the flavor and romance of the American west.
Antiques
Sitting Bull: 1923-Dated Oil on Canvas Portrait by Paul Warner. Measuring 23" x 29" in its original frame, it has the original label on verso from the "White Eagle Indian Store" in Albuquerque, New Mexico. "Everything in Indian Goods," it proclaims, "Low Prices." Excellent condition.
American Indians: Four Vintage Oil Portraits. All signed by apparently unknown artists. Artists appear to read: "Keeler," "Calvin E. McGraw 1911, " Tarleton," and "P. Ploucher" (after an F.A. Rinehart photo). One nicely framed, the others on wood stretchers. They would appear to date circa the 1910-1940 era, and all are in excellent condition with decorative appeal. Sizes from 7" x 9" to 15.5" x 20", shown to scale.
Rain in the Face: Matching Paul Warner Oil of the Famed Sioux Chief. With matching label on verso from the "White Eagle Indian Store." Also in its original frame as sold, this frame bearing the label of Chas. E. Boldt Picture Framing in Albuquerque. Excellent condition and a great companion piece to the adjacent Sitting Bull lot. Great period flavor to accent any western or American Indian collection. 23" x 29" in frame.
American Indian: Unger Brothers Sterling Silver Flask and Match Safe. Both pieces have the iconic Unger Indian Chief motif. The flask is 2.75" x 4.5" and is marked with two inter-twined Unger Brothers initial logos and "Sterling 925 Fine" on the neck at the back. The match safe, or vesta box, is 2" x 2.25" and stamped with the same marks on the rim, under the lid. Both pieces are monogrammed (different initials) and have light dents and minor wear, else, near fine.
Advertising
American Express Company Oklahoma Territory Depot Wax Seal Stamp, Circa 1890-1907. 2.5". A rare wax seal stamping device as used by American Express for marking valuable shipments. The nickel-plated steel handle is affixed to a brass oval head reading "American Express Co. Canton, O.T." Minor loss to the nickel plating on the handle with minor dings on the brass head, else it is in fine condition. A scarce seal used prior to Oklahoma's statehood status.
McCormick - Deering Threshers Advertising Sign. Paper, 21" x 31.25". Pictured at work in a field, this sign displays the two varieties of McCormick's thresher line for 1931. Bright and colorful, the sign was produced for the McCormick Reaper Centennial of 1931. Minor edge wear appears in the margin otherwise the sign appears near mint. This lot requires 3rd party shipping.
Antiques
Catholic Priest's Traveling Sacramental Kit. Such sets were favored by priests in the American southwest, who often, rather than being based on a single church, traveled over a large area to perform services. It is housed in a fitted oak case with brass decorations on the top. Included in the box are candle holders, a holy water basin with a detachable base, a holy water sprinkler with a small horse hair brush, two plates, a cup, a pitcher, and embroidered sacramental cloth. It is marked "holy water outfit", and "Pat'd APRIL 1897." A charming artifact in excellent condition. The case measures 10.75" x 11.5" x 4.5".
Miscellaneous
Barney's $1 Lake Tahoe, Nevada Casino Chip, Second Issue, R-8, Circa 1960s. Barney's Casino operated from 1961 to 1988 on U.S. Highway 50, Stateline. This variant has three red edge inserts.
Condition: Slight Used with two small edge flakes to, otherwise, nice sharp edges. Small yellow spot on the inlay is just part of the clay in the making.
For more information about casino chips, please read The Basics Of Casino Chip Collecting.
Condition: Slight Used with two small edge flakes to, otherwise, nice sharp edges. Small yellow spot on the inlay is just part of the clay in the making.
For more information about casino chips, please read The Basics Of Casino Chip Collecting.
Barney's $5 Lake Tahoe Casino Chip, Second Issue, R-9, Circa 1960s. A 1961-67 early issue, Barney's closed in 1988. The rarity of R-9 includes the drilled chips also. Possibly only two good $5 chips are known. A very rare chip from an old time collection. Great small key mold and a nice, different, color combination.
Condition: Slight Used, tiny inlay blemish, small chip.
For more information about casino chips, please read The Basics Of Casino Chip Collecting.
Condition: Slight Used, tiny inlay blemish, small chip.
For more information about casino chips, please read The Basics Of Casino Chip Collecting.
Big Bonanza $5 North Las Vegas Casino Chip, First (Only) Issue, R-8, 1967. The Big Bonanza, now Jerry's Nugget, was a small gaming club open only from January through March 1967. They made just one issue of chips, about thirteen of which have been found. A very unique picture chip in an excellent color combination.
Condition: Slight Used with more than normal small edge nicks for an SU chip; all the chips found though have exhibited these almost unnoticeable nicks. One edge chip. Nice crosshatching and overall a very nice example.
For more information about casino chips, please read The Basics Of Casino Chip Collecting.
Condition: Slight Used with more than normal small edge nicks for an SU chip; all the chips found though have exhibited these almost unnoticeable nicks. One edge chip. Nice crosshatching and overall a very nice example.
For more information about casino chips, please read The Basics Of Casino Chip Collecting.
Cactus Pete's $5 Jackpot, Nevada Casino Chip, Second Issue, R-7, Circa 1960. In 1956, Cactus Pete's was the second border town casino with live gaming to open in Jackpot, Nevada. A very popular chip logo, a guy taking a nap against a cactus, on its scalloped inlay. Super colors on the inlays with great contrast. Not likely to be improved upon.
Condition: Slight Used. A solid example, much better than others we've seen.
For more information about casino chips, please read The Basics Of Casino Chip Collecting.
Condition: Slight Used. A solid example, much better than others we've seen.
For more information about casino chips, please read The Basics Of Casino Chip Collecting.
Commercial Hotel $1 Elko, Nevada Casino Chip, Second Issue, R-8, Circa 1950s. Some of the small town Nevada chips offer the most appealing inlays with great artwork. This fabulous example pictures White King, their giant polar bear mascot.
The hotel and restaurant opened in 1925 and gaming began when legalized in 1931, though no chips are known from that era. Amazingly, the Commercial was the first casino in Nevada to feature big-name acts in a showroom when, in 1941, they brought in Ted Lewis and his Orchestra for an eight day engagement. They followed that with the Red Hot Mama herself, Sophie Tucker. People flocked to the modest little town of Elko to see the biggest names in show business and Newton Hunt Crubley, the son of the owner whose idea this was, became known as the father of big name hotel-casino show business.
Condition: Slight Used with just a little edge use, not damaged (as most are found). Super color contrast on the inlays.
For more information about casino chips, please read The Basics Of Casino Chip Collecting.
The hotel and restaurant opened in 1925 and gaming began when legalized in 1931, though no chips are known from that era. Amazingly, the Commercial was the first casino in Nevada to feature big-name acts in a showroom when, in 1941, they brought in Ted Lewis and his Orchestra for an eight day engagement. They followed that with the Red Hot Mama herself, Sophie Tucker. People flocked to the modest little town of Elko to see the biggest names in show business and Newton Hunt Crubley, the son of the owner whose idea this was, became known as the father of big name hotel-casino show business.
Condition: Slight Used with just a little edge use, not damaged (as most are found). Super color contrast on the inlays.
For more information about casino chips, please read The Basics Of Casino Chip Collecting.
Desert Inn $5 Las Vegas Casino Chip, "Wilbur Clark's," Seventh Issue, R-9, Circa 1950s. There are only five to seven of these blue, odd-colored and classic '50s chips known to be in collections, one of three different Wilbur Clark face pictures used on various chips. This is the only example of an "H" mold in this auction, as made by the H. C. Edwards manufacturing company of New York. Various casinos did use this mold for brief periods.
The Desert Inn, the fifth major hotel casino on the strip, opened April 24, 1950. Wilbur Clark had been an entrepreneur in the gaming business for many years. His dream was to have the best casino and hotel in Vegas. Encountering financial problems, Clark accepted help from Moe Dalitz, a Cleveland mob boss. Dalitz became the principal owner and Clark the front-man. As the casino's greeter, Clark was the smiling gentleman and goodwill ambassador you met when entering the Desert Inn until he sold his remaining interest to Dalitz in 1964. The Desert Inn closed in 2000 and is now the Wynn Las Vegas.
Condition: Solid Average. These "H" mold chips wore quickly, the crosshatching wearing off and the edges rounding. No chips or damage, just the use from likely a year or two of being slid across the green felt table in some game at the D.I.
For more information about casino chips, please read The Basics Of Casino Chip Collecting.
The Desert Inn, the fifth major hotel casino on the strip, opened April 24, 1950. Wilbur Clark had been an entrepreneur in the gaming business for many years. His dream was to have the best casino and hotel in Vegas. Encountering financial problems, Clark accepted help from Moe Dalitz, a Cleveland mob boss. Dalitz became the principal owner and Clark the front-man. As the casino's greeter, Clark was the smiling gentleman and goodwill ambassador you met when entering the Desert Inn until he sold his remaining interest to Dalitz in 1964. The Desert Inn closed in 2000 and is now the Wynn Las Vegas.
Condition: Solid Average. These "H" mold chips wore quickly, the crosshatching wearing off and the edges rounding. No chips or damage, just the use from likely a year or two of being slid across the green felt table in some game at the D.I.
For more information about casino chips, please read The Basics Of Casino Chip Collecting.
Dunes Las Vegas Roulette Chip, First Issue, R-8, 1955. There are approximately ten of these chips known which is not nearly enough to satisfy collector demand. A challenging set to complete with nineteen colors logged. The Dunes likely had three tables, each with six chips. The additional chip is probably a color variant due to a reorder or a changeout of a regular house chip. Until the manufacturer's records are found, we can only speculate.
Condition: Average. Good solid chip with the tiny rim nicks and fine scratches that easily appeared on these shiny inlays.
For more information about casino chips, please read The Basics Of Casino Chip Collecting.
Condition: Average. Good solid chip with the tiny rim nicks and fine scratches that easily appeared on these shiny inlays.
For more information about casino chips, please read The Basics Of Casino Chip Collecting.
Dunes $5 Las Vegas Casino Chip, Third Issue, R-7, Circa Late 1950s. The Dunes opened in 1955 at the southern end of the strip and suffered financial troubles until it added the first topless show in Vegas in January 1957. It was closed in 1993 and imploded to make way for the Bellagio. These great looking "Sultan" Dunes chips were used from the later 1950s into the 1960s. This issue was on the tables for quite some time so a premium example is a rare find. Nearly all are quite used or damaged. This is a very sought after chip; one that all collectors seem to keep in their collections and, therefore, rarely offered for sale.
Condition: Slight Used condition. This example shows great color matching on the inlays and has very nice edges.
For more information about casino chips, please read The Basics Of Casino Chip Collecting.
Condition: Slight Used condition. This example shows great color matching on the inlays and has very nice edges.
For more information about casino chips, please read The Basics Of Casino Chip Collecting.
Dunes $5 Las Vegas Casino Chip, Eighth Issue, R-8, Circa 1966. Coveted by collectors, this detailed building picture shows the twenty-four story tower completed in 1966. Rarely offered for sale, there are about a dozen of these extant, mostly locked in old time collections and new finds rarely occur. This one, from just such an old collection, is by far one of the better examples we are aware of. A standout chip.
Condition: Average, but at first appearance looks Slight Used. Just enough of the "crosshatching" or grain has worn off the edges, still over 50% remaining. A few small rim nicks. The small circle in the center of each inlay is the impression from the weight in the center of the chip. All of these Dunes issues have this (as well as many other chips of the 60s era). Great overall colors.
For more information about casino chips, please read The Basics Of Casino Chip Collecting.
Condition: Average, but at first appearance looks Slight Used. Just enough of the "crosshatching" or grain has worn off the edges, still over 50% remaining. A few small rim nicks. The small circle in the center of each inlay is the impression from the weight in the center of the chip. All of these Dunes issues have this (as well as many other chips of the 60s era). Great overall colors.
For more information about casino chips, please read The Basics Of Casino Chip Collecting.
El Capitan $1 Hawthorne Nevada Casino Chip, First Issue, R-8, Circa 1950s. This small central Nevada military town issued some nice chips with this being one of the classiest; it features Lynn Moser the bugle girl. A nice example in better condition than usually seen. Small crowns mold.
Condition: Average. A few small blemishes and edge nicks, but without the edge wear as usually seen.
For more information about casino chips, please read The Basics Of Casino Chip Collecting.
Condition: Average. A few small blemishes and edge nicks, but without the edge wear as usually seen.
For more information about casino chips, please read The Basics Of Casino Chip Collecting.
El Cortez $25 Las Vegas Casino Chip, Fifth Issue, R-6, Circa 1950s. The El Cortez, an early downtown Vegas casino, opened in 1941 and is still operating today. This popular small crown mold chip features a Conquistador on its large scalloped inlay.
Condition: New. As found in the chip manufacturer's archives years ago.
For more information about casino chips, please read The Basics Of Casino Chip Collecting.
Condition: New. As found in the chip manufacturer's archives years ago.
For more information about casino chips, please read The Basics Of Casino Chip Collecting.
Flamingo $5 Las Vegas Casino Chip, First issue, R-6, 1946. A Bugsy Siegel issue, probably the most popular chip from this famous casino as depicted in the film Bugsy. This great-looking diecut brass inlay chip is one to be cherished as they are seldom offered for sale, especially in this top-grade condition. With the Bugsy Siegel and Meyer Lansky mafia affiliation, and its long and fabled history on the strip, chips and memorabilia from the Flamingo are very popular and highly sought-after by collectors. Please note that most of these chips were drilled for key chains by the casino; only approximately twenty are known undrilled and these were found many years ago by an early chip seller. With its rarity, history, and beauty, this chip will certainly receive strong bidding. Don't miss out on a great opportunity.
The Pink Flamingo first opened on December 26, 1946, but, with the hotel still under construction, there weren't enough rooms for the out of state guests, causing the opening gala to flop. By January 16, 1947, they were closed. It reopened to stay in March 1947 as the Fabulous Flamingo with the hotel complete and is still going strong today, the oldest resort on the strip. Though thought by many people to be the first on the strip, the Flamingo was really the third to open, following the El Rancho Vegas and the Last Frontier. The popular films Ocean's Eleven and Viva Las Vegas were both filmed there.
Condition: About New. In excellent condition for a sixty-four year old clay composition chip. Some expected tarnish to the brass with one spot on the 50. Much nicer than most examples.
For more information about casino chips, please read The Basics Of Casino Chip Collecting.
The Pink Flamingo first opened on December 26, 1946, but, with the hotel still under construction, there weren't enough rooms for the out of state guests, causing the opening gala to flop. By January 16, 1947, they were closed. It reopened to stay in March 1947 as the Fabulous Flamingo with the hotel complete and is still going strong today, the oldest resort on the strip. Though thought by many people to be the first on the strip, the Flamingo was really the third to open, following the El Rancho Vegas and the Last Frontier. The popular films Ocean's Eleven and Viva Las Vegas were both filmed there.
Condition: About New. In excellent condition for a sixty-four year old clay composition chip. Some expected tarnish to the brass with one spot on the 50. Much nicer than most examples.
For more information about casino chips, please read The Basics Of Casino Chip Collecting.
Flamingo $25 Las Vegas Casino Chip, Third Issue, R-8 / R-10 Uncancelled, Circa 1950. The most famous casino hotel on the Vegas strip opened in 1946 by mob affiliate Benjamin "Bugsy" Siegel. This small key mold chip has it all: great colors, a picture inlay, and a super rare $25 denomination with only three known to be undrilled. This chip has not been on the market for years. In the old days, the casinos drilled chips as a way of canceling them; they then often sold them as souvenirs. Other $25 chips with this extreme level of rarity have sold for $40,000.
Condition: When manufactured, this example was possibly pulled aside due to the off-center inlay. Since the inlay adhered slightly over the edge, a ridge can be felt but, this has absolutely not been reattached. This chip might also have been held back by the manufacturer due to the slight molding line on the very edge. Chips are stamped together in two part molds leaving a slight ridge which is then smoothed by a lathe. Two small edge chips with fine scratches and some very tiny edge nicks.
For more information about casino chips, please read The Basics Of Casino Chip Collecting.
Condition: When manufactured, this example was possibly pulled aside due to the off-center inlay. Since the inlay adhered slightly over the edge, a ridge can be felt but, this has absolutely not been reattached. This chip might also have been held back by the manufacturer due to the slight molding line on the very edge. Chips are stamped together in two part molds leaving a slight ridge which is then smoothed by a lathe. Two small edge chips with fine scratches and some very tiny edge nicks.
For more information about casino chips, please read The Basics Of Casino Chip Collecting.
Flamingo 1 Las Vegas Roulette Chip, Fourth Issue, R-8, Circa 1950s. A great looking picture chip. While other casinos were using plain or hot stamped chips, the Flamingo's had wonderful picture inlays. The #1 roulette chips are the hardest to acquire. There are tables 2 and 3 also.
Condition: Slight Used. A nice one.
For more information about casino chips, please read The Basics Of Casino Chip Collecting.
Condition: Slight Used. A nice one.
For more information about casino chips, please read The Basics Of Casino Chip Collecting.
Flamingo 3 Las Vegas Roulette Chip, Fourth Issue, R-7, Circa Late 1940s. A beautiful issue of the ever-popular Flamingo bird picture in a great green shade so reminiscent of the 40s. Just sixteen or seventeen are known; these were found circa 2002 along with a nice group of other Flamingo 3 roulette chips. Sets of five were sold together through Casino Rarities; within a day the ten sets available were sold out. A total of twelve sets acquired and some extras in green and light blue, an example of which is also in this auction.
Condition: New, with very minor scratches on the shiny inlay from slight handling.
For more information about casino chips, please read The Basics Of Casino Chip Collecting.
Condition: New, with very minor scratches on the shiny inlay from slight handling.
For more information about casino chips, please read The Basics Of Casino Chip Collecting.
Flamingo 3 Las Vegas Roulette Chip, Fourth Issue, R-7, Circa Late 1940s. The Fabulous Flamingo was only the third resort to open on the strip. A great looking chip and quite a challenging set to complete. Sets made numbered 1, 2, 3. This chip was for table #3. Light blue with grey tint.
Condition: New.
For more information about casino chips, please read The Basics Of Casino Chip Collecting.
Condition: New.
For more information about casino chips, please read The Basics Of Casino Chip Collecting.
Flamingo $5 Las Vegas Casino Chip, Fifth Issue, R-8, Circa 1950s. The Fabulous Flamingo is vintage Vegas. Opened originally in 1946, it is the oldest resort on the strip still open. This casino drilled their chips as souvenirs and somehow some didn't get drilled all the way. Obverse looks just like an undrilled chip and reverse just has a partial hole. Only two known like this. Still a premium chip.
Condition: Almost new, but drilled.
For more information about casino chips, please read The Basics Of Casino Chip Collecting.
Condition: Almost new, but drilled.
For more information about casino chips, please read The Basics Of Casino Chip Collecting.
Fremont $5 Las Vegas Casino Chip, Second Issue, R-7, Circa 1962. When the Fremont opened in 1956, it was the tallest building in the state of Nevada. A hot chip with unusual olive and black colors. There are maybe a dozen known of this popular Arodie (Arrowdie) mold with a building image.
Condition: Slight Used, nice edges with several edge dings (usually found with larger edge chips). On the "$5" on one side there is an inlay flat spot with no grain. It looks like something was adhered at one time and cleaned off, possibly glue, not very noticeable. On the other side, a small dot on the "F" in Fremont is just a little maker's blemish.
For more information about casino chips, please read The Basics Of Casino Chip Collecting.
Condition: Slight Used, nice edges with several edge dings (usually found with larger edge chips). On the "$5" on one side there is an inlay flat spot with no grain. It looks like something was adhered at one time and cleaned off, possibly glue, not very noticeable. On the other side, a small dot on the "F" in Fremont is just a little maker's blemish.
For more information about casino chips, please read The Basics Of Casino Chip Collecting.
Frontier $25,000 Las Vegas Baccarat Chip, Sixth Issue, Circa 1990s. This later issue is unlisted. Just three or four were found a couple years ago having been saved by higher-ups at the casino before its destruction. This is a great looking oversized gold chip.
The Hotel Last Frontier opened in 1942, the second resort to open on the strip. It was renamed the New Frontier in 1955 and for a period, the "New" and "Last" Frontiers co-existed. It was purchased in 1967 by Howard Hughes who shortened its name to just the Frontier. Between 1998 and the closing in 2007, it was once again known as the New Frontier. The Frontier is legendary as it was the first Las Vegas showroom to host Elvis Presley in 1956.
Condition: New.
For more information about casino chips, please read The Basics Of Casino Chip Collecting.
The Hotel Last Frontier opened in 1942, the second resort to open on the strip. It was renamed the New Frontier in 1955 and for a period, the "New" and "Last" Frontiers co-existed. It was purchased in 1967 by Howard Hughes who shortened its name to just the Frontier. Between 1998 and the closing in 2007, it was once again known as the New Frontier. The Frontier is legendary as it was the first Las Vegas showroom to host Elvis Presley in 1956.
Condition: New.
For more information about casino chips, please read The Basics Of Casino Chip Collecting.
Golden Nugget $25 Las Vegas Casino Chip, Sixth Issue, R-10, Circa 1950s. The Golden Nugget issued some very classy chips. Here is an amazing color combination on an orange chip with six edge inserts and with the gold wreath design on the inlay. A true 50s chip with the "GN" Golden Nugget house mold. Not only striking in appearance, but R-10 in rarity! Three examples are known; two are locked in collections; this one is fresh from one major collection and destined to end up in another. Some astute collector will be sure to take advantage of this opportunity to acquire such a major rarity.
The Golden Nugget opened in 1946 in downtown Vegas making it one of the oldest casinos in the city. The world's largest gold nugget on display, the Hand of Faith, is on exhibit in the lobby. The Nugget has been featured in numerous films, television shows, and video games.
Condition: Slight Used. Light table play showing a tiny bit of edge use and some miniscule dings.
For more information about casino chips, please read The Basics Of Casino Chip Collecting.
The Golden Nugget opened in 1946 in downtown Vegas making it one of the oldest casinos in the city. The world's largest gold nugget on display, the Hand of Faith, is on exhibit in the lobby. The Nugget has been featured in numerous films, television shows, and video games.
Condition: Slight Used. Light table play showing a tiny bit of edge use and some miniscule dings.
For more information about casino chips, please read The Basics Of Casino Chip Collecting.
Golden Nugget $5 Las Vegas Casino Chip, Eighth Issue, R-9, Circa 1960. This famous and early downtown casino left us with many great looking chips to collect. This quarter pie mold, with its great color combination, is no exception.
Condition: Not Average as it does not exhibit much use, but not quite only Slight Used. A good solid chip with one small white spot on the "5" that appears to be from manufacturing. Also, a red clay spot on the same inlay.
For more information about casino chips, please read The Basics Of Casino Chip Collecting.
Condition: Not Average as it does not exhibit much use, but not quite only Slight Used. A good solid chip with one small white spot on the "5" that appears to be from manufacturing. Also, a red clay spot on the same inlay.
For more information about casino chips, please read The Basics Of Casino Chip Collecting.
Golden Nugget $25 Las Vegas Casino Chip, Eighth Issue, R-9, Circa 1960s. The Golden Nugget is a fantastic casino from which to build a collection of chips- a classic Downtown casino opened in 1946 and still in business. This hot-looking and great-colored "pie mold" chip is a favorite amongst collectors. Previously, only a couple of these chips were known and they changed hands at nearly $15,000. There are six or seven chips now identified in collections; they are still extremely rare and the market is sure to rebound.
Condition: Slight Used, nice edges, still rather sharp. One outer edge flake/chip.
For more information about casino chips, please read The Basics Of Casino Chip Collecting.
Condition: Slight Used, nice edges, still rather sharp. One outer edge flake/chip.
For more information about casino chips, please read The Basics Of Casino Chip Collecting.
Hacienda $1 Las Vegas Casino Chip, First Issue, R-5, 1956. On the Fabulous Strip with super picture detail showing the familiar horse and rider logo as seen on their revolving marquee.
Condition: Slight Used. Small edge chip but sharp edges, one small odd inlay blemish.
For more information about casino chips, please read The Basics Of Casino Chip Collecting.
Condition: Slight Used. Small edge chip but sharp edges, one small odd inlay blemish.
For more information about casino chips, please read The Basics Of Casino Chip Collecting.
Hacienda $5 Las Vegas Casino Chip, First Issue, R-9, Circa 1956. Super picture detail showing the distinctive Gaucho on Horse image just like on the revolving marquee which stood outside the Hacienda for years. This early strip chip is sure to escalate in demand as most collectors enter the hobby wanting early original issue chips. Classic small key mold. Just six or seven known.
The Hacienda opened in 1956 and was located at the far south end of the Las Vegas Strip, away from other casinos. It was the first resort seen by tourists coming in from California and was close to McCarran International Airport. They even operated an airline for a time, flying in gamblers from all over the world on their own planes. The Hacienda was closed and imploded in December 1996, replaced by the Mandalay Bay.
Condition: Solid average no chips or nicks, just normal use.
For more information about casino chips, please read The Basics Of Casino Chip Collecting.
The Hacienda opened in 1956 and was located at the far south end of the Las Vegas Strip, away from other casinos. It was the first resort seen by tourists coming in from California and was close to McCarran International Airport. They even operated an airline for a time, flying in gamblers from all over the world on their own planes. The Hacienda was closed and imploded in December 1996, replaced by the Mandalay Bay.
Condition: Solid average no chips or nicks, just normal use.
For more information about casino chips, please read The Basics Of Casino Chip Collecting.
Harrah's $25 Reno and Lake Tahoe Casino Chip, Third Issue, R-10, Undrilled, Circa 1950s. There are a large variety of colorful Harrah's chips to collect spanning many years from their original locations. The first Harrah's Club opened in Reno in 1946 and, in 1955, Harrah's Tahoe opened. Harrah's has grown to become the largest casino chain in the world. This is an odd colored $25 chip from when black chips were predominately $100 in value.
Condition: Average plus. There is an odd blemish just past the inlay and some tiny edge nicks.
For more information about casino chips, please read The Basics Of Casino Chip Collecting.
Condition: Average plus. There is an odd blemish just past the inlay and some tiny edge nicks.
For more information about casino chips, please read The Basics Of Casino Chip Collecting.
Harrah's/ Harrah's Club Reno and Lake Tahoe Chips: Four Nice Examples, Circa 1950s. Harrah's, the largest gaming company in the world, was founded on October 30, 1937, as a bingo parlor in Reno, Nevada operated by William F. Harrah. There are many collectors of Harrah's chips but no one has come close to acquiring examples of all the many types used throughout its long history. Here are four great items from this popular company:
(1) 10¢ Chip, sixth issue (one of their many dime chips), R-6, a premium Slight Used chip.
(2) $100 Chip, first issue, 1955, R-4 with two boxes having been found in Slight Used plus condition.
(3-4) Two Roulette Chips, second issue, R-6, Average plus. These picture the well known "Sultan & Harem Girls".
For more information about casino chips, please read The Basics Of Casino Chip Collecting.
(1) 10¢ Chip, sixth issue (one of their many dime chips), R-6, a premium Slight Used chip.
(2) $100 Chip, first issue, 1955, R-4 with two boxes having been found in Slight Used plus condition.
(3-4) Two Roulette Chips, second issue, R-6, Average plus. These picture the well known "Sultan & Harem Girls".
For more information about casino chips, please read The Basics Of Casino Chip Collecting.
Harvey's Wagon Wheel $25 Lake Tahoe Casino Chip. Ninth Issue, R-8, Circa 1950s. Harvey's, now one of the lake's premier hotel casino destinations, opened as a Saloon in a small wooden building in 1944. Soon other small casinos began to open nearby. Owner Harvey Gross and wife put the South Shore of Tahoe on the map with great promotions over many years making the South Shore a destination, primarily in the summer months. Larger casino enterprises opened there to compete. In 1961, the first high rise on the lake was built at Harvey's. For years Harvey's competed with Harrah's, at one time being right next door. Finally Harvey's sold out to Harrah's in 2001. This casino issued many wonderful chips which are all highly sought by collectors. With the many rarities to collect, a Harvey's collection is a fun challenge. A sharp looking, oddly-colored, classic '50s chip sure to stand out in your collection.
Note on rarity: As of last year there was one good chip in a private collection along with three total that were cancelled or drilled. A noted collector and chip dealer made a great find of four pieces. This is one of those four, giving a total of eight chips known extant and a rarity level of R-8. The value is still substantial on a great example like this as the rarity for a good chip is still R-9. Now that a few more are around and some sales have taken place, a better judgment of value can be made. Often when a new find of a rare chip comes out, the seller prices them fairly to sell to the few lucky collectors and in a short time, when others also want an example, the value climbs again.
Condition: Sharp and appears New other than some very light, apparent glue residue on one side. Perhaps this was mounted to something with glue or possibly this took place in the manufacturing process as glue adheres the inlay to the chip. Chips were made to be used and not made to perfection. Some very minor rim nicks.
For more information about casino chips, please read The Basics Of Casino Chip Collecting.
Note on rarity: As of last year there was one good chip in a private collection along with three total that were cancelled or drilled. A noted collector and chip dealer made a great find of four pieces. This is one of those four, giving a total of eight chips known extant and a rarity level of R-8. The value is still substantial on a great example like this as the rarity for a good chip is still R-9. Now that a few more are around and some sales have taken place, a better judgment of value can be made. Often when a new find of a rare chip comes out, the seller prices them fairly to sell to the few lucky collectors and in a short time, when others also want an example, the value climbs again.
Condition: Sharp and appears New other than some very light, apparent glue residue on one side. Perhaps this was mounted to something with glue or possibly this took place in the manufacturing process as glue adheres the inlay to the chip. Chips were made to be used and not made to perfection. Some very minor rim nicks.
For more information about casino chips, please read The Basics Of Casino Chip Collecting.
Holiday Queen $5 Las Vegas Casino Chip, First Issue, R-8, 1971-73. The Holiday Queen opened on the Vegas Strip as a fancy riverboat-shaped casino, one of the early "theme" casinos. In 1973, the Holiday Queen was bought by Holiday Inn Hotels and operated as Holiday Casino until 1990 when Harrah's Corporation bought them out. It was remodeled and reopened in 1992 as Harrah's. All of the Holiday Queen chips are considered very rare. Approximately a dozen of these rare first issue chips are known to collectors. A colorful chip with its scalloped inlay and Riverboat picture!
Condition: Average plus. Decent edges, just use from the few years these were in play, but no damage other than slight rim nicks. A good solid example.
For more information about casino chips, please read The Basics Of Casino Chip Collecting.
Condition: Average plus. Decent edges, just use from the few years these were in play, but no damage other than slight rim nicks. A good solid example.
For more information about casino chips, please read The Basics Of Casino Chip Collecting.
Las Vegas Club $5 Casino Chip, Ninth Issue, R-8, Circa 1950s. Whether spelled Arrowdie or Arodie, this is the mold that all collectors seek for their collections, even the most advanced. This chip has everything: a detailed picture inlay, brilliant colors, super condition, and origination from a famous early downtown casino. With just eight to ten examples known, only a few discriminating collectors are able to own this rare Vegas chip. Its image of a "one-armed bandit" such as those carved by Frank Polk is reminiscent of the bygone era of Las Vegas gambling history. Other issues from the Las Vegas Club, mostly on hot stamped chips, also offered this image; many of these are also very rare. This chip comes from gaming pioneer Phil Jensen's collection. This is a key piece- don't miss out.
The Las Vegas Club was built as the Overland Hotel on Fremont Street in 1905, running poker games even before gaming was legalized; it has been in its current location since the 1940s. This chip has become quite celebrated since the History Channel's Pawn Stars March 8, 2010, episode, when a chip like this, but not nearly in this nice condition, was brought into their shop.
Condition: Slight Used, one of the best. Most of these have problems but this example is awesome. The inlay printing on one side is slightly lighter in coloring; it does not look like fading as the rest of the chip base colors are even. When manufactured, the ink was likely not impressed as strongly. This is one of only two or three good examples of this chip where the inlay has not loosened and been reglued (which was done at the casino). After this problem, the casino ordered a new rack and, like most chips, probably tossed the remaining in the lake.
For more information about casino chips, please read The Basics Of Casino Chip Collecting.
The Las Vegas Club was built as the Overland Hotel on Fremont Street in 1905, running poker games even before gaming was legalized; it has been in its current location since the 1940s. This chip has become quite celebrated since the History Channel's Pawn Stars March 8, 2010, episode, when a chip like this, but not nearly in this nice condition, was brought into their shop.
Condition: Slight Used, one of the best. Most of these have problems but this example is awesome. The inlay printing on one side is slightly lighter in coloring; it does not look like fading as the rest of the chip base colors are even. When manufactured, the ink was likely not impressed as strongly. This is one of only two or three good examples of this chip where the inlay has not loosened and been reglued (which was done at the casino). After this problem, the casino ordered a new rack and, like most chips, probably tossed the remaining in the lake.
For more information about casino chips, please read The Basics Of Casino Chip Collecting.
MGM Grand Las Vegas Casino Chips: Set of Four, Sixth Issue, with Documentation. When opened in December 1973, with 2,084 rooms, the MGM was revered as the largest hotel casino of its time. The MGM property was previously a small western-themed hotel and casino called the Bonanza; it is now known as Bally's Las Vegas. On November 21, 1980, patrons were forced to flee for their lives as a fire erupted which filled their rooms with smoke. It was a very sad day in Vegas as eighty-five people died. This collection of chips was saved by gamblers, a fortunate couple who escaped the catastrophe early that morning. When they were able to go back in retrieve their belongings, they found their room had been looted with only these chips left behind. Due to looters, the casino would not redeem anyone's chips.
Accompanying this group of chips are two historic printed e-mails from March 2000, statements of facts provided by the original owner in response to questions posed by the prospective buyer during the negotiation of the chips' original sale. A great accounting of that dreadful day. The $1 is from the 3rd issue and was in use many years in later sets.
Condition: The $1, $5, and $25 chips are Slight Used with the $5 and $25 showing some edge nicks. The $100 chip is barely used, a real high grade beauty with a rarity of R-10; it is possibly the best known example.
For more information about casino chips, please read The Basics Of Casino Chip Collecting.
Accompanying this group of chips are two historic printed e-mails from March 2000, statements of facts provided by the original owner in response to questions posed by the prospective buyer during the negotiation of the chips' original sale. A great accounting of that dreadful day. The $1 is from the 3rd issue and was in use many years in later sets.
Condition: The $1, $5, and $25 chips are Slight Used with the $5 and $25 showing some edge nicks. The $100 chip is barely used, a real high grade beauty with a rarity of R-10; it is possibly the best known example.
For more information about casino chips, please read The Basics Of Casino Chip Collecting.
Mirage $25,000 Las Vegas Casino Chip, Prototype Issue. Usually, just a few prototype chips are made as samples by a manufacturer seeking a casino's large new chip order. This example is a rare, high denomination issue. Lightly stamped "BJ" on the inlay for the Bud Jones Co. manufacturer.
Condition: New.
For more information about casino chips, please read The Basics Of Casino Chip Collecting.
Condition: New.
For more information about casino chips, please read The Basics Of Casino Chip Collecting.
Palace Club 2 Reno Roulette Chip, Unlisted. The Palace Club in Reno operated from 1888 to 1979. The very popular 1930s era Crest and Seal (C&S) style chip. An appealing design with a striking multi-color Indian chief with full headdress portrait inlay surrounded in burgundy. Twenty-four known.
Condition: Slight Used with one edge flake.
For more information about casino chips, please read The Basics Of Casino Chip Collecting.
Condition: Slight Used with one edge flake.
For more information about casino chips, please read The Basics Of Casino Chip Collecting.
Palace Club 2 Reno Roulette Chip, Unlisted. The Palace Club saloon opened in 1888 and closed in 1979. When gaming started in 1931, the upstairs was leased out with Virgil Smith running the poker tables from 1935. This chip likely dates from that operation. This is the popular early 1930s Crest and Seal style poker chip, a highly sought after plain mold with stunning colors. An unbelievable find in 2009 brought many new colors and roulette table numbers to the chip market. There were enough chips to make sets of six which were immediately purchased by savvy collectors. A few extras are available, two in this sale. Twelve rare, in-demand, undrilled chips from a new find indicates that these will disappear off the market quickly allowing values to appreciate.
Condition: Slight Used plus, nearly perfect with one tiny edge nick from handling.
For more information about casino chips, please read The Basics Of Casino Chip Collecting.
Condition: Slight Used plus, nearly perfect with one tiny edge nick from handling.
For more information about casino chips, please read The Basics Of Casino Chip Collecting.
Pioneer $500 Laughlin, Nevada Casino Chip, Second Issue, R-9. The Pioneer opened as the river town of Laughlin was expanding in 1990. Unlisted and one of a few found where chips were buried as a means of destruction.
Condition: A sharp, possibly unused, example with tiny edge nicks and some pock-marks on the face. Exposure to sunlight has caused some slight letter discoloration.
For more information about casino chips, please read The Basics Of Casino Chip Collecting.
Condition: A sharp, possibly unused, example with tiny edge nicks and some pock-marks on the face. Exposure to sunlight has caused some slight letter discoloration.
For more information about casino chips, please read The Basics Of Casino Chip Collecting.
Pioneer Club $5 Las Vegas Casino Chip, Seventh Issue, R-5, Circa 1950s. The Pioneer Club opened in 1942 in downtown Las Vegas at First & Fremont. "Vegas Vic," whose picture is seen on the inlay of this chip, is an icon of Fremont Street and Las Vegas. Since 1951, this famous forty foot-tall neon cowboy has been welcoming tourists and gamblers to town. Though the Pioneer Club closed in 1995, the sign is still there in front of the souvenir shop that replaced the casino. Not an extreme rarity but certainly a classic chip in the old hub mold.
Condition: New.
For more information about casino chips, please read The Basics Of Casino Chip Collecting.
Condition: New.
For more information about casino chips, please read The Basics Of Casino Chip Collecting.
Ranch House $5 Wells Nevada Casino Chip, Second Issue, R-9, Circa 1970s. This casino opened in 1955 and was later remodeled and enlarged. There was a fire there in 1980 that killed four patrons and it was closed in 1992. Wells was the victim of a 6.0 earthquake in 2008 causing significant damage to the city. The Ranch House building is still there and will eventually be torn down if it doesn't fall down first. A rarely seen large key mold chip with nice detail. One of the greatest hot stamped picture chips. From an old time collection.
Condition: New.
For more information about casino chips, please read The Basics Of Casino Chip Collecting.
Condition: New.
For more information about casino chips, please read The Basics Of Casino Chip Collecting.
Sands $5 Las Vegas Casino Chip, "A Place in the Sun," Fourth Issue, R-10, Circa 1954. With a rarity of R-10, we are proud to offer this chip from one of the most desirable Las Vegas casinos. An early strip casino and home to Frank Sinatra and the Rat Pack, the Sands had it all. Just one drilled and one good example are known. Sold privately two years ago.
Condition: Average, but a nice average; there are three small nicks grouped in one area on the edge. Drilled by the casino as a way of canceling out the chip.
For more information about casino chips, please read The Basics Of Casino Chip Collecting.
Condition: Average, but a nice average; there are three small nicks grouped in one area on the edge. Drilled by the casino as a way of canceling out the chip.
For more information about casino chips, please read The Basics Of Casino Chip Collecting.
Sands $5 Las Vegas Casino Chip, "A Place in the Sun," Fifth Issue, R-6, Circa 1956. The Sands used this famous logo at various times throughout the years. It returned in the 1960s for the tenth and eleventh issues. Not many "strip" casino chips are available from the 1950s as $5 was a decent-sized bet in those days and most players cashed out their chips before going home. This is a popular chip that creates strong bidding when made available.
Condition: New. Some of the little chip "dust" speckles on the inlays. Great sharp edges and nice coloring to the inlays.
For more information about casino chips, please read The Basics Of Casino Chip Collecting.
Condition: New. Some of the little chip "dust" speckles on the inlays. Great sharp edges and nice coloring to the inlays.
For more information about casino chips, please read The Basics Of Casino Chip Collecting.
Sands $100 Las Vegas Casino Chip, "A Place in the Sun," Fifth Issue, R-7, Circa 1956. Fortunately for collectors, the T.R. King Co. of Los Angeles, the maker of the small and large crown mold for years, saved their old records. They manufactured this beautiful sunburst design chip in 1956 when Frank Sinatra was headlining at the Sands. Earlier Sands chips are extreme rarities, making this the earliest obtainable issue. It's odd to see a white $100 from this time period though this was before the standardized colors of today.
Condition: Slight Used plus. There is a small (0.25") area on the edge where the clay is not sharp, just slightly rounded. Possibly a manufacturer's blemish from when the clay was cut.
For more information about casino chips, please read The Basics Of Casino Chip Collecting.
Condition: Slight Used plus. There is a small (0.25") area on the edge where the clay is not sharp, just slightly rounded. Possibly a manufacturer's blemish from when the clay was cut.
For more information about casino chips, please read The Basics Of Casino Chip Collecting.
Sands $5 Las Vegas Casino Chip, Ninth Issue, R-9, Circa Late 1950s. This chip issue is known as the "cowgirl leaning on the hourglass" or just the "hourglass" issue. This is one of the best-known vintage Vegas logos, used in advertising and promoting throughout the 1950s; a very appropriate emblem back when Vegas was a western-themed town. "A Place in the Sun" was the Sands' original logo but later they utilized a more Western motif. Oddly, for the tenth and eleventh chip issues, the Sands reverted to the sun advertising logo again.
This is the showpiece chip in this auction. Of the top four chip sales to break the $100,000 mark, two were Sands chips, with a $100 eighth issue bringing $145,000. Only three good $5 chips are known extant with one additional chip drilled. This example comes from an old time collection and has not previously been offered for public sale. We expect active bidding on this lot. Don't let this amazing opportunity pass you by.
The Sands opened December 15, 1952, with 200 rooms. The legendary Rat Pack first performed together on stage at the Sands in 1960 while they were filming the movie Ocean's Eleven. There is not likely a better known casino than the Sands; its name synonymous with early Las Vegas "cool" and "hip." The Copa Room at the Sands was the place to see and be seen for many years. In the mid-1960s, Howard Hughes purchased the Sands and added a 500 room tower. Sadly, the landmark casino hotel was not able to keep up with the newer mega-resorts being built on the Strip. It was imploded on November 26, 1996, and demolished to make room for a new resort, the Venetian.
Condition: Very Slight Used with no issues. Most of the crosshatching comes near the outer edge. Superb inlay colors and contrast.
For more information about casino chips, please read The Basics Of Casino Chip Collecting.
This is the showpiece chip in this auction. Of the top four chip sales to break the $100,000 mark, two were Sands chips, with a $100 eighth issue bringing $145,000. Only three good $5 chips are known extant with one additional chip drilled. This example comes from an old time collection and has not previously been offered for public sale. We expect active bidding on this lot. Don't let this amazing opportunity pass you by.
The Sands opened December 15, 1952, with 200 rooms. The legendary Rat Pack first performed together on stage at the Sands in 1960 while they were filming the movie Ocean's Eleven. There is not likely a better known casino than the Sands; its name synonymous with early Las Vegas "cool" and "hip." The Copa Room at the Sands was the place to see and be seen for many years. In the mid-1960s, Howard Hughes purchased the Sands and added a 500 room tower. Sadly, the landmark casino hotel was not able to keep up with the newer mega-resorts being built on the Strip. It was imploded on November 26, 1996, and demolished to make room for a new resort, the Venetian.
Condition: Very Slight Used with no issues. Most of the crosshatching comes near the outer edge. Superb inlay colors and contrast.
For more information about casino chips, please read The Basics Of Casino Chip Collecting.
Sands $100 Las Vegas Casino Chip, "A Place in the Sun," Tenth Issue, R-8, 1962. From its opening in 1952 until its closing in 1996, the Sands issued seventeen different sets of chips. Approximately fifteen have been found of this black, small crown manufactured in 1962. This is a popular and classic chip with the large sunburst logo. The Sands has acquired its own unique place in history. This chip, and the others in this auction, would make key additions to any historical Sands collection.
Condition: Slight Used plus with a very small rim nick and scratches across the inlay on one side.
For more information about casino chips, please read The Basics Of Casino Chip Collecting.
Condition: Slight Used plus with a very small rim nick and scratches across the inlay on one side.
For more information about casino chips, please read The Basics Of Casino Chip Collecting.
Sands $5 Las Vegas Casino Chip, "A Place in the Sun," Eleventh Issue, R-7, Circa 1965. An example of the very popular old H&C (Hat and Cane) mold. In use awhile at this busy casino, most chips show a lot of edge use and are average at best. This is a nicer than normal example with great bright inlay colors.
Condition: Average plus and leading to Slight Used. An odd inlay mark across "Las Vegas, Nevada"; it appears that when the clear plastic was pressed onto the chip, something went wrong leaving a mark that looks like a scratch. One small edge nick.
For more information about casino chips, please read The Basics Of Casino Chip Collecting.
Condition: Average plus and leading to Slight Used. An odd inlay mark across "Las Vegas, Nevada"; it appears that when the clear plastic was pressed onto the chip, something went wrong leaving a mark that looks like a scratch. One small edge nick.
For more information about casino chips, please read The Basics Of Casino Chip Collecting.
Sands $5 Las Vegas Casino Chip, Twelfth Issue, R-7, Circa 1967. Another building picture chip, this one very desirable with "H.N.O." on the inlay signifying the [Howard] Hughes Nevada Operations ownership of the Sands at the time of issue. Hughes was living as a recluse at the Desert Inn and tried to buy enough of the strip casinos to create a monopoly. Eventually, the gaming commission denied him further licenses thus thwarting his intentions.
Previous to about 1998, there were about twenty of these chips known. Then a group of maybe 200 dug examples started turning up at online auctions; all were damaged and most not in collectible condition. This is a premium example, pulled off the table by a longtime collector before it saw much use, and preserved to be offered to a lucky new owner in this auction.
Condition: Slight Used. Very slight, one of the best we've seen. Some tiny edge nicks as is commonly seen. Very slight bleeding of red on the inlay on one side only, less than what is usually found. There is a small red inlay spot, possibly from a piece of chip "dust" that adhered to the plastic inlay covering while it was being pressed over the printed inlay.
For more information about casino chips, please read The Basics Of Casino Chip Collecting.
Previous to about 1998, there were about twenty of these chips known. Then a group of maybe 200 dug examples started turning up at online auctions; all were damaged and most not in collectible condition. This is a premium example, pulled off the table by a longtime collector before it saw much use, and preserved to be offered to a lucky new owner in this auction.
Condition: Slight Used. Very slight, one of the best we've seen. Some tiny edge nicks as is commonly seen. Very slight bleeding of red on the inlay on one side only, less than what is usually found. There is a small red inlay spot, possibly from a piece of chip "dust" that adhered to the plastic inlay covering while it was being pressed over the printed inlay.
For more information about casino chips, please read The Basics Of Casino Chip Collecting.
Sands $1000 Las Vegas Baccarat Chip, Sixteenth Issue, R-9, Circa 1980s. The Sands was the first casino in American to offer baccarat from the late 1950s and soon this exclusive game was offered at other Vegas gambling spots. This later baccarat table-only set is one of their many baccarat issues.
Condition: Slight Used with barely any use.
For more information about casino chips, please read The Basics Of Casino Chip Collecting.
Condition: Slight Used with barely any use.
For more information about casino chips, please read The Basics Of Casino Chip Collecting.
Silver City $25 Las Vegas Casino Chip, First issue, R-9, 1975. A Nevada mold chip by the local Bud Jones Company chip manufacturer. Opened in 1974 at the north end of the strip, the Silver City was the first casino to go non-smoking in 1991 (it didn't last though as business declined). Torn down in 1999, it has been replaced by a shopping center.
Condition: Slight used.
For more information about casino chips, please read The Basics Of Casino Chip Collecting.
Condition: Slight used.
For more information about casino chips, please read The Basics Of Casino Chip Collecting.
Stardust $100 Las Vegas Casino Chip, First Issue, R-8, 1958. An early major strip casino with a colorful past, opened in 1958 and closed in 2006 after operating continuously for forty-eight years, imploded in 2007. A great color combination on this beautiful chip.
Condition: Sharp and like new, possibly unused. One odd dimple mark pressed into the edge. Considered slight damage as an edge chip would be.
For more information about casino chips, please read The Basics Of Casino Chip Collecting.
Condition: Sharp and like new, possibly unused. One odd dimple mark pressed into the edge. Considered slight damage as an edge chip would be.
For more information about casino chips, please read The Basics Of Casino Chip Collecting.
The Casino $1 Las Vegas Casino Chip, "Bicentennial," R-8, 1976. This short-lived casino was only open from 1976 to 1977 and their issue of chips was made to commemorate the bicentennial of our country. A very popular pair, the $1 and $5 chips were the dated 1776-1976 issue. There was also a 25¢ chip but it was hot stamped and not marked with dates. A key piece to building a Bicentennial collection. This popular $1 chip is very rare with ten to twelve known.
Condition: Almost New, sharp, but one small edge nick.
For more information about casino chips, please read The Basics Of Casino Chip Collecting.
Condition: Almost New, sharp, but one small edge nick.
For more information about casino chips, please read The Basics Of Casino Chip Collecting.
The Mint $25 Las Vegas Casino Chip, Third issue, R-6, Circa 1964. The Mint was one of the largest casinos in downtown Las Vegas when it opened in 1957. In 1964, they placed an order from T. R. King of Los Angeles for 2000 of these chips. There are two $25s with this great looking quarter pie mold; this one has the red $25 denomination. Approximately forty to fifty chips were found many years ago.
Condition: New. A slight glue stain residue on the outside edge of inlay on one side.
For more information about casino chips, please read The Basics Of Casino Chip Collecting.
Condition: New. A slight glue stain residue on the outside edge of inlay on one side.
For more information about casino chips, please read The Basics Of Casino Chip Collecting.
The Mint $5 Las Vegas Casino Chip, Seventh Issue, R-9, Circa Late 1960s. Of the many building picture chips that collectors seek, this is one of the tougher to find with only five or six known, not all of which are in this very nice condition. A very pleasing example with great coloring.
The Mint hotel and casino opened in 1957, then was bought by Del Webb in 1961. who expanded it by adding a twenty-six story tower in 1965. Webb sold to Binion's Horseshoe in 1988. The Mint was immortalized in Hunter S. Thompson's novel Fear and Loathing in Las Vegas as where he (Raoul Duke) and Oscar Acosta (Dr. Gonzo) spent the first night during their legendary 1971 weekend trip.
Condition: Slight Used. Some very light parts of the crosshatching not prominent on the inlay on one side leaving one small shiny circle. Not damaged and not from wear. Truly one of the best examples known.
For more information about casino chips, please read The Basics Of Casino Chip Collecting.
The Mint hotel and casino opened in 1957, then was bought by Del Webb in 1961. who expanded it by adding a twenty-six story tower in 1965. Webb sold to Binion's Horseshoe in 1988. The Mint was immortalized in Hunter S. Thompson's novel Fear and Loathing in Las Vegas as where he (Raoul Duke) and Oscar Acosta (Dr. Gonzo) spent the first night during their legendary 1971 weekend trip.
Condition: Slight Used. Some very light parts of the crosshatching not prominent on the inlay on one side leaving one small shiny circle. Not damaged and not from wear. Truly one of the best examples known.
For more information about casino chips, please read The Basics Of Casino Chip Collecting.
Thunderbird 50¢ Las Vegas Casino Chip, Sixth Issue, R-9, Circa 1960s. The very popular "dovetail" design chip in the tougher to find "maroon tail" variant. Christy and Jones shiny hats and canes issue. No Thunderbird picture.
Condition: Slight Used plus. Almost new condition with one small edge flake chip at about 11 o'clock. Part of the "D" missing in Thunderbird on one side from being stamped lightly. The reverse has a very nice, strong hot stamping.
For more information about casino chips, please read The Basics Of Casino Chip Collecting.
Condition: Slight Used plus. Almost new condition with one small edge flake chip at about 11 o'clock. Part of the "D" missing in Thunderbird on one side from being stamped lightly. The reverse has a very nice, strong hot stamping.
For more information about casino chips, please read The Basics Of Casino Chip Collecting.
Thunderbird $5 Las Vegas Casino Chip, Sixth issue, R-8, Circa 1960s. Opening on September 2, 1948, and operating under that name until 1976, the Thunderbird Hotel was the fourth major resort casino on the strip. For years, its large neon Thunderbird sign was a spectacle on the northern end of the strip. Along with the $1 business card chips given away by hosts and managers, the Thunderbird offered many very nice sets of chips. This classic example is from a C&J hats and canes mold. Its brown color is unusual for a $5 chip and the scalloped inlay and colorful bird logo only add to its appeal.
Condition: Average plus with just some edge use, no chips. Sound condition and better than most of the ten to twelve known examples.
For more information about casino chips, please read The Basics Of Casino Chip Collecting.
Condition: Average plus with just some edge use, no chips. Sound condition and better than most of the ten to twelve known examples.
For more information about casino chips, please read The Basics Of Casino Chip Collecting.
TraveLodge $1 Las Vegas Casino Chip, First (Only) Issue, R-8, Circa 1980s. The TraveLodge was part of a major hotel chain. Only two of their locations offered live gaming. This one, located on Tropicana Avenue west of the strip, operated from 1982 to 1990. One of the harder to find coin inlay chips.
Condition: Almost New, minimal fine scratching on the inlay and one tiny edge blemish, probably in the making.
For more information about casino chips, please read The Basics Of Casino Chip Collecting.
Condition: Almost New, minimal fine scratching on the inlay and one tiny edge blemish, probably in the making.
For more information about casino chips, please read The Basics Of Casino Chip Collecting.
Nevada Casino Chips: Collector Lot of Twelve. A nice collection representing various denominations and molds from the Vegas Strip, Vegas Downtown, Reno, and Lake Tahoe. The Lady Luck $5 is the key piece here, a rare and popular issue with the lady's face picture. Most of these found are dug and not in this nice condition. Small inlay blemish on one side. One of the nicer examples found of this chip. The El Rancho Vegas $5 went through the big 1960 fire and exhibits some melting and stains. The other chips are Average to Slight Used plus.
For more information about casino chips, please read The Basics Of Casino Chip Collecting.
For more information about casino chips, please read The Basics Of Casino Chip Collecting.
Military & Patriotic
United States 14 Star Flag, Probably Secessionist-Used. This wonderful, entirely hand crafted, U.S. national flag has a canton of fourteen stars, and eleven stripes, and is as much a remarkable piece of American folk art as a very historic artifact. Constructed from red wool broadcloth and plain woven cotton, it is the work of someone skilled at sewing who had probably "not made any or many flags," according to respected textile expert Ms. Thomsen. The mid-19th century flag has a pleasing arrangement of stars, with a circle of nine surrounding a single larger star and four additional stars in the corners. The large star measures 4½" from point to point and the smaller ones 2½". Originally blue, the canton's dye has degraded to a brownish hue. Overall the flag measures 44¾" on the leading edge and 55" on the fly. The lightly soiled banner is intact and all parts are original to the period with a few stress tears but no major loss of fabric. The item was made for indoor or brief outdoor display.
"Great care was taken to produce an attractive finished product," Thomsen observes. As to why someone would construct a fourteen star, eleven stripe flag on the eve of the Civil War, Thomsen has a suggestion: "There are flags in existence that were constructed in the pre or early Civil War years by southern sympathizers to express their belief that the southern states were the true union." An most appealing and intriguing American flag in a superb displayable size.
"Great care was taken to produce an attractive finished product," Thomsen observes. As to why someone would construct a fourteen star, eleven stripe flag on the eve of the Civil War, Thomsen has a suggestion: "There are flags in existence that were constructed in the pre or early Civil War years by southern sympathizers to express their belief that the southern states were the true union." An most appealing and intriguing American flag in a superb displayable size.
Transportation
Wright Brothers Kitty Hawk Plane Relic. A 1.5" x 1.5" patch of linen represented as an authentic piece of fabric from the plane flown by Orville Wright at Kitty Hawk, North Carolina, an event recognized as the first documented flight of a heavier-than-air plane. The 8.5" x 11" certificate is signed by Harold S. Miller, as co-executor of the Orville Wright estate and his wife, Ivonette Wright Miller, niece of the Wright Brothers. Ivonette (1896-1995) served as the semi-official Wright family historian. She became the third American woman to fly in an airplane on August 29, 1911 when she rode alongside her uncle Orville in the Wright B Flyer. She was instrumental in the Smithsonian Institution's acquisition of the original 1903 Wright Flyer. The certificate reads: "When Orville Wright prepared the Kitty Hawk machine for public exhibition, the original fabric had to be replaced, as it had been underwater during the Dayton Flood of 1913. He substituted new fabric of identical material. After his death in 1948, we found that he had preserved some of the original coverings of the wings. We certify that this piece of fabric was used by Orville and Wilbur Wright on 17 December 1903 at Kitty Hawk, North Carolina..." Accompanied by a 1989 note from Ms. Miller to the recipient of the relic, apparently a gift of "a little bit of history that took place 86 years ago."
Military & Patriotic
World War I Uncle Sam Patriotic Poster by James Montgomery Flagg, 1917 30" x 40.5". Printed for the United States Army. This poster is likely one of the most popular cultural icons our nation has seen. The poster is simple in its message and imagery. Flagg drew his inspiration from several sources; the 1916 Lord Kitchener poster published by David Allen & Sons, London, which depicts Lord Kitchener pointing his finger in the same forceful way and calling on Britons to enlist. Secondly, Uncle Sam, who became a national symbol for patriotic participation, was modeled on a self-portrait of Flagg himself. This image originally appeared on the cover of Leslie magazine, for which Flagg worked as an illustrator. It appeared on the July 6th, 1916 cover, saying "What are you doing for preparedness?" It did not appear with its, "I Want You" text until February 15th, 1917.
This example is linen backed and nearly has the same boldness to the color as the day it was made. Excellent Condition. No collection should be without this cultural icon!
This example is linen backed and nearly has the same boldness to the color as the day it was made. Excellent Condition. No collection should be without this cultural icon!
Antiques
Painting: "Bark Racehorse, Tasiagi Goddard & Co. Owners at Smyrna, 1862", Circa 1926. Gouache on board, 24.5" x 15.5", unsigned, but in the style of Raffaele Corsini. The painting shows the United States flag ship, the Racehose at full sail with the hills of the Turkish port city of Smyrna in the background. The verso is marked "Whatman Drawing Board". Foxing to the left and top, else very fine.
Painting: "Clipper Bark Rebecca Goddard, J. L, Hurd Master Mess to Tasiagi Goddard & Co. Owners, Boston 1860, Entering Marseilles", Circa 1926. Watercolor on board, 26.75" x 20", signed in the lower right corner, "Fcois Roux a Marseilles, Janvier 1862". The painting shows the United States flag ship, the Rebecca Goddard at full sail with the French port city of Marseilles in the background. The verso is marked "Whatman Drawing Board" and has a pencil notation "Copy by John F. Leavitt / 9-13-26". John Faunce Leavitt (1905-1974) was a well known maritime writer, painter, shipbuilder, and curator of Mystic Seaport, the Museum of America and the Sea in Mystic, Connecticut. One or two foxing spots, else very fine.
Early Twentieth Century Jumping Goat Pull Toy. Unidentified as to the maker. A metal mechanism holds him above the stump and when the toy is pulled he appears to be leaping into the air. Excellent detail in the wooden carved features with leatherette nailed to the head to form the ears. The paint surface is crazed with a quarter-sized portion missing from the right flank, showing the wooden surface.. Also made of wood, the painted tree stump is attached to the green wooden platform with cast wheels . Some repainting is obvious, but nicely done giving this interesting toy a folk art appeal. The goat measures 18.5" from horns to tail, on a platform that is 24.5" x 6.5"
United States 34 Star Flag: Impressive and Graphic Civil War-Era Flag. 39" x 24.5" finely-woven cotton flag with unusual right-to-left orientation. The canton has a rarely-seen arrangement of thirty-four stars arranged in a five-pointed star pattern. It was likely manufactured between the admission of Kansas on January 29, 1861 and West Virginia on June 20, 1863. The hem along the left side is hand-sewn and the flag is still attached to its cedar-wood staff, lacking its bottom portion and broken in two places. The owner's name, B. M. Rockwood, is inscribed in pencil on the white wrap-around portion. Some light soiling and damp stains with one very small internal tear, but generally in outstanding condition. The colors are not faded and the blue, heavily applied, is especially strong.
Civil War Drummer Boy Match Holder. A most unusual piece, cast in pot metal and covered in golden paint which appears to be original. The matches were kept in his drum, which has an open top for easy access. He is smoking a cigar, a little metal tube which may be a replacement. His kepi-type cap Is hinged at the back, and folds open. However the inside of the head is unfinished and we are uncertain as to why it opens in his way. Quite possibly a novelty item sold or distributed by a cigar maker or seller. An item deserving of further research, but in any case a charming period item which should appeal to Civil War and match holder collectors alike. Excellent condition with only minor wear to the paint. Height 7.25".
Skeleton Armchairs: Remarkable Tour de Force of Wood Carving. Hand-carved of hardwood; these chairs were apparently modeled after a rare 18th-century chair which sold for over $100,000 at a New York auction. By oral tradition, they were part of a set custom-ordered by actor Vincent Price. However, Price died before they were delivered. In any case, they make a wonderful conversation piece! Excellent condition. Each measures 54" x 24" x 24". This lot requires 3rd party shipping.
World Wars I and II: Group of Nine American Posters. Each professionally mounted on linen, consists of: (1) 21.5" x 31.5" W.S.S. (War Savings Stamp) poster dated 1918 titled "Help him win by Saving and Serving" depicting two children clasping hands with General Pershing; (2) 28" x 42" Third Liberty Loan poster titled "My Soldier" showing mother with young daughter engaged in prayer (one border tear with some restoration to central vertical fold); (3) 29" x 40" Women's Bureau poster dated 1943 titled "Work Clothes for Safety and Efficiency" featuring ten images of women at work in war-related industries; (4) 21" x 29" U. S. Food Administration poster titled "Food - don't waste it" with list of six suggestions for conservation; (5) 20" x 30" Third Liberty Loan poster titled "Ring It Again" showing colorful Colonial scene outside Independence Hall; (6) 20.5" x 27.5" War Fund Week poster (dates blacked out) titled "Keep this Hand of Mercy at its Work" by artist P. G. Morgan; (7) 22" x 28" U. S. Public Health Service poster titled "Become a Nurse/ Your Country Needs You"; (8) 22" x 28" War Bonds poster titled "This Is My Fight Too!" depicting lady factory worker pulling bonds from her pay envelope; and (9) 21" x 32" War Savings Stamps poster titled "Your War Savings Pledge" showing Uncle Sam flanked by a doughboy and private citizen.
Advertising
Yellow Kid High Admiral Cigarettes Advertising Premium Pins: Lot of Twenty. The Yellow Kid was a character which first appeared in Richard F. Outcault's comic strip Hogan's Alley. Outcault's comic strip was one of the first Sunday supplement comic strips in the United States. In the late 19th century Yellow Kid's popularity was such that he became the darling of advertisers and his image could be seen attached to such diverse products as whiskey, toys, chewing gum and as in the case of these pinback buttons, cigarettes. These pinback buttons, most of which measure 1¼", feature the comic image of the Yellow Kid in various situations, captioned with his pithy comments. Most are in very good condition with the occasional area of soiling or spotting, though one has a significant crack to the celluloid surface. Also included is a 7/8" button advertising Big Bubble Chewing Gum.
Harley Davidson Motorcycles: Two Rare Early Photos. Both depict Hauser Bros. stores in Oregon, one located in Salem and one in Albany. The company sold a variety of sporting and athletic goods, including Harley bikes. One photo depicts a very clear Harley-Davidson motorcycle parked in front of the store. The other is an interior shot of the store, with a clearly identifiable Harley on display in the middle of the floor. Photos themselves are 7" x 5" and in excellent condition, mounted on original boards. Period pencil identifications and notations on verso of each. Fine examples of a highly collectable category.
Session 2
Political
1824 Campaign: Most Unusual Broadside. Entitled "WANTED," it lists a number of qualities which must be possessed by an appropriate choice to be inaugurated as president on March 4, 1825. It calls for the election of a man who is "a Republican in deed and in truth" demonstrates the manners and values of the common man. No candidate is mentioned by name, and a careful reading reveals criticism and lampooning of both Quincy Adams and Jackson. The broadside appears to have been issued on behalf of the common man and to call for a return to the basic core principles of the Republic. Trivial light staining and edge roughness do not detract. Excellent condition overall. 8.5" x 11.25".
Martin Van Buren: Imperial Size Mathew Brady Portrait. A 9.5" x 16" albumen photograph of our eighth president clutching a pair of gloves and a book. Affixed to a 16" x 20" mount with paper label inscribed "90" and inscribed "M. B. Brady". Mount has scattered foxing and two edge tears. Likely a component of a folio volume of similar, oversize portraits of politicians and notables.
Zachary Taylor: "Major Ringgold" Variety of Blown Glass Pint Flask. 4.5" x 7". Taylor faces left with "Rough & Ready" curved below the portrait. The reverse features a similar raised portrait of the first officer to fall during the War with Mexico and surrounded by "Major / Ringgold". Color is nearly clear, a very light aqua tint. One flaw from the blowing on the front, else, near fine.
Zachary Taylor: Scarce Glass Flask with Cannon Rather Than Portrait. Surrounded by the legend "Genl. Taylor Never Surrenders." Reverse has the classic quote "A little more grape Capt. Bragg," surrounded by small bunches of grapes. Aqua tint, half pint size. Height 5.75". Excellent condition.
Abraham Lincoln: Civil War-Era Miniature China Vase with His Bearded Portrait. High relief portrait is surrounded by blue field with gold stars. Fancy, typical Victorian form with gold leaf trim. By universal consensus, this item was made during Lincoln's presidency, making it highly collectable and one of the more affordable period Lincoln display items. Excellent condition. Ex-collection: U. I. "Chick" Harris. Height 3.25".
Abraham Lincoln: Hand-Colored Lithograph by Kellogg. The print, showing a seated Abraham Lincoln, measures 12" x 16". Below the portrait is "Abraham Lincoln / Sixteenth President of the United States / 558." The print is by "E. B. & E. C. Kellogg, 245 Main St., Hartford, Conn." Also marked "Geo. Whiting, 67 Fulton St. New York". Toned, some staining, and minor tears, thus, good.
Abraham Lincoln: High-Relief Bronze Finished Portrait Plaque of Abraham Lincoln. The plaque, 8" x 13", is framed (11.25" x 16" overall). The unsigned portrait is facing right and above "Lincoln" in raised letters. Very nice dark patina. Light surface wear and minor discoloration, else, fine.
Abraham Lincoln: Vintage Engraved Portrait Print. Not signed. 21" x 16". Framed to an overall size of 21" x 26". Fine condition. From the Collection of the American Red Cross. This lot requires 3rd party shipping.
James A. Garfield: Three Very Scarce 1880 Portrait Badges. Shown to scale. All three have inset paper photos. The jugate and the single picture variety in the form of an attractive brass shell "banner" show typical soiling on the photos, which are nonetheless relatively clear. The silvered-tin tobacco tag is quite rare; usually these are seen for the 1884 candidates. These tags are particularly notorious for condition problems, and his Garfield example is quite nice for the type.
Grover Cleveland and James G. Blaine: Three Exceptionally Nice 1884 Portrait Pins. A matched pair for both candidates in excellent condition, and a jugate of Blaine & Logan set into a horseshoe-shaped brass shell frame. The photos are a little light but quite clear on the jugate, which is otherwise an exceptionally nice copy. Straight pins missing from the back of two, but easily replaced.
Harrison & Morton: 1888 Jugate Brass Mechanical Badge. The wings are pulled down to reveal sepia paper photos of the running mates. Photos are dark and strong, but there is soiling on Harrison's mouth and chin. Traces of original surface silvering. Original pin present but recently detached and needs to be reattached. The mechanism by which the wings are pulled down from below is not working, as is usually seen with this item, but they are easily moved manually. Diameter 2.375".
Harrison & Morton and Cleveland &Thurman: Two Great 1888 Political Stamps and Ink Pads. In brass jugate cases, suspended from Eagle pins for wearing. Each comes apart to reveal and ink pad and a jugate stamp which could be placed on letters or envelopes. Beautiful condition.
McKinley & Roosevelt: Rare 1900 Presidential Campaign Jugate Badge. 1½" x 2¼". The running mate's sepia portraits are mounted to an ornate pressed-brass backing suspended from a star-spangled pressed-brass bar surmounted by a spread-wing eagle. The portraits remain clear, though Teddy's has a small scratch across his forehead. Still, a very good example of this rarely seen badge.
William McKinley: Three Uncommon and Colorful Jugates. Two bold red white and blue 7/8" McKinley &Hobart studs, and a classic 1¼" McKinley & Roosevelt pinback. Great condition. All three of these varieties are hard to find this clean and with such deep bold color.
William McKinley: Two Colorful Large Buttons. One 3", the other 2¼". Very nice condition, although for accuracy, we note a little very trivial light edge soiling on the larger button.
William McKinley and William Jennings Bryan: Classic "Bartender's Friend" China Mug. Strong sepia portraits of each on opposite sides. Distributed by a Pittsburgh, Pennsylvania liquor wholesaler and local bottler of Schlitz Milwaukee beer. Great overall condition, with one minor hairline running across Bryan's left shoulder, which detracts minimally. Ex-Collection: U.I. "Chick" Harris. Height 4.75".
Bryan & Kern: Pair of Scarce 1¼" Jugate Varieties from the 1908 Presidential Campaign. A pair of hard-to-find Bryan jugates slightly similar in design, one a color variety enhanced with red, white, and blue; the other in overall a more solemn black. Trivial surface scratches and some foxing along the edges but in definitely above average condition for this variety.
McKinley & Roosevelt and Bryan & Stevenson: Two Beautiful Sepia Tone 1¼" Jugates. The Bryan is very choice and probably the best example we have ever seen of this design, which is usually found with condition issues. The McKinley is equally choice with unbelievably deep sepia tones, but for accuracy we note a tiny split on the rim at eleven o'clock at a small edge spot at 1:30; still a beauty!
William Jennings Bryan: Three Fine 1¾" Size 1896 Celluloids. All intended to be worn suspended. Great shape on all three but for missing bar pin at top of one as shown. These larger 1896 celluloids are tough to find in this condition.
William Jennings Bryan: Four Great 7/8" Items. Three celluloid pinbacks and a rare stud with "Cross of Gold" motif. Fine shape on all.
Republican National Convention: 1896 and 1900 Badges. From the St. Louis and Philadelphia confabs. Both in choice condition and hard-to-find so. Lengths 3.875" and 5.5" respectively.
Eugene V. Debs; Three Different Portrait Celluloids. Two classic 7/8" designs in great condition, and a very scarce ¾" stud which, unfortunately, is extensively damaged.
Roosevelt & Fairbanks: 1904 Jugate in the Classic Standing Liberty Design. 1¼". Whitehead & Hoag, Newark, New Jersey backmark. This popular and beautiful design first appeared in the 1904 campaign, and proved so popular that it was also used for the candidates in 1908 and 1912, and in varying sizes. Light wear to surface, missing pin, otherwise excellent.
Roosevelt & Fairbanks: Ornately Framed "Our Choice" Pinback Jugate. 1½". A pleasing design comprising the running mates' portraits set within a brass mount decorated with ornate floral decoration. A rare large 3½" version of this jugate, sans brass frame, also exists. The brass mount is slightly tarnished and the portrait has light wear to the surface, otherwise it is in excellent condition.
Roosevelt & Fairbanks and Parker & Davis: Two 1¼" 1904 Jugates. The Parker & Davis is virtually mint; even the button paper on verso is like the day it was made. The Roosevelt & Fairbanks is equally choice, although there is soiling on the button paper.
Roosevelt & Fairbanks and Parker & Davis: Matched pair of 7/8" 1904 Jugates. A great, colorful design, and both in beautiful shape. The scarcer in this size than in the 1¼" versions.
Theodore Roosevelt and Alton B. Parker: Two Gorgeous 1¼" Button Designs. Surely among the most beautiful and colorful designs of that era, with Parker shown with the White House and Teddy with Capitol building. They are especially tough to find in this choice condition; the vast majority we have seen over the years have exhibited foxing. Both with original Baltimore Badge back papers. The metal collet on the back of the Roosevelt is missing, but with care is not difficult to replace it with a correct collet salvaged from another 1904 button.
Theodore Roosevelt: Three Great 1912 Bull Moose Pinbacks. Sizes 7/8" to 1¼", shown to scale. The hat-in-the-ring brass pin is a classic. All three in great condition. The Bull Moose "Get Together" is somewhat faded, as were virtually all examples of this variety we have ever seen; however, the present example is well above average in that regard.
Autographs
Theodore Roosevelt: Archive of Material from President Roosevelt's 1905 Visit to Dallas, Texas. Includes: (1) a program from the banquet at the Oriental Hotel in his honor inscribed and signed "Theodore Roosevelt" in pencil; (2) a ticket to the banquet; (3) a ticket for the speaker's stand at the reception for President Roosevelt; and (4) a purple ribbon that reads, "No. 8 Banquet Committee". The program proclaims "A Square Deal for Every Man." On this occasion, Roosevelt became the first serving president to visit Dallas, Texas. The program cover is missing the back of the chuck wagon and the ribbon is weak, else, all very good.
Political
Alton B. Parker: 1904 Presidential Campaign Portrait Button. 1¼". A wonderful color pinback button with Parker's sepia portrait in a rich gold frame set beneath a spectacular spread-winged eagle all set against the backdrop of symbols of American commerce. In excellent condition.
Alton B. Parker: Three Colorful 1¼" 1904 Pinbacks. All in excellent condition. It is interesting to note that, despite the great disparity in popularity between Roosevelt and the obscure Parker, pinback buttons seem to have introduced in relatively equal variety and quantity for both candidates. Perhaps this suggests that the buttons mainly originated with manufacturers and vendors, rather than being produced in response to demand from campaign organizations.
Taft & Sherman: Two Colorful 7/8" Jugates. The gold variety is deceptively scarce, tougher than its Bryan & Kern mate. Fine condition.
William Howard Taft: Two Very Scarce 1¼" Pinbacks. An Illinois Taft & Deneen coat-tail jugate and a colorful 1909-dated design picturing two racing paddle wheelers and commemorating an address by Taft at Hickman, Kentucky's "Big Boat Parade" on the Ohio. Excellent condition.
William Howard Taft and William Jennings Bryan: Pair of Uncommon 1908 Slogan Pins. Especially nice to find these as a matched pair, and in such fine condition. Diameter 1¼".
Wilson & Marshall: Celluloid Jugate Pinback Campaign Button. 1¼". With colored shield separating the gold rimed images. Some spotting, else, near very good.
Wilson & Marshall: Eight Different 7/8"Jugates. A wonderful grouping in beautiful shape.
Woodrow Wilson: Two Nice 7/8" Celluloids. One a pinback button, the other a flat piece of celluloid with flag to either side and original pin attached. On the latter Wilson appears with Polish national hero Tadeusz Kosciuszko and the phrase " Za Wolnosc Narodów " (for the freedom of nations). Both in beautiful condition.
Wilson & Marshall and Hughes & Fairbanks: Two Scarce Quadragate Coat-tail Button Varieties. 7/8" and 1", shown to scale. Both beautiful condition but for a trivial celluloid separation on the Wilson, not visible from the front. The Wilson variety is extremely hard to find with this strong, deep color.
Autographs
Woman's Suffrage: Susan B. Anthony Cabinet Card and Autograph Note Signed. Along with this 2.5" x 4" cabinet card is a small, handwritten note proclaiming that "Perfect equality of rights for women - civil and political - is the demand of...Yours truly, Susan B. Anthony." The 4.75" x 3.5" note has a horizontal fold line 1" from the bottom edge. Also included in this lot are two leaflets. One, a reprint, announces the March 20, 1856 Woman's Rights Convention in New York City at which Anthony lead the list of speakers. This leaflet is heavily toned and has been folded horizontally in three places. The other is an 1871 handout appealing to the women of the United States to support the suffrage movement. All are in very fine condition.
Political
Prohibition: Seven Better Pinback Varieties both For and Against Its Adoption. Sizes from ¾" to 1½", all shown to scale. The St. Louis Democratic Club variety is particularly intriguing. Excellent condition.
Warren G. Harding: Two Very Scarce 1¼" Button Varieties. Both are in outstanding condition, and the blue and white "People's Choice" variety is particularly hard to find so. Most of those we have seen have light foxing.
Warren G. Harding: Six Uncommon 1920 Pinbacks. Sizes ¾" to 7/8" as shown. All in excellent condition.
James M. Cox: Four Scarce 1920 Campaign Pins. Sizes 5/8" to ¾", shown to scale. Excellent condition. For the beginning collector, this group covers this difficult candidate quite nicely.
Harding & Coolidge: Large Size 1920 Jugate Campaign Poster. The poster is an impressive 28" x 21" size. Light toning along the edge, else, near mint.
John W. Davis: Three Scarce Word Pins. Two are lithos in great condition, as is the purple celluloid variety.
LaFollette & Wheeler: Two Fine 7/8" Jugate Pinbacks. One an underrated celluloid variety by Bastian Brothers, the other is a litho which is very hard to find in this choice condition.
LaFollette & Wheeler: Scarce and Graphically Appealing 1924 Jugate Poster. The Progressive firebrand from Wisconsin mounted one of the more serious third-party presidential campaigns of the twentieth century. Most campaign items are scarce and especially popular with collectors. This elegant poster, in near mint condition, is one of the few available LaFollette display items. 14.5" x 15".
Hoover & Curtis: Impressive 2¼" Jugate Pinback. This colorful litho gives more "bang for the buck" than any jugate of this era. A large, rather highly domed litho like this is extremely vulnerable to wear and damage; most of this variety are imperfect, a high percentage seriously so. This example has moderate wear to the surface with crazing to the finish at the two o'clock position. Still, a good example of this eye-catching variety.
Herbert Hoover: Three Delightful Campaign Pinbacks. Sizes ¾" to 7/8", shown to scale. The "Hoo Hoo Hover" with the owl is a classic! All in fine condition.
Herbert Hoover: Four Better Celluloids. Including two set into watch fobs and a red lapel stud. All in fine condition.
Herbert Hoover and Al Smith: Two Nice 1928 Pairs. Celluloids set into brass watch fobs and colorful 1¼" pinbacks. All in great shape.
Al Smith: Three Fine Campaign Items. Two 1¼" celluloid buttons in great shape and a dramatic 4" button-like litho tin automobile license plate attachment in spectacular, virtually mint state.
Franklin D. Roosevelt: Four Better, Larger-Size Pinbacks. Sizes 1¾" to 2½", shown to scale. All in great shape except for one spot at one o'clock on the "He Saved America" variety.
Franklin D. Roosevelt: Three Scarce 7/8" Coat-tail Pinbacks. All in fine shape.
Franklin D. Roosevelt: Four World War II Pinbacks. Three 1¼" size and one 1½" size, shown to scale. We do not recall seeing the Boycott variety mentioning FDR by name previously. All in super condition.
Franklin D. Roosevelt: Fine Group of Eight Pinback Buttons. 7/8" through 1¼" sizes, all shown to scale. All moderately uncommon designs, and in great shape.
Foster & Ford: Two 1932 Communist Jugates. A 7/8" litho in excellent condition, and an absolutely mint example of the rarer 1½" version.
Alf Landon: Six Portrait Pinbacks. Sizes 7/8" to 1¼", shown to scale. Two are lithos, including the large blue and white variety. All in great shape. The blue and white litho is virtually mint and surely the finest we have ever seen.
Alf Landon: "Land-On Roosevelt 1936" Cast Iron Elephant. 5" x 3". The elephant is naturally painted. Normal wear and a broken tail, else, very good.
Alf Landon: Metal Automobile License Plate. Very scarce coat-tail variety. Excellent condition. Diameter 11.5".
Franklin D. Roosevelt and Wendell Willkie: Four Nice 1940 Pinbacks. Includes a matched pair of St. Louis Button jugates. Sizes 7/8" to 1¾", shown to scale. Great condition.
Wendell Willkie: Three Better Portrait Button Varieties. 7/8"- 1" sizes, shown to scale. Includes the classic "Every 'Buddy'" design picturing a youthful Willkie in his World War I uniform. The pin at the top is an ad pin for the 1960s book about Willkie. All in fine shape.
Franklin D. Roosevelt and Wendell Willkie: Four 3½" Size Portrait Buttons. Great, clean black and white designs in beautiful condition.
Thomas Dewey: Three Nice 1948 Campaign Items. Sizes 7/8" to 1¾" as shown, all in great shape. The Philadelphia Badge portrait button should not be confused with the more readily available 3½" version. In this smaller size, it is one of the top Dewey button varieties, with sales records as high as $750.
Thomas Dewey: Three Nice 3½" Button Designs. With its bold red and blue colors, the Philadelphia badge portrait variety is considered by many to be one of the most attractive single-picture button designs. All three in great shape.
Truman & Barkley: Classic Jugate Campaign Button. 3½". Features sepia portraits of both men with color flag and stars in the background. For strictest accuracy we mention two small celluloid spots on Barkley's cheek., otherwise very fine.
Harry S Truman: Popular Harry Truman for United States Senator Portrait Button. 7/8". Always in demand, and this is a choice, just slightly off-centered example.
Harry S Truman and Wendell Willkie: Two Colorful Giant 9" Buttons. Both in beautiful condition. The Truman does not exhibit the wrinkling of the paper underneath the celluloid which is often seen on this variety.
Harry S Truman: Key 1¼" "Civil Rights" Slogan Pinback. Considered one of the rarest and best of Truman slogan pin varieties. There is an area of discoloration on and around "Truman" and the button has evenly toned elsewhere. Overall a very good example.
Harry S Truman: Three Very Scarce Campaign Ribbons. All in excellent condition, with one small stain mark on the Rhode Island ribbon. Note the election campaign date of the one-day event Rhode Island ribbon. Lengths 5" to 5.75" including the pinback celluloids at the top.
Harry S Truman: Eight Word Pins and Tabs. Sizes 7/8" to 1¼", all shown to scale. All in excellent condition. Minor chip in center of "60 Million Jobs" tab.
Harry S Truman: Two Scarce 1948 Pro-Truman Slogan Buttons. A key element in Truman's successful uphill campaign was his relentless criticism of the Republican-controlled Congress. Confident of victory, the Republicans decided to block any meaningful legislation which might be viewed as a credit to the incumbent Truman administration. With the help of Truman's fiery rhetoric on the stump the strategy backfired spectacularly. To our experience the 1¾", lighter pink variant offered here is much the scarcer of the two.
Harry S Truman: Archive of Truman Inaugural Programs. A fantastic lot including a detailed 42 page logistical guide for Truman's inaugural parade titled Inaugural Parade 20 January 1949 General Order No 1, which includes charts, street maps and tables of organization laid out with military proficiency for all matters dealing with routes, organization and security for the parade; the official Inaugural Program; the official program for the inaugural dinner hosted by the National Truman-Barkley Club including an unused book of matches from the dinner; the official program of the inaugural ball; and, found laid-in the parade logistics guide, an organization chart for the Mutual Defense Assistance Program, marked "Restricted". The chart was the personal copy of James Bruce, the director of the Foreign Military Assistance Program, the forerunner of NATO. All programs show some wear, otherwise they are in very good condition.
Autographs
Harry S Truman: Charming 1953 Typed Letter Signed with Seven Word Postscript in His Hand. Acknowledging birthday greetings from the best friend of his daughter Margaret. "It makes the 'old man' feel mighty good to hear from his young friends." Immaculate condition. 7" x 10" with original mailing envelope included.
Harry S Truman: Scarce 1955 Typed Letter Signed with Eighteen Word Postscript in His Hand. A letter on his personal stationery to close family friends acknowledging birthday greetings, and expressing the wish that they had been able to attend the recent groundbreaking for the Truman Library. The daughter was for many years Margaret Truman's closest friend. Immaculate condition, 7" x 10" with original mailing envelope included.
Harry S Truman: Two Typed Letters Signed. Both letters are 7.25" x 10.5", Independence, Missouri, on Truman post-presidential personal stationary, and signed "Harry S. Truman". One letter is dated July 21, 1965, and the other letter is May 17, 1961. The 1961 letter has paper loss and weakness at the fold (not impacting the signature). The other letter is very fine.
Political
Truman & Barkley; Tough Jugate Metal License Plate Attachment. This scarce item is sought by Truman specialists and license plate collectors alike. Nice condition, with a little trivial wear at the bottom where it was attached. Diameter 9.75".
Dwight D. Eisenhower: Nice Grouping of Five Items. All shown to scale. Excellent condition.
Stevenson & Kefauver: Two Nice Litho Jugates. 2¼" and 3" sizes. The "TV Victory Committee" is a classic. Both in excellent condition.
Adlai Stevenson: Four Better 1¼" Varieties. All in very nice condition.
John F. Kennedy: Choice 1956 Democratic National Convention Portrait Button, Promoting John F. Kennedy for Vice President. 2¼". Quite a movement was orchestrated for then-Senator JFK at the 1956 Democratic convention, and it produced several varieties of pinback buttons, all considered quite scarce. This example has some trivial wear to the surface otherwise it is in fine condition.
John F. Kennedy: Five Scarcer Pro- and Anti-JFK Buttons. Sizes 1½" to 2½", all shown to scale. The "Jobs for Kinfolk" is a classic and the most valuable of the group. Great condition.
John F. Kennedy: Two Uncommon 2¼" Buttons. One with "Connecticut 1960" ribbons, probably from the Democratic national convention. Both in great shape.
Lyndon B. Johnson: Pair of Anti-Johnson Pinbacks From the 1964 Presidential Campaign. Barry Goldwater tweaks his opponent's nose in this pair of campaign pinbacks, including a large 3½" example with the caption "L.B.J. Will Be Home on the Range When Goldwater Gets Done", and a 2¼" pinback with the slogan "L.B.J. For Ex-President". Both examples are in very good condition with only trivial scuffing and soiling to their surfaces.
Autographs
Lyndon & Lady Bird Johnson: Two Signed Books. The Vantage Point: Perspectives of the Presidency 1963-1969, inscribed and signed bookplate "Lyndon B. Johnson"; and A White House Diary, inscribed and signed bookplate "Lady Bird Johnson". Toned and chipped dust jackets, else very good.
Political
Barry Goldwater: Rare Barry and Peggy Goldwater Jugate Pinback. The Republican presidential candidate for 1964 is depicted here with his wife as "Indiana's Favorite Family". This 3" button is in very fine condition with just a few light surface scratches and one tiny outward push.
Goldwater & Miller: Four Massive Color Portrait Campaign Pinbacks. This lot includes three massive 6" color portrait pinbacks - one of Barry Goldwater and two of his running mate William E. Miller, and a smaller 4" Miller color portrait pinback that is a nice match to one of the larger Miller examples in the lot. The larger pinback examples can also be converted to desk portraits via the die-cut cardboard backing. All examples are in choice condition.
Barry Goldwater: Two Seldom Encountered Goldwater Portrait Pinbacks. This lot features two choice examples of Goldwater '64 pinbacks including a 1½" portrait button captioned "Go With Goldwater" set atop blue and gold satin rosettes, and a 2¼" example with caricature portrait and the caption "Look Ahead With Goldwater". Both examples are in choice condition.
Barry Goldwater: Lot of Five Exceptional Goldwater Portrait Pinbacks. Various sizes from 1¾" to a massive 6". A fabulous lot of rather scarce Goldwater portrait pinbacks including a large and small interesting red, white and blue bordered "Goldwater in '64"; a Pennsylvania Republican party association pinback "Pennsylvania Vote Straight Republican"; an unusual "Coloradans for Goldwater" example; and a massive Goldwater & Miller jugate. All examples are in choice condition.
Barry Goldwater: Large and Diverse Lot of Eighteen Goldwater Presidential Campaign Pinbacks & Miscellaneous. Various sizes from 7/8" to 1¼". This lot represents a good first step in obtaining a comprehensive collection of Goldwater campaign pinbacks. The lot includes many of the classic slogan buttons, a couple of coat-tail varieties, as well as three nice portrait examples. All examples are in very good condition.
Barry Goldwater: Rare Manufacturer's Trial Design. The final version, with smaller bust and name below, is itself uncommon, but we cannot recall ever handling the other version before.
Barry Goldwater: Six Scarce Button Varieties. All shown to size, in great shape.
Barry Goldwater: Anti-Democratic "Lyndon Tree". 3½". An incredibly nice example of this popular Goldwater pin. Suggests that the "Democratic Lyndon Tree" has roots in the Bobby Baker and Billy Sol Estes scandals, "Racial Violence," "Viet Nam," etc. Interesting that it would cite Vietnam as a problem, and the anti-war movement had really not swung into gear in 1964. One of the hobby's modern classics that just keeps going up in value the deeper its roots grow. Excellent condition.
Goldwater & Miller: Large Group of Eighty-Two Barry Goldwater Campaign Buttons. Included are "If I were 21", YAF, flashers, and "In your heart" buttons. The largest is 6". Most near fine or better.
Goldwater & Miller: Large Group of 100 Barry Goldwater and Anti-Goldwater Campaign Buttons. The buttons range in size from 7/8" to 2½". There are thirty foreign language buttons in the group. Most near fine or better.
Goldwater & Miller: Large Pinback Issued by the Yonkers Republican City Committee. Button 3½"; ribbon 3" x 9½". The ribbon is captioned "10th Ward Vote Row A All the Way Yonkers Republican City Committee". The ribbon is fold creased with some trivial soiling and fraying, else this is a nice example of a seldom-seen large Goldwater pinback.
Barry Goldwater: Lot of Thirteen Gold Goldwater Slogan Pinbacks. Various sizes from 1½" to 3½". A fantastic instant collection of Goldwater slogan pinbacks, all featuring gold backgrounds. Nearly all of Goldwater's campaign slogans are represented including "Go Go Goldwater in '64", "Au-H20-64", "Goldwater for President '64", "Kennedy for King Goldwater for President" and several more. Thrown in for balance is a classic "Bury Goldwater" anti-Goldwater pinback. All examples are in very good condition with only minor wear to their surfaces.
Barry Goldwater: Group of Eight Anti-Goldwater Pinbacks Featuring Variations on the "Bury Goldwater" Theme. Various sizes ranging from 1" to 3½". Eight different variations on the "Bury Barry" and "Bury Goldwater" theme from the 1964 Presidential campaign. All examples are complete and in very good condition.
Barry Goldwater: Rare 1960 "Goldwater for Veep" Pinback. 1¼". Probably a national convention item, as there was quite a boomlet to put Goldwater on the ticket with Nixon. Very tough item for the Goldwater specialist, with only several known. Choice condition.
Barry Goldwater: Lot of Seven Classic Goldwater Campaign Slogan Pinbacks. Various sizes from 1¼" to 2¼". A great cross section of Goldwater slogan pinbacks including two variations of "Goldwater for President", a large and small version of "Gold for Goldwater", a "Goldwater Says Don't Dodge Vote Nixon and Lodge", and two variations of the classic "Don't Blame Me I Voted For Barry Goldwater". All examples are in very good condition with only trivial scuffing to the surface of a few examples.
Barry Goldwater: Lot of Six Anti-Goldwater Pinbacks. Various sizes ranging from 1¼" to 1¾". Should one think that the lack of civility in politics is a recent development, these howlers from the 1964 Presidential campaign should put that quaint notion to bed. Included are a large and small variation of a rather naughty phrase spelled out using symbols from the Periodic Table of Elements and several examples using the "Ban the Bomb" theme, including "Dr. Strangewater", a nice topical tie-in with the recently released film Dr. Strangelove, All examples are complete and in nice condition.
Barry Goldwater: Rare "Back Barry Pick Pickett For Congress" Coat-tail Pinback. 1¼". We have had a variation of this rare pinback in a previous auction, but this is the first time we've offered this variant. A beautiful example in choice condition.
Robert F. Kennedy: Fine Grouping of Seven Items. Sizes 7/8" to 4", shown to scale. All in great condition.
Richard Nixon: Five Better 1960 Buttons. Sizes 2" to 3½", shown to scale. All in great shape. The "Man of Steel" is a classic and a must for any collector of this campaign or candidate.
Hubert Humphrey: Four Uncommon 1968 Pinback Varieties. Sizes from 1¼" to 2¼", shown to scale.
George C. Wallace: Four Better Pinback Varieties. Sizes 1¼" to 2¼", shown to scale. The Kennedy & Wallace is a litho. All excellent condition.
Ford & Dole: 4" 1976 Presidential Campaign Jugate. Scuffing to the surface particularly to the white edge with a printing defect above Ford's head, and missing pin assembly otherwise in very fine condition.
Bill Clinton: Popular 1992 Magic Johnson Button. This scarce 3½" variety was put out by the Hudson County Democrats. Equally desirable to political and sports button collectors alike.
Bill Clinton: Group Lot of Twenty-Three Boxes of M&Ms from Air Force One. Each box has presidential seal and Clinton's facsimile signature on one side, and the patriotic M&M carrying an American flag on the other. Each box is unopened and filled with candy. An unusual and appealing item, these should sell quite well individually. Dimensions of each box 10.75" x 3.75" by 0.875".
Election: Steel Ballot Box. 14.5" wide and 12.5" high. The cast iron locking door on top reads, "Geo. B. Bernard & Co. Mfrs / Pat. Apl'd For". Repainted, else excellent.
White House and Air Force One: Three Nice Souvenir Items. Very well-made pieces which were ordered by the White House to distribute to staffers or as souvenirs for selected guests as follows. (1) Heavy black leather and wool jacket with quilted lining, size XL. "The White House" in stitched white letters on one side, and the cloth patch with the presidential seal on the other. (2) A black leather pillow with presidential seal and stitched lettering "Air Force One." (3) A very nice, substantial black leather carrying bag with handle and shoulder strap, "White House Staff" on a cloth patch with presidential seal. All in unused condition. Really quite a nice grouping.
Advertising
"Buffalo Bill" Cody: Tin Lithograph Sign. The full color sign measures 14" x 20". It was printed by Sentenne & Green, 227-29-31 Bleecker St. N.Y. The sign has a facsimile signature at the bottom right that reads, "Sincerely Yours, W. F. Cody 'Buffalo Bill". A crimp in the lower left corner, crazing, minor paint loss, and browning, else very good.
Political
1793 Thomas Paine Satirical Hanging Token. Copper, 30mm. A British "Conder" halfpenny token, circa 1790s, featuring a man hanging on the gallows on the obverse and the legend "End of Pain", and the reverse legend reads "May the Knave of Jacobin Clubs Never Get a Trick". The token has a nice even patina with some minor edge wear, otherwise it is in very good condition. Thomas Paine was something of a "pain" in the British neck. His Common Sense pamphlet did much to stir revolutionary fervor in the colonies, not to mention its sales added to the coffers of the Continental Congress.
Advertising
A. Bauer & Company Whiskey: Chromolithograph Advertising Poster. The poster, 23" x 16", was printed by the F. Tuchfarber Company of Cincinnati, Ohio and is dated "11/97". The full-color illustration depicts a dangerous looking cowboy and an Indian holding up a Chinaman who had just played three aces in a poker game. It advertises several of the whiskies and drinks produced by A Bauer & Co. (1893-1908) of Chicago. Among the brands served at Sam Toughnut's Saloon were "Old Rip van Winkle", "Old Rip", and "Dam-I-Ana". Toned with some creases at the bottom, else near fine. Very attractive!
Miscellaneous
American Indian: Lot of 122 Post Cards, Die-cut Images, and Novelty Items. Most are color post cards. Some used. A fine and interesting assortment of images. Most good to very good.
Antiques
American Indian: Painting of the Ogallala Sioux Warrior "American Horse". The watercolor painting measures 14.5" x 20" and is signed at the bottom "Painted / by Half Moon / 1912". The painting is inscribed in the upper left corner, "American Horse / Ogallala Sioux / A famous warrior". In 1891 American Horse headed the delegation from Pine Ridge Agency, South Dakota to Washington D.C. with leaders of both friendly and hostile groups for meetings with federal officials. Toned, but near fine.
Clara Barton: Vintage Steel Engraving by William Wellstood. Signed in the plate. 24" x 17.5". Framed to an overall size of 26" x 32.5". Fine condition. From the Collection of the American Red Cross. This lot requires 3rd party shipping.
Photography
Cornelius Vanderbilt: Oversized Portrait. A 15.5" x 18.5" albumen photograph of the noted American financier, shipping and railroad magnate (1794-1877), known simply as "The Commodore." The three-quarter view shows the tycoon leaning on a cane. He has the look of a self-assured man. Excellent condition.
Antiques
Currier & Ives: "The Wild West in Darktown: The Buffalo Chase", Circa 1893. The hand-colored print measures 15" x 11" and is mounted on board. The print pictures Black cowboys on horseback chasing four men draped in the full skins of two buffalo and firing at them as spectators watch from behind a fence. Light soiling, else, very good.
Photography
Florence Nightingale: Photographic Portrait Print. Embossed with a Brown Bothers stamp lower right. 14" x 19". Framed to an overall 16" x 21". Fine condition. From the Collection of the American Red Cross. This lot requires 3rd party shipping.
Four Ninth Plate Ambrotypes in Accordion Case, Circa 1861. Maroon leather with push button closure and embossed gilt decoration Near perfect condition, just slight wear to the gilt and really the first example we've seen. All four images bright and crisp. Appear to be a mother, father, and two children. Exceptional example of a great photographic rarity.
Half Plate Thermoplastic Photo Case: "American Country Life - Summer's Evening" (Krainik #8, Berg 1-12). Perennially one of the most desirable cases, exhibiting absolutely remarkable die work. Apparently fabricated of a rather fragile composition as these cases often surface in rather poor condition. This, however, is an excellent example. Some scattered tiny edge chips, three slightly larger edge/ corner chips, and one, very minor, indeed negligible, 2" hairline, overall excellent. Original A. P. Critchlow & Co. paper label about perfect. Houses a nice ambrotype, circa 1860, of two rather nefarious looking young men. Interesting image in fine condition. A very desirable case in nice condition with an intriguing image.
Half Plate Thermoplastic Photo Case: "The Washington Monument, Richmond, Virginia" (Krainik #4, Berg 1-122) This specimen has one minor corner chip on the reverse side, else mint. There is no image. The original "S. Peck & Co. Union Case" label is near perfect. Accompanied by a circa 1875 stereo view by Anderson Gallery, 920 Main St, Richmond, Virginia titled "Washington Monument" with a frozen fountain in the foreground and the monument in the background, about perfect. Nice set and another exceptional example of this very desirable case.
Military & Patriotic
James Otto Lewis: Print, "View of the Great Treaty Held at Prairie du Chien," Circa 1825. The full color print, from Lewis's Aboriginal Port Folio, measures 17.75" x 11.25". It pictures soldiers and Indians in their places during an actual session of the treaty negotiations. Light soiling and edge tears, else, fine.
Antiques
Joseph Edward Knowles: Hand Colored Etching, Indian Chief on Horseback. The etching measures 13" x 9.75" and is glued to matting board (15.5" x 13.5" overall). Signed in pencil in lower right, "Jos Knowles." Toned where matted, else near fine.
Miscellaneous
Nineteenth Century American Collar Box. The brown thermoplastic lid displays the very rare motif of a profile bust of Pope Pius IX. First example we've encountered. Marked on the bottom of the wooden box "Scovill Mfg. Co. N. Y.". Just some scattered small flakes/chips along the edge of the lid, overall excellent. Double brass hinges, the clasp for closure is missing. A collectible category unto themselves, this being one of the rarest of the known motifs.
Photography
Ninth Plate Ambrotype: Twenty-Five Year Old Female, Circa 1861. Absolutely first generation, not a copy image. Wearing an elegant off the shoulder period gown with jewelry highlighted in gilt. Very fine quality, some bluing but bright and crisp, just one very minor diagonal scratch at lower right, negligible. Housed in a scarce thermoplastic case, with the the central theme of a deep relief female highland dancer on both sides. Original Holmes, Booth and Hayden label inside. Small chips on three of the eight corners and chip at clasp, else about perfect. Rare image in a very scarce case.
Ninth Plate Daguerreotype: Portrait by Antoine Claudet, Circa 1848. Although French, Claudet was one of the first photographers to bring the daguerreotype process to England, having originally purchased a license form Daguerre in 1839, and operating several galleries from 1841 until his death in 1867. This example is housed in a maroon pebbled leather top hinge case, which is embossed in gilt on the front "18 King St.Strand & Colosseum/ Claudets/ Daguerreotype", case near mint. The image has been resealed and possibly professionally cleaned. Striking subject, hairlines that appear to be the result of the polishing process, else perfect condition. Nice image by an important photographer.
Ninth Plate Daguerreotype: Bust of a Young Woman by Kilburn, London. William Edward Kilburn opened his daguerrian studio on Regent Street in London in 1846, and was soon recognized as one of the craft's most capable and aesthetically skilled artists. This bust portrait of an attractive young woman is nicely posed in semi profile, with her neckpiece delicately tinted pink. The image is untouched/ uncleaned and in perfect condition. Red pebbled leather top hinge case also about perfect, with gilt embossed logo on the front "By Appointment/ Mr Kilburn/ 234 Regent St." with English royal seals. A scarce and important daguerreotype.
Photograph: Large Albumen Image of Ned Buntline, "Buffalo Bill" Cody, and "Texas Jack" Omohundro. This wonderful image, taken in 1876 and measuring 13" x 16", is mounted on paper backed by linen. Several holes and creases, but well worth restoration.
Photograph: Two Boys on a Bicycle. Not signed. 4.25" x 3.5". Archivally framed to an overall 16.75" x 14.5". From the Collection of the American Red Cross. This lot requires 3rd party shipping.
Antiques
Lot of Three Hand-Colored Prints. Includes: "View on the St. Lawrence. Indian Encampment", Currier & Ives, 16" x 12", toned, good; "The Pioneer Cabin of the Yo-simite Valley", Currier & Ives, 14" x 11.75", uneven toning, stains, fair; and, "Scenery of the Upper Mississippi", J. Gemmell, 14" x 10", toned, good.
Lot of Two Early Colored Lithographs. Includes: "The Death Shot" by Currier & Ives, 16" x 12", and "L'Amerique" by Aumont in Paris,11" x 15.5". Both are stained, soiled, and foxed. "L'Amerique" is mounted on board, the other is chipped and torn along the edge. Fair.
Photography
Quarter Plate Ambrotype: American Boy in Full Scottish Regalia, Circa 1860. Wearing a kilt, knee socks, waist length jacket, sporran, rolled cape and feathered cap, the ten year old boy leans on a Hitchcock chair at his side. Absolutely exquisite quality, pristine condition. Housed in the original book type red leather case, clasp missing, else perfect. A scarce image with irresistible charm.
Quarter Plate Daguerreotype: Portrait of a Young Man, Circa 1853. Superb quality, pristine condition, untouched/uncleaned with the original seal intact. Housed in an unusual black leather case with gilt embossed decoration including a spray of flowers on the front cover. Hinge neatly repaired, else about perfect. The most unusual detail is the hand embroidered, faux jewel studded, custom storage case in which the image was found. Wonderful piece of folk art in excellent condition and unique in our experience. Case is lined with plaid silk. Great presentation and a very nice image.
Quarter Plate Daguerreotype by Marcus Aurelius Root: Identified Elderly Woman, Dated 1851. Root was taught the daguerrian process by pioneer photographer Robert Cornelius in 1840. He owned a series of galleries in several American cities before purchasing the gallery of John Mayall, at 140 Chestnut St. in Philadelphia, in 1846, the point of origin of this image. Root subsequently opened galleries in New York and Washington and in 1864 penned one of the seminal works on the medium of photography, "The Camera and the Pencil". The woman wears a lace collar and gloves with a large painted porcelain broach at the throat and a very fancy bonnet of lace and ribbon. Neatly identified in period ink script on the bottom edge of the case "Mrs. G. Y. McAllister 1851." Finest quality, perfect condition. Original seal present, neatly opened to clean cover glass. Housed in the original scarce form floral leather case, hinge split, else about perfect. Root's 140 Chestnut St. logo embossed on the red velvet pad. Very nice portrait by an important photographer.
Quarter Plate Thermoplastic Photo Case: "Sir Henry Havelock" (Krainik #24, Berg 1-27). Very fine example of this scarce case, just some small scattered edge chips but excellent. Motif on both front and back. Contains a nice daguerreotype portrait of a middle age couple, the woman's elegant gown delicately tinted light blue, original seal intact, perfect condition. Scarce case, nice image.
Quarter Plate Thermoplastic Photo Case: "The Parting of Hafed and Hinda" (Krainik #35, Berg 1-29). Very scarce and a really exceptional example with just a couple of tiny edge flakes and one small scratch/hairline, nearly imperceptible, else perfect. This is one of the earlier cases with the original "Holmes, Booth & Haydens" Daguerreotype Photographic and Ambrotype Goods' paper label, excellent. No image. Rare case in very desirable condition.
Quarter Plate Thermoplastic Photo Case: "The Sweet Potato Dinner" or "General Marion in His Swamp Encampment Inviting a British Officer to Dinner" (Krainik #85, Berg 1-23). Very desirable and probably the finest die work of any of the "historical" cases. This is a superb example with just one minor corner chip, else mint, with motif on both sides. Original Littlefield, Parsons & Co. label, perfect. Contains a fair condition ambrotype on an elderly couple. Choice example of this very attractive case.
Antiques
Rare Early Nineteenth Century "Free Trade No Corn Laws" Brass-Plated Snuff Box. 2.5" x 1.4". A brass-plated tin snuff box featuring a large three-masted merchant ship in the foreground with sheathes of grain in the upper corners and the caption "Free Trade No Corn Laws" pressed into the lid. The Corn Laws were import tariffs designed to protect corn (including grains and cereal crops) prices in the United Kingdom of Great Britain and Ireland against competition from foreign imports between 1815 and 1846. The tariffs were introduced by the Importation Act 1815 and repealed by the Importation Act 1846. These laws are often viewed as examples of the movement towards free trade. The snuff box has a few trivial dents, otherwise the hinge and closing mechanisms still function properly. A rare example of early mercantile protest, in very good condition.
Red Cross: Group of Forty-One Vintage Posters. These pieces range in overall size from 14.5" x 22" to 21" x 33", with most averaging 22" x 28". The artists include Norman Rockwell, Jes Wilhem Schlaikjer, John Franklin Whitman Jr., Lawrence Wilber, Bradshaw Crandell, N. C. Wyeth, Walter Seaton, R. Kauffmann, James Montgomery Flagg, Stevan Dohanos, Jessie Wilcox Smith, and more. The dates of the posters range from the 1940s to the 1980s. From the Collection of the American Red Cross.
Photography
Sixteenth Plate Tintype in Book Type Case with Washington Equestrian Motif, Circa 1858. Not listed in Berg. An exceedingly rare case, the first example we've seen, with the iconic image of Washington mounted on horseback doffing his hat, embossed in an oval medallion on the front. Red Moroccan leather, gilt sides, brass clasp for closure. A couple of worn spots on back side edge, else excellent sound condition. Houses a tintype bust of a young woman, perfect. Rare opportunity for the advanced case collector.
Sixth Plate Ambrotype Portrait in Papier Mâché Case, Circa 1861. With extensive mother of pearl and wire inlay, brass clasp hinge (CI49). Painting bright and crisp, inlay work perfect with no loss. front cover nearly separated, but no loss and easily restored. Image fine. A very rare case in very desirable condition.
Sixth Plate Ambrotype: Portrait of a Little Girl, Circa 1861. Very cute portrait and housed in a very rare maroon pebbled leather book style case with a 1.85" circular medallion, enclosing a profile bust of Washington, embossed in deep relief on the front cover. Sides of the case gilded, brass clasp for closure. The image is clear glass with a blackened tin back, perfect. The front hinge on the case is weak but intact, else about perfect. Attractive image in an extremely rare case.
Sixth Plate Ambrotype: Post Mortem Portrait of a Little Girl, Circa 1858. Very early ambrotype, original seal intact, untouched. Mat marked simply "Patent", clear glass with the inside of the case darkened. Child, with clearly post mortem "waxened" complexion, surrounded by blankets. Original leather case with urn motif. Image superb quality, both image and case in about perfect condition. An exceptional example of this unusual Victorian photographic phenomenon.
Sixth Plate Ambrotype: Unusual Portrait, Circa 1860. A bearded gentleman is seated, with his arm resting on a table, wearing a high top hat, facing away from the camera. Absolutely unique in our experience and most intriguing. Superb quality, pristine condition. Clear glass with blackened reverse. Housed in a half case, and an interesting addition to any nineteenth century image collection.
Sixth Plate Daguerreotype: Portrait by Beckers & Piard of New York City, Circa 1851. An attractive young woman. Very rare. Alexander Beckers was one of America's pioneer photographers, receiving his instruction from Frederick Langenheim in 1842. He soon struck out on his own and in 1844 produced the first whole plate daguerreotypes of New York City. The firm became Beckers & Piard in 1849 and they remained at the 201 Broadway address until 1853. Superb quality, pristine untouched condition. Housed in the original mint leather floral case imprinted in gilt on the silk pad "Becker & Piard/ 201 Broadway/ New York" with the central motif of an eagle. An important American daguerreotype in superb condition.
Sixth Plate Daguerreotype: Portrait by Matthew Brady, Circa 1855. Horizontal view, probably a mother and daughter, nicely posed. The rose medallion leather case is mint, the velvet pad embossed with Brady's logo, "Brady's/ Daguerrian Miniature/ Gallery/ 205 & 207 Broadway/ New York". Pristine image, untouched/ uncleaned, original seal present, neatly opened to clean the cover glass. A very nice Brady daguerreotype.
Sixth Plate Daguerreotype: Portrait of Two Women Housed in a John Plumbe Case, Circa 1845. Plumbe was another of America's most important pioneer photographers, and learned the daguerrian process in 1840. In addition to opening a string of galleries, Plumbe also engaged in the manufacture of daguerreotype goods, including these cases. The image is clearly the work of a highly skilled photographer. Beautifully posed with the older woman at left in profile. The younger woman at right, probably her daughter. Both women with elegant gowns with delicate lace. Superb quality, a few minor hairlines but untouched/ uncleaned. the original seal present but opened to clean the cover glass. The geometric leather case is near mint condition and embossed in the center of the front cover, "Plumbe/ Manufacturer./ N. Y." Wonderful image, scarce and historic case.
Sixth Plate Daguerreotype: Portrait of a Young Woman, Circa 1848. Vase with a large bouquet of flowers on the table at her side, she holds a rolled up newspaper in her hand. The paper probably related to her rather sad expression. Image untouched/ uncleaned, perfect condition, with delicate tinting on the dress. Housed in a very scarce "Home in the Country" scenic leather case in about perfect condition. Nice expressive image and a very desirable case.
Sixth Plate Daguerreotype: Portrait of Two Little Boys, Circa. 1855. Younger boy at left stares at the camera with a defiant, if not angry, look, wearing an unusual, almost costume like, belted tunic. Older boy at right with his arm around his younger brother holding a large felt hat. Very fine quality, perfect condition. Original seal intact. Housed in a geometric half case, fine. Nicely done portrait.
Sixth Plate Thermoplastic Photo Case: "Seated Liberty with Shield" (Front) and "Seated Liberty with Shield and Stars" (Reverse) (Krainik #106/108, Berg 1-68). This is a very rare variant with the design on the reverse being incised/etched, with the design on the front in deep relief. First example we've seen. Just some very minor wear on one corner, possibly moulded that way, else mint. No image, with the original Littlefield, Parsons & Co. paper label, excellent. A very rare case.
Sixth Plate Thermoplastic Photo Case: "The Ten Dollar Gold Piece" (Krainik #164, Berg 1-71). Very scarce with just a hint of wear on the gilt finish on the medallions on both sides, else mint. Houses a nice ruby ambrotype, circa 1861, of a character-laden elderly man, very nice. Few, if any, finer.
Stereoview: Professor Samuel Archer King's Balloon in Flight July 4, 1874. 7" x 3.5". C. L. Pond studio imprint. The image is captioned "Prof. King's Mammoth Balloon 'Buffalo" - Altitude 2,000 Feet. From Buffalo to New Jersey, Five States Traversed in 13 hours." A remarkable image of King's balloon "Buffalo" taken in flight on his historic 500 mile journey. Excellent condition.
Stereoview: Woman Astride a Velocipede, Circa 1870. 7" x 3.5". Geo. W. Thorne, New York photographer's stamp on verso. An interesting stereo image of a young woman riding an early "boneshaker" type velocipede. She is presumably attired in the appropriate cyclist attire of the period including fringed shoes, knee pants, and jaunty tam. A superb image in near fine condition.
Trio of Extraordinary Imperial Cabinet Cards Featuring Bicycles, Circa 1890-1900. 10" x 8". "Extra Paris Foster, Richmond, VA." studio imprint at the lower left corner of each image. These remarkably clear images show two men, probably brothers, enjoying a lark in the photographer's studio posed with their bicycles. Two of the images show the "aftermath" of a crash as one of men flounders twisted with his bicycle on the ground and the other seeks to render aid. The third image is a more serious, and typical posed shot of the men standing with their bicycles. The photography is so amazingly clear that you can almost read the manufacturer's plate on one of the bikes, and the hat maker's mark in the overturned derby in one of the shots. Both men are identified in pencil notation on the verso of each image. All three examples are in fine condition.
Books
Western Americana: The Broncho Book, Being Buck-Jumps in Verse Signed by "Captain Jack" Crawford. (East Aurora [New York]: Roycrofters, 1908). 143 pages, octavo, leather spine and original boards. The book is inscribed and signed, "Yours Sincerely, J. W. Crawford, Capt. ____, 1911". John Wallace "Captain Jack" Crawford (1847-1917) was known as "The Poet Scout." He fought in the Civil War and in 1875 was appointed Captain of the Black Hills Rangers militia. He later joined William "Buffalo Bill" Cody's show. The spine has rubbing, else very good.
Photography
Whole Plate Ambrotype: Stunning Portrait of Two Children, Circa 1861. Obviously brother and sister and as elegantly dressed as any subjects we've ever seen. Absolutely superb quality. Oddly there is a rub in the space between the two children, significance unknown, else perfect condition. Professionally framed with the original gilt edge period paper mat. Ex-Jinny Moe collection. A great ambrotype portrait. This lot requires 3rd party shipping.
Stereoview: No 144 "Mohave Indians" by O'Sullivan. From the series "Expedition West of the 100th Meridian - Expedition 1871, Lieut. Geo. M. Wheeler, Com'dg." as seen along the right edge. 7" by 4". T. H. O'Sullivan is noted as the photographer. Flat card on yellow mount in very fine condition.
Military & Patriotic
World War I Poster: "Americans All! Victory Liberty Loan", Howard Chandler Christy, 1919. Forbes, Boston, 27" x 40". One of the artist's famed "Christy Girls" holds up a laurel wreath while standing in front of the U.S. flag and a Greek column. The "Honor Roll" lists the names of major contributors representing various ethnic groups among the "American Melting Pot," a popular historical concept of the period. the poster is linen backed, with bright, bold colors. About mint.
Photography
Stereoview: No. 65 "Indians of the Colorado Valley". Cabinet size albumen mounted 6.875" by 4.5". Photograph by Hillers. Published by J. F. Jarvis , Washington D.C. " U.S. Typographical and Geological Survey of the Colorado river of the West." Dated 1874. Flat card, yellow mount with red lettering. Pink label on verso. Light age wear. Tiny crease in the bottom right corner of the mount. Wear or chip to the bottom left corner of the mount.
Stereoview: No. 19 Zuni Indian "Braves" Pueblo, N.M. by O'Sullivan. A wet-plate albumen cabinet stereoview , 7" x 4". flat card, light gold mount, from the series Expedition of 1873 War Department, Corps of Engineers, U.S.A. - Geographical Explorations and Surveys West of the 100th Meridian." Light age wear to the mount edges, slight corner bump lower right. the right image has some tiny spots that may have been a part of the negative. Great view of the Zuni braves and some young boys.
Stereoview: No. 8 War Chief of the Zuni Indians by O' Sullivan. A wet-plate albumen cabinet stereoview , 7" x 4". Flat card, light gold mount. Pink paper label on verso with title and number. From the series "Expedition of 1873 War Department, Corps of Engineers, U.S.A. - Geographical Explorations and Surveys West of the 100th Meridian." Fine condition with only slight age toning and wear to the mount.
Miscellaneous
Jesse James: Gripping Account of the Outlaw's Death and Subsequent Events. A full-page from the Cleveland Weekly Herald of April 7, 1882, featuring a two column detailed account of the events. "The Notorious Bandit and Train Robber, Murdered by the Ford Brothers at His Own Home....Bullet Through His Brain." The writing style evidences the awe in which James was widely held despite his outlaw status. The paper is a great display condition, having been preserved flat and free of the creases typically seen. Minor water stain in one corner. 18" x 24".
American Indian: 1901 United States Government Grant to a Kiowa Indian for 160 Acres of Land "West of the Indian Meridian in Oklahoma". The 10.5" x 16" printed document is completed in ink for "Clouse Thaddlemah, a Kiowa Indian residing on the Kiowa, Comanche and Apache Reservation". Signed by F. M. McKean as Secretary for President William McKinley, with embossed red paper seal. Executed August 25th 1901. Fold lines, else perfect. Very impressive.
American Indian: 1901 United States Government Grant to a Kiowa Indian for 160 Acres of Land "West of the Indian Meridian in Oklahoma". The 10.5" x 16" printed document is completed in ink for "Tso-a-te, a Kiowa Indian residing on the Kiowa, Comanche and Apache Reservation". Signed by F. M. McKean as Secretary for President William McKinley, with embossed red paper seal. Executed August 25th 1901. Light fold lines, else very fine.
American Indian: 1901 United States Government Grant to a Kiowa Indian for 160 Acres of Land "West of the Indian Meridian in Oklahoma". The 10.5" x 16" printed document is completed in ink for "Dain-quodle or Mattie Asah, a [female] Kiowa Indian residing on the Kiowa, Comanche and Apache Reservation". Signed by F. M. McKean as Secretary for President William McKinley, with embossed red paper seal. Executed August 25th 1901. Fold lines, else perfect.
American Indian: 1901 United States Government Grant to a Kiowa Indian for 160 Acres of Land "West of the Indian Meridian in Oklahoma". The 10.5" x 16" printed document is completed in ink for "Tsen-ge-ah, a Kiowa Indian residing on the Kiowa, Comanche and Apache Reservation". Signed by F. M. McKean as Secretary for President William McKinley, with embossed red paper seal. Executed August 25th 1901. Fold lines, else perfect.
American Indian: 1901 United States Government Grant to a Kiowa Indian for 160 Acres of Land "West of the Indian Meridian in Oklahoma". The 10.5" x 16" printed document is completed in ink for "George Bointy, a Kiowa Indian residing on the Kiowa, Comanche and Apache Reservation". Signed by F. M. McKean as Secretary for President William McKinley, with embossed red paper seal. Executed August 25th 1901. Fold lines, else perfect.
American Indian: 1901 United States Government Grant to a Kiowa Indian for 160 Acres of Land "West of the Indian Meridian in Oklahoma". The 10.5" x 16" printed document is completed in ink for "Alfred Tahome, a Kiowa Indian residing on the Kiowa, Comanche and Apache Reservation". Signed by F. M. McKean as Secretary for President William McKinley, with embossed red paper seal. Executed August 25th 1901. Fold lines, else perfect.
American Indian: 1901 United States Government Grant to a Kiowa Indian for 160 Acres of Land "West of the Indian Meridian in Oklahoma". The 10.5" x 16" printed document is completed in ink for "A-tau or Fannie Maunkee, a [female] Kiowa Indian residing on the Kiowa, Comanche and Apache Reservation". Signed by F. M. McKean as Secretary for President William McKinley, with embossed red paper seal. Executed August 25th 1901. Fold lines, else perfect.
Transportation
Southern Pacific Passenger Guides for California, Arizona, and Nevada, Circa 1907-1908, Lot of Ten. These informative resource booklets were issued by the Passenger Department of the Southern Pacific Company, San Francisco, California. The publisher indicates that they "have been prepared with great care from notes and data gathered by local agents with a special eye to fullness and accuracy". Each small handbook is uniform in size (4.75" x 6.5"), bound in pictorial wraps, most of them color, and filled with descriptive text, illustrations, photographs and maps. The titles include The Sacramento Valley of California by A. J. Wells, 1908, 96 pages, modest cockling to the paper throughout, else very good; The Inside Track: The Way Through the Wonderful Fruit and Flower Garden of Southern California, 1907, 24 pages, very good; Imperial Valley California, 1908, 37 pages, excellent condition; Eat California Fruit by One of the Eaters, 1908, 38 pages, slight damp cockling, else very good condition; The Yosemite Valley and the Mariposa Grove of Big Trees of California by A. J. Wells, 1907, 64 pages, slight damp cockling, wraps detached but present and easily repaired, else very good; The San Joaquin Valley of California by A. J. Wells, 1908, 96 pages, modest damp stain throughout, else sound and in very good condition; The Klamath Country: Its Opportunities and Resources, circa 1908, 16 pages, minor damp cockling throughout, top edge of paper along the spine edge of the front wrap abraded, else very good; The New Arizona: Homes and Wealth for Out-of-Doors Folks by A. J. Wells, 1907, 80 pages, wraps detached but complete and easily repaired, slight damp stain to extreme top and bottom of pages, else very good; Government Lands in Nevada, circa 1908, 24 pages, ever-so-slight damp stain at the extreme top and bottom of pages, else very good, and The New Nevada: The Era of Irrigation and Opportunities by A. J. Wells, 1908, 59 pages, slight damp stain at the extreme top and bottom of pages, else very good.
Photograph of Southern Pacific Engine No. 1150 at the Sparks, Nevada Depot, Circa 1900. Cabinet card, 4.25" x 4", mounted on studio card to an overall size of 6.5" x 5.5". Unknown studio. A beautiful image of Southern Pacific engine 1150 making a stop at the Sparks, Nevada depot. On the verso of the studio card in pencil is written "George Abbott/ Engineer at Sparks/ Abbott Hotel Also". The image also depicts members of the engine's crew - an long-spouted oil can appears between two rather dirty crew members, and cleaner members of the local citizenry are gathered about. There is an area of slight overexposure in the central portion of the image and it appears that the photograph was taken on an overcast day, otherwise the details are sharp and the photograph is in excellent condition.
Western Expansion
1859 Pamphlet Oration Delivered Before the Society of California Pioneers, at the Celebration of the Eighth Anniversary of the Admission of the State of California to the Union. This twenty page string-bound pamphlet measures 5.5" x 9", and was printed in San Francisco in 1859. It comprises an oration given in San Francisco on September 9, 1859 by Willard B. Farwell, a noted California writer of the time, as well as the poem "California" by John Rollin Ridge, a Cherokee poet and writer who had only just arrived in California. The pomp and circumstance of the occasion is recorded in the brief preface to the oration: "The Society entered the theatre [American Theatre] at the rear, together with their escort, and were formed upon the stage in very beautiful order by the Marshal, the military occupying each of the wings. When the curtain rose, the effect was a very splendid one, the brilliant uniforms of the military, and the members in their regalia making a very beautiful display." Land baron James Lick presented the Society with a lot of land at the corner of Montgomery and Gold streets to mark the occasion. Farwell's eloquent speech gives wings to the promise of the fortunes that were to be California's future destiny. The pamphlet exhibits scattered light foxing throughout, with more modest areas of damp stain. The front wrap is missing; the rear wrap detached but present. All things considered, in very good condition.
Independent Order of Odd Fellows: 1869 Constitution and By-Laws of Independence Lodge No. 158, Railroad Flat, State of California. 4" x 5.75", sixty-two pages, printed wraps, printed in San Francisco, California by Jos. Winterburn & Co. An early copy of IOOF by-laws for a California Gold Rush region. From the rules concerning membership: "All candidates for initiation must be free white males of the age of twenty-one years and upwards, of sound health, of good moral character and industrious habits, having some respectable means of support." The booklet has only a few closed tears and a slight fold crease to the front cover, else in near fine condition.
1872 The Traveler's Guide and Oregon Railroad Gazetteer. Published monthly by L. Samuel, General Advertising Agent, Portland and printed by Himes & Bachelder, Portland. 4.5" x 7", ninety-six pages, printed wraps, several engraved illustrations throughout. An incredibly detailed travel guide "For Free Distribution, Daily, on Railways, Streamers and Stages, Throughout Oregon and Washington Territory". The booklet contains information on stops and fares for stages, the railroad, and steamships, and illustrations of various points of interest in the territory. Throughout there are extraordinary advertisements for hotels, newspapers, outfitters, hardware stores and dry goods establishments. There are also full page ads for two of the West's most prominent and important photographers, C. E. Watkins and his Yosemite Art Gallery and Isaiah West Tabor's San Francisco Art and Photography Gallery. Some discoloration, small chips and closed tears, and creasing to the wraps, old repair to the spine, else internally sound and in very good condition.
Royal Arch Masons: 1872 By-Laws, Silver City, Idaho Territory. 3.75" x 5.75", twenty-one pages, printed wraps. This remarkable little booklet contains the by-laws for the Cyrus Chapter No. 2, of Royal Arch Masons, which was chartered on September 20, 1871 in Silver City, Owyhee County, Idaho Territory. The chapter's initiation fees very much reflect the fact that they were situated in valuable gold and silver fields as "Every petition for the Degree shall be accompanied with fifty dollars". Typical initiation fees in non-mining areas would have been considerably less, one assumes. The booklet is in remarkable condition with only some light soiling to the cover and a few scattered ink stains on a couple of internal pages.
Free and Accepted Masons: 1866 By-Laws of the Silver Star Lodge No. 5, Gold Hill, Nevada. 3.75" x 5.5", twenty-nine pages, printed wraps, printed in Sacramento, California by H. S. Crocker & Co. Printers and Stationers. This Masonic by-law booklet represents the earliest yet known from the mining camp at Gold Hill, Nevada. In addition to the by-laws the booklet contains detailed procedures for conducting funeral services, presumably an important and frequent ritual due to the alarming number of mining accidents in the Comstock Lode. The booklet contains a roster of members, including those expelled, suspended for various reasons and the deceased. In excellent internal condition, with a transparent stain covering about 40% of the front cover.
Advertising
American Express Company Denver Depot Wax Seal Stamp, Circa 1900-1915. 2.5". A rare wax seal stamping device as used by American Express for marking valuable currency shipments. The nickel-plated steel handle is braised to a brass oval head reading "American Express Co. Mon Dep't Denver, Colo. Depot." The nickel has mostly worn off the handle and there are numerous dings on the brass head, else it is in very good condition.
Miscellaneous
1914 Wells Fargo & Company Express Official Directory. 5.75" x 7". 160 pages, printed wraps with cloth spine. The guide lists thousands of destinations for Wells Fargo deliveries in the United States, the District of Alaska, Hawaii, the Yukon Territory, and Mexico. In addition are lists of the general officers, administrative staff, travelling agents, and information about the company's services. An interesting two-page history of the company appears at the front of the guide. Only minor scuffing to the wraps, otherwise in fine condition. A ticket with the rates for money orders is attached via a string to the metal hanging ring.
Western Expansion
1898 Santee Agency, Nebraska Indian Newspaper "Iapi Oaye" (Word Carrier). 10.75" x 15". Volume XXVII, Number 5, dated May, 1918. Four pages. Alfred L. Riggs, publisher. An early example of an Indian reservation publication. The Santee Agency was located in Knox County, Nebraska. In 1898 there were about 600 Sioux living there. The reservation operated under a constitution and was governed by a Tribal Council. This newspaper is written almost entirely in their native Sioux language with the exception of a couple of advertisements. An interesting late-nineteenth century look at Native American reservation life representing one of the fiercest and most contentious tribes in the West. The newspaper has a few trivial closed tears at the edges and looks to have been disbound from a larger volume, else it is in fine condition.
Antiques
Pair of Beautiful Color Lithograph Posters From The San Francisco Chronicle's Annual 1897. 16.5" x 23.5", printed by Schmidt Lithography Company, San Francisco. Exceptional color lithography wonderfully representing San Francisco's golden era. The first poster features a beautiful California young woman, resplendent in yellow dress and holding a large bouquet of flowers with an 1897 calendar is printed on the verso. The accompanying poster is a colorful representation of California's natural bounty, including flowers, fruit, grain and palm trees, and the verso has wonderful period advertisements for such wondrous products as "Wm Radam's Microbe Killer", Sterling Bicycles - "Built Like a Watch", and a large advertisement for the local branch of the Women's Christian Temperance Union. Central vertical and horizontal fold creases, a few closed tears and some chipping along the margins, else bright and in very good condition.
Photography
"Buffalo Bill" Cody: Classic Cabinet Card, Circa 1880s-1890s. Showing him in his Wild West attire. Facsimile signature on verso. Nice condition, with corners evenly slightly rounded. 4.25" x 6.5".
Exceptional Quarter Plate Tintype: Two Seated Gamblers Playing Cards. An image so remarkably sharp that you can make out the four clubs in the left gambler's hand! Also provides an excellent study of nineteenth century men's sartorial styles and facial hair. Mounted in a full leatherette case embossed with floral designs and framed with a fancy gold mat. Sadly neither the photographer nor the two gamblers are identified. A spectacular image in fine condition; the case is separated at the hinge but is complete and with the exception of minor scuffing, is in excellent condition.
John Durfey, Frontiersman and Indian Fighter: Pair of Cabinet Photographs. Each cabinet card measure 4.25" x 6.5", each with George R. Elliott, Columbus, Ohio studio imprints on the verso. Two posed studio photographs featuring John Durfey dressed in his dime-novel finery. The first image finds Durfey posed standing wearing a heavily fringed jacket, fringed leggings and holding what appears to be a Civil War-era .50 caliber Spencer repeating rifle. In the second photograph Durfey is seated on a buffalo hide rug with his rifle wearing more conventional clothing, posed next to an unidentified "Indian" holding a peace pipe and bow, and wearing the identical outfit (with the addition of a feathered headdress and possible wig) that Durfey was wearing in the first photograph. Presumably these photographs were taken on the same day. On the verso of each photograph is written in ink "Grandpa Durfey". A biography provided by the consignor indicates that John Durfey was originally from Dartmouth, England and arrived in the United States in the 1840s. He enlisted in the Union army and was captured at Gettysburg. He later escaped from Andersonville prison. After the war he became an Indian fighter and frontiersman. Both images have nearly identical creases at the lower left edge which minimally affect the images. And, other than some age toning, the images are crisp and in excellent condition.
Photograph: Early CDV of Ned Buntline, "Buffalo Bill" Cody, and "Texas Jack" Omohundro. 2.5" x 3.75", no photographer's imprint present. The writer, the showman, and the frontier scout pose resplendent in their best "wild west" attire. Mounting remnants on the verso, top edge may have been slightly trimmed, else nice sepia tones and in overall excellent condition.
Miscellaneous
Slot Machine and Liquor Licenses From Goldfield, Nevada, 1915. Each 11" x 8.5" . Both licenses, for three months duration, are made out to a C. R. Evans for a business he operated on Main Street in the mining town of Goldfield, Esmeralda County, Nevada. Evans obtained his liquor license first (cost $75), and six months later the license to operate two slot machines (cost $30). The licenses are signed by the town's sheriff, deputy, auditor and treasurer. Goldfield was a famous Nevada mining town which flourished in the early twentieth century. Other than some trivial toning and soiling, both licenses are in fine condition.
Photography
Mule-Drawn Mud Wagon Stagecoach with Armed Guards, Chihuahua, Mexico, Circa 1890s. Image size 7.75" x 4.5", overall 8.5" x 5.25", Mrs. A. S. Addis, Chihuahua, Mexico photography studio imprint. This spectacular cabinet photograph was taken in front of a Chihuahua, Mexico bank and features a mud wagon type stagecoach which has presumably just taken on a load of money or other valuables. Four well-armed men surround the driver and the locked transit box at his feet. The image provides excellent views of the detail of the stagecoach, its mule team, the architecture of the bank, and the citizenry witnessing the scene. An exceptional image, rich in detail, and in fine condition.
Wonderful Brady Carte de Visite of Unidentified Mountain Man. 2.5" x 4". No photographer's imprint but penciled notation on verso identify it as a Brady photograph. This is a rather perplexing image with some rather intriguing, and conflicting clues, as to just who this imposing mountain man might be. The subject stands in three-quarter profile wearing a heavily fringed buckskin jacket and pants with a buffalo robe over his shoulders, and sports a bear-claw necklace. He holds a bow in his hands and is surrounded by Navajo blankets used as props. The verso of the image has an old ink caption "Gen. Arney". This cataloger has found no general of that name in the Civil War personnel database or in general research on the internet. A more modern pencil notation on the verso reads "There was pen notation on back; incorrect bio of Gen. U.S. Harney. Arney was N.M. ter. Gov. & scout." It appears that the writer has confused the Arney in question with William A. Pile, a Union major general during the Civil War from Missouri and eighth territorial governor of New Mexico. With some application of imagination the subject in the image does bear some resemblance to existing photographs of Pile. Whether this is Governor Pile or an unknown mountain man, it remains a wonderful image. Minor wear at mount corners, slight abrasion on the verso from the erasure of the original ink notation, else very fine.
Western Expansion
Western Americana: Matched Pair of Advertising Harness Gear from Dearborn, Missouri, Circa 1890. This set of deeply hand-tooled harness leather flaps measure 18" x 8". Each flap has a stitched rim and decorative brass tacks along the edge. The flaps secured with copper rivets in the upper corners and have notches for straps. Each flap is tooled with "J. C. Anderson / Dearborn - Mo.". The leather remains supple and the brass tacks have a lovely patina. Fine and rare.
Simulated "Gold Nugget" Ladies Hat Pin with a Copy of the Original 1904 Patent Paper. 6.5" overall. A large simulated gold nugget with small pieces of real white quartz embedded in it. This interesting hat pin was made in Cripple Creek, Colorado to capitalize on the interest in Colorado's most productive mining district. This example is from new old stock from the patent-holder's Cripple Creek jewelry store. Ernest F. Bennett's patent (752,816) is dated February 23, 1904, and that very date is stamped on the pin. A modern printed copy of Bennett's patent is included with the hat pin. In unused condition.
Photography
George Fiske, Photographer: Yosemite Stage & Transportation Company Coach Going Down the Grade into the Yosemite Valley, Circa 1885. Image 7.5" x 4.25", overall 7" x 10". A rare action photograph of a Y. S. & T coach kicking up a cloud of dust as it travels down Wawona Road into the Yosemite valley. Through the dust you can clearly see the driver's leg against the brake slowing the wagon as it makes its way down the grade. Also clearly seen are several passengers including a woman wearing a hat bravely enduring the dust. The photograph has been caption in ink on the lower border. The photographer, George Fiske, worked for many of the West's best known photography studios before becoming Yosemite's first year-round photographer, with a studio opposite the church in Yosemite Valley. This photo, which was at one time mounted in an album via the left edge, has exceptional warm sepia tones and is in excellent condition.
Cabinet Photograph of Whimsical Tombstones on Main Street, Larned, Kansas 1882. 4.25" x 6.5". No photographer's imprint. Penciled identification on the verso "B. F. Bickel/ Larned/ Kansas/ 1882." A macabre joke, staged on a dirt street in Larned, Kansas featuring two "graves", complete with boots protruding from the dirt and hats respectfully laid atop the mounds, and with readable wood markers. One reads "In Memory of N. B. Freeland, Vene Vidi Vici", the other "In Memory of R. H. Ballinger Sic Semper Tyrannis". Clearly visible in the background is a drug store and harness shop. The exact meaning of the joke is currently lost to history, but further research might unlock the mystery. Freeland was a prominent Larned attorney and Ballinger was the editor of the local newspaper. The consignor has provided detailed biographies of both men which will accompany the photograph. The mount has significant chipping along the left and bottom edges, otherwise the image remains relatively sharp, and in good condition.
Ned Buntline: Early Carte de Visite of the Dime Store Novelist. 2.5" x 4". No photographer's imprint. Buntline, looking like a character from one of his novels, poses wearing a fringed jacket, remarkable hat, and beaded knife sheath. The image is backed with old linen. There is a small loss at the top corners and the image has darkened slightly with age, otherwise it is in overall excellent condition.
Cabinet Photograph of Mt. Hamilton Stage Coach in Yosemite With Bridalveil Fall in the Background, Circa 1890s. Image 8.75" x 6.5", overall 11" x 8". No photographer's imprint. A classic mud wagon type stagecoach drawn by four horses carries eleven passengers on a sightseeing excursion in Yosemite with Bridalveil Fall clearly seen in the background. The passengers, eight woman and three men. are dressed in their Sunday finest. An excellent sepia image with some loss to the bottom of the mount and scattered soiling to the rest of the mount, neither of which affects the excellent image.
Western Expansion
Rare Anti Horse Thief Association Glass Bridle Rosettes, Circa 1890-1900. 1.75" in diameter. A matched pair of rare and unusual A.H.T.A. bridle rosettes constructed of thick beveled glass with steel backs. The association's "A.H.T.A." horseshoe logo is visible through the glass. The Anti Horse Thief Association was organized in Fort Scott, Kansas in 1859. It shared many similarities with other vigilance committees of the period but refrained from some of the baser tactics employed by many of those groups. The A.H.T.A. initially focused exclusively on apprehending horse thieves but later diversified into other areas. There is no damage to the glass and the steel backs are slightly rusted, otherwise these remarkable rosettes in fine condition.
Photography
Matthew Brady CDV: California Mountain Man. Portrait dated 1864 depicting "Seth Kinman, California Hunter and Trapper, who presented President Lincoln with the Elk-Horn Chair." He is depicted in buckskins, beaver hat, fur bandolier, clutching a flintlock rifle in his lap. Kinman later gave President Johnson a chair made of bear fur and claws. Gold-ruled borders with photographer's credit and back mark, corners slightly clipped.
Books
Oregon and Washington Territory: Scarce 1876 Travelers and Immigrants Guide. Printed and published in Portland by Geo. H. Himes Steam Printing Establishment, 192 pages. A valuable resource, it contains all sorts of information about the Pacific Northwest in those days, plus a wide variety of advertisements from local businesses and merchants. In remarkably clean condition for such a fragile publication. 4.25" x 8.25".
Miscellaneous
Buffalo Bill's Wild West Show Program and Wild West Camp Stationery. Included is a program for a July 16, 1898, performance of Buffalo Bill's Wild West and Congress of Rough Riders of the World in Saginaw, Michigan. The program measures about 7.5" x 9", is die-cut in the shape of a bison's head and includes thirty-two pages of show information, illustrations of performers, historical information, and even poetry. The program's paper covers are slightly chipped, otherwise it is in very good condition. The stationery measures 4.5" x 7" folded and is printed in the upper right corner "Wild West Camp./ Earl's Court, S.W.". A contemporary autograph note accompanying the sheet reads "Buffalo Bill Wild West Stationery Used in London, Eng., 1891 Compliments 'Doc' Chambers by John A. Stryker 'Buffalo Bill's Home Town,' North Platte Nebr." John A. Stryker was a noted photographer of western scenes. The stationery has suffered a 2.5" x 3" loss at the lower right corner, the paper is slightly age toned, and there is a small ink "3" in a circle at the upper left corner, otherwise it is in good condition.
Antiques
Eleven Original Pen and Ink Boxing Cartoons From The Police Gazette, Circa 1885-1895. These eleven remarkable pen-and-ink drawings were the original illustrations for inclusion in various editions of The Police Gazette in the late nineteenth century. Each features famous American, Irish, Australian and English boxers of the day. Richard Kyle Fox was the publisher of The Police Gazette, which in the late 19th century was responsible for increasing the popularity of boxing. Each of these cartoons tells a story about a then current boxing match or potential match. Each drawing is hand-annotated with printing size instruction. All examples are in very good condition though all are slightly toned with age, all having mounting remnants on the verso, and a few are rather tatty at the edges.
Military & Patriotic
1884 "Custer Post March" Sheet Music. Three 10.5" x 13.75" printed sheets consisting of a title page with engraved Custer portrait, four pages of musical notation, and one page of advertising, published by W. E. Adair, Cohocton, New York, copyright 1884. Pages slightly toned, else in very good condition.
Photography
Necktie Party Pose for the Camera. A 10" x 8" photo affixed to larger mount, depicting eight adults, two children and a dog posed with five automobiles and a horse-drawn wagon. The seemingly innocuous group is identified in a 1931 presentation inscription as "... the Vigilance Committee of Sedalia, Mo taken July 10, 1920 after the hanging of Kid Saurtin [?]..." Minor soil and wear to corners.
Miscellaneous
Sioux Lyrical Poem Autograph Document Transcribed and Signed by Eli Whitney Blake, Jr., Circa 1872. One page, 4" x 6.25". Eli Whitney Blake, Jr. was the great-nephew of the famous inventor of the cotton gin. He has addressed the poem to "My dear Miss Bridgham - Here is the Sioux lyrical gem". Then follows the text of the poem written in the Sioux language with the literal English translation written above each Sioux word. Blake then translates the poem into more free verse as follows: "Forth Red Eagle hunting fares/ Arrows in his hand he bears/ Fresh and strong his horse today/ Game in plenty he will stay!". Blake also includes a phonetic key for several of the Sioux letter sounds. Blake signs in full "Eli Whitney Blake, Jr." and provides a partial date of "November 10". The paper has some trivial toning at the edges and there is a horizontal fold crease through the center of the poem, else it is in fine condition.
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Mailing Address:
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Dallas, TX 75261-6199
Street Address:
2801 W. Airport Freeway
Dallas, Texas 75261-4127
(Northwest corner of W. Airport Freeway & Valley View Lane)
All Rights Reserved
1-800-872-6467 / (214) 528-3500 / Fax: (214) 443-842